Difference between revisions of "Recording Studio 6"

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<div class="rightbox">[[media:Akg c12 vr manual.pdf|Risk Assessment]]</div>
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<div class="rightbox">[https://testlivesalfordac.sharepoint.com/:f:/r/sites/NewAdelphi/Shared%20Documents/Safety/Technical/Areas/Recording/Risk%20Assessments?csf=1&e=aBayDW Risk Assessments]</div>
  
−
Recording Studio 6 consists of '''Control 6''' (4.21), which is linked to the '''[[Band Room]]''' (3.02).
+
Recording Studio 6 consists of '''Control 6''' (4.21)
 +
This studio is linked to the '''[[Band Room]]''' (3.02).
  
−
Please note that a booking for Studio 6 will not automatically book time in the [[Band Room]]. This booking would need to be arranged separately with the Music Technicians in Room 0.01.
+
Please note that a booking for Studio 6 will not automatically book time in the [[Band Room]]. This booking would need to be arranged separately with the [[Music Technicians]] in '''Room 0.01'''.
  
−
The Studio has a '''24-channel''' [https://audient.com/products/consoles/asp8024-he/overview/ Audient ASP8024 Heritage Edition] mixing desk and an [http://www.avid.com/products/pro-tools-s3 Avid S3] controller. The studios foldback uses the [http://www.musictri.be/Categories/Behringer/Signal-Processors/In-Ear-Monitoring/P16-D/p/P0944 Behringer Ultranet] system which allows up to 16 channels to be sent to the [http://www.musictri.be/Categories/Behringer/Signal-Processors/In-Ear-Monitoring/P16-M/p/P0421 P16-M] headphone amps. The studio also has laptop connectivity using the [http://www.rme-audio.de/en/products/madiface_usb.php RME Madiface USB] and there is audio and video stream access from an external Apple device using the studios Apple TV system. Studio 1 has one TV in the control room which connects to the Studios iMac or to an external computer.     
+
==Control Room==
 +
Control 6 has a '''24-channel''' [https://audient.com/products/consoles/asp8024-he/overview/ Audient ASP8024 Heritage Edition] mixing desk and an [[media:Pro_tools_s3_user_guide.pdf|Avid S3]] controller. Foldback uses the [[media:P16-M_P16-I_P16-D_QSG_WW.pdf|Behringer Ultranet]] system allowing up to 16 channels to be sent to the [[media:P16-M_P16-I_P16-D_QSG_WW.pdf|P16-M]] headphone amps. Laptop connectivity is provided using the [[media:Madiface_usb_e.pdf|Madiface USB]] and there is audio and video stream access for external devices using Apple's AirPlay. There is one TV in the control room which connects to the iMac, Apple TV for AirPlay or an external computer. This studio also has a 5.1 speaker setup.
 +
 
 +
==Live Room==      
  
 
==Equipment==
 
==Equipment==
Line 18: Line 22:
 
|-
 
|-
  
−
! [http://www.avid.com/products/pro-tools-hd-madi Avid]
+
! [https://cdn-www.avid.com/-/media/avid/files/resources-pdf/hdiodsa44.pdf Avid]
−
| [https://mpe.berklee.edu/documents/studio/manuals/converters/Avid%20HD%20MADI/Avid%20HD%20MADI%20Manual.pdf Pro Tools HD MADI]
+
| [[Media:MTRX_Operation_Guide_97330.pdf |Pro Tools Matrix Studio]]
−
| 64
+
| 32
−
| Connects the Pro Tools HDX system to the RME converters.    
+
| Connects the Pro Tools HDX system and the Dante Network    
 
|-
 
|-
  
−
! [https://pro.focusrite.com/category/audiooverip/item/rednet-hd32r Focusrite]
+
! [https://cdn-www.avid.com/-/media/avid/files/resources-pdf/hdiodsa44.pdf Avid]
−
| [https://us.focusrite.com/sites/default/files/focusrite/downloads/23585/rednet-5-hd32r-user-manual-english.pdf REDNET HD32R]
+
| [https://cdn-www.avid.com/-/media/avid/files/resources-pdf/hdiodsa44.pdf Pro Tools HD I/O]
 
| 32
 
| 32
−
| Connects the Dante Network to the Pro Tools HDX System.  
+
| Connects the Pro Tools HDX system 
 +
|-
 +
 
 +
! [https://www.avid.com/products/pro-tools-hdx Avid]
 +
| [https://www.avid.com/products/pro-tools-hdx HDX Card]
 +
| 64
 +
| Digilink PCIE Card
 
|-
 
|-
  
 
! [http://www.rme-audio.de/en/products/m32ad.php RME]
 
! [http://www.rme-audio.de/en/products/m32ad.php RME]
−
| [https://www.rme-audio.de/download/m32ad_e.pdf M-32 AD]
+
| [[Media:M32ad_e.pdf|M-32 AD]]
 
| 32
 
| 32
 
| 32 channel analogue to digital converter which connects via ADAT to the HDSPE RAYDAT card.   
 
| 32 channel analogue to digital converter which connects via ADAT to the HDSPE RAYDAT card.   
Line 37: Line 47:
  
 
! [http://www.rme-audio.de/en/products/m32da.php RME]
 
! [http://www.rme-audio.de/en/products/m32da.php RME]
−
| [https://www.rme-audio.de/download/m32da_e.pdf M-32 DA]
+
| [[Media:M32da_e.pdf|M-32 DA]]
 
| 32
 
| 32
 
| 32 channel digital to analogue converter which connects via ADAT to the HDSPE RAYDAT card.   
 
| 32 channel digital to analogue converter which connects via ADAT to the HDSPE RAYDAT card.   
Line 43: Line 53:
  
 
! [http://www.rme-audio.de/en/products/hdspe_raydat.php RME]
 
! [http://www.rme-audio.de/en/products/hdspe_raydat.php RME]
−
| [https://www.rme-audio.de/download/raydat_e.pdf HDSPe RayDAT]
+
| [[Media:Raydat_e.pdf|HDSPe RayDAT]]
 
| 36
 
| 36
 
| 36 channel PCI Card.   
 
| 36 channel PCI Card.   
 +
|-
 +
 +
 +
 +
 +
 +
 +
 +
|}
 +
 +
===Tape Machine===
 +
{| class="wikitable" style="text-align: center;"
 +
|-
 +
! Manufacturer
 +
! Name
 +
! Channels
 +
! Description
 +
|-
 +
 +
! [[media:Tascam-msr-16-operation-manual-472983.pdf|Tascam]]
 +
| MSR-24S
 +
| 24
 +
| 24 Track 1" Reel to Reel Tape Machine. This machine is 'roaming' and can be reconnected in any studio. 
 +
|-
 +
 +
! [[media:Otari_MX-55T-M,_T,_N-M_(manual).pdf|Otari]]
 +
| MX-55
 +
| 2
 +
| 2 Track 1/4" Reel to Reel Tape Machine. This machine is 'roaming' and can be reconnected in any studio. 
 
|-
 
|-
  
Line 63: Line 102:
  
 
! [http://www.alesis.com/products/legacy/microverb4 Alesis]
 
! [http://www.alesis.com/products/legacy/microverb4 Alesis]
−
| [http://5a18fcdc5c8aa2617926-54d68a14e2e7c1f76563a2d8c3e9fd82.r82.cf2.rackcdn.com/981/documents/microverb4_manual.pdf Microverb 4]
+
| [[media:Microverb4_manual.pdf|Microverb 4]]
 
| Effects Unit
 
| Effects Unit
 
| 1
 
| 1
Line 69: Line 108:
 
| Multi-FX Processor - including Reverb, Delay, Chorus and Pitch Shifting.   
 
| Multi-FX Processor - including Reverb, Delay, Chorus and Pitch Shifting.   
 
|-
 
|-
 +
  
 
! [http://www.bricasti.com/en/pro/m7.php Bricasti]
 
! [http://www.bricasti.com/en/pro/m7.php Bricasti]
−
| [http://www.bricasti.com/images/M7.pdf M7]
+
| [[media:M7.pdf|M7]]
 
| Reverb Unit
 
| Reverb Unit
 
| 1
 
| 1
Line 79: Line 119:
  
 
! [https://dbxpro.com/en/products/1066 DBX]
 
! [https://dbxpro.com/en/products/1066 DBX]
−
| [https://3e7777c294b9bcaa5486-bc95634e606bab3d0a267a5a7901c44d.ssl.cf2.rackcdn.com/product_documents/documents/378_1478116105/1066_Manual_18-2241V-D_original.pdf 1066]
+
| [[media:1066_Manual_18-2241V-D_original.pdf|1066]]
 
| Compressor
 
| Compressor
−
| 3
+
| 2
 
| Stereo
 
| Stereo
 
| Duel compressor with gate/expander and peak limiter.   
 
| Duel compressor with gate/expander and peak limiter.   
 
|-
 
|-
−
+
 
  
 
! [http://www.drawmer.com/products/pro-series/ds201.php Drawmer]
 
! [http://www.drawmer.com/products/pro-series/ds201.php Drawmer]
−
| [http://www.drawmer.com/uploads/manuals/ds201_operators_manual.pdf DS201]
+
| [[media:Ds201_operators_manual.pdf|DS201]]
 
| Gate
 
| Gate
 
| 2
 
| 2
Line 95: Line 135:
 
|-
 
|-
  
−
+
 
 
! [http://www.empiricallabs.com/distressor.html Empirical Labs]
 
! [http://www.empiricallabs.com/distressor.html Empirical Labs]
−
| [http://www.empiricallabs.com/manuals/distressor_manual.pdf Distressor]
+
| [[media:Distressor_manual.pdf|Distressor]]
 
| Compressor
 
| Compressor
 
| 2
 
| 2
Line 106: Line 146:
  
 
! [http://www.korg.com/uk/products/tuners/pitchblack_pro/ KORG]
 
! [http://www.korg.com/uk/products/tuners/pitchblack_pro/ KORG]
−
| [http://cdn.korg.com/us/support/download/files/7867afb42d8e30a7168fb294a67c6fa1.pdf?response-content-disposition=inline%3Bfilename%2A%3DUTF-8%27%27Pitchblack_Pro_OM_EFGSJ2.pdf&response-content-type=application%2Fpdf%3B Pitchblack Pro]
+
| [[media:Pitchblack_Pro_OM_EFGSJ2.pdf|Pitchblack Pro]]
 
| Instrument tuner
 
| Instrument tuner
 
| 1
 
| 1
Line 113: Line 153:
 
|-
 
|-
  
 +
! [https://lexiconpro.com/en/products/mpx1 Lexicon]
 +
| [[media:MPX_1_original.pdf|MPX 1]]
 +
| Reverb Unit
 +
| 1
 +
| Stereo
 +
| Digital Reverb unit with a range of algorithms including Halls, Rooms, Plates, Ambience, Spaces and Chambers. 
 +
|-
  
 
! [http://motu.com/products/midi/xpressxt_usb MOTU]
 
! [http://motu.com/products/midi/xpressxt_usb MOTU]
−
| [https://s3.amazonaws.com/motu-www-data/manuals/midi/MOTU_USB_MIDI_Interface_User_Guide.pdf Midi Express XT]
+
| [[media:MOTU_USB_MIDI_Interface_User_Guide.pdf|Midi Express XT]]
 
| Midi Interface
 
| Midi Interface
 
| 1
 
| 1
Line 123: Line 170:
  
 
! [http://tascam.com/product/da-3000/ Tascam]
 
! [http://tascam.com/product/da-3000/ Tascam]
−
| [http://tascam.com/content/downloads/products/800/e_da-3000_om_vb.pdf DA-3000]
+
| [[media:E_da-3000_om_vb.pdf|DA-3000]]
 
| Digital 2-Track Recorder
 
| Digital 2-Track Recorder
 
| 1
 
| 1
Line 131: Line 178:
  
 
! [https://www.tcelectronic.com/Categories/Tcelectronic/Signal-Processors/Effects/D-TWO/p/P0CJ6 TC Electronics]
 
! [https://www.tcelectronic.com/Categories/Tcelectronic/Signal-Processors/Effects/D-TWO/p/P0CJ6 TC Electronics]
−
| [https://toneprints.com/media/216395/tc_electronic_d-two_manual_english.pdf D2]
+
| [[media:Tc_electronic_d-two_manual_english.pdf|D2]]
 
| Effects Unit
 
| Effects Unit
 
| 1
 
| 1
 
| Stereo
 
| Stereo
 
| Multi-tap rhythmic delay unit.   
 
| Multi-tap rhythmic delay unit.   
 +
|-
 +
 +
! [https://www.uaudio.com/hardware/6176.html/ Universal Audio]
 +
| [[media:6176_manual.pdf|6176]]
 +
| Channel Strip
 +
| 1
 +
| Mono
 +
| 6176 Vintage Channel Strip - 610-B mic/line pre-amp and signature FET 1176LN compressor
 
|-
 
|-
  
 
! [https://www.warmaudio.com/wa76 Warm Audio]
 
! [https://www.warmaudio.com/wa76 Warm Audio]
−
| [https://docs.wixstatic.com/ugd/dada90_e7d46692c6314e0783afddd81c88ee0d.pdf WA76]
+
| [[media:Dada90_e7d46692c6314e0783afddd81c88ee0d.pdf|WA76]]
 
| Compressor
 
| Compressor
 
| 2
 
| 2
Line 147: Line 202:
  
 
! [https://www.warmaudio.com/eqp-wa Warm Audio]
 
! [https://www.warmaudio.com/eqp-wa Warm Audio]
−
| [https://docs.wixstatic.com/ugd/dada90_d590318638b540329c7b1c8a53796067.pdf EQP-WA]
+
| [[media:Dada90_d590318638b540329c7b1c8a53796067.pdf|EQP-WA]]
 
| EQ
 
| EQ
 
| 2
 
| 2
Line 165: Line 220:
 
|-
 
|-
  
−
! [https://ams-neve.com AMS Neve]
+
! [https://www.uaudio.com/hardware/6176.html/ Universal Audio]
−
| [https://ams-neve.com/wp-content/uploads/2016/03/4081usermanualiss3.pdf 4081]
+
| [[media:6176_manual.pdf|6176]]
−
| 8
+
| 1
−
| Mic / line pre-amplifier, based on the classic 1081 modules
+
| 6176 Vintage Channel Strip - 610-B mic/line pre-amp and signature FET 1176LN compressor
 
|-
 
|-
  
 
! [https://apiaudio.com/ API]
 
! [https://apiaudio.com/ API]
−
| [https://apiaudio.com/docs/brochures/br3124mb.pdf 3124]
+
| [[media:Br3124mb.pdf|3124]]
 
| 4
 
| 4
 
| API's classic Mic / line pre-amplifier.  
 
| API's classic Mic / line pre-amplifier.  
Line 178: Line 233:
  
 
! [http://www.tlaudio.co.uk/docs/products/5001.shtml TL Audio]
 
! [http://www.tlaudio.co.uk/docs/products/5001.shtml TL Audio]
−
| [http://www.tlaudio.co.uk/docs/about/pdf_manuals/ivory_2/5001_Mk-2_Manual.pdf 5001]
+
| [[media:5001_Mk-2_Manual.pdf|5001]]
 
| 4
 
| 4
 
| 4 channel tube mic pre.   
 
| 4 channel tube mic pre.   
Line 184: Line 239:
  
 
! [http://www.tlaudio.co.uk/docs/products/5021.shtml TL Audio]
 
! [http://www.tlaudio.co.uk/docs/products/5021.shtml TL Audio]
−
| [https://www.zikinf.com/manuels/tl-audio-5021-manuel-utilisateur-en-61097.pdf 5501]
+
| [[media:Tl-audio-5021-manuel-utilisateur-en-61097.pdf|5501]]
 
| 1
 
| 1
 
| Mono channel strip which includes a preamp, compressor with a gate/expander and EQ.   
 
| Mono channel strip which includes a preamp, compressor with a gate/expander and EQ.   
Line 190: Line 245:
  
 
! [https://www.warmaudio.com/tb12 Warm Audio]
 
! [https://www.warmaudio.com/tb12 Warm Audio]
−
| [https://docs.wixstatic.com/ugd/dada90_6bc63d167c1d4bcca30eb01ea5e18128.pdf TB12]
+
| [[media:Dada90_6bc63d167c1d4bcca30eb01ea5e18128.pdf|TB12]]
 
| 1
 
| 1
 
| API Style Mic / line pre-amplifier with up to 71 dB of gain.  
 
| API Style Mic / line pre-amplifier with up to 71 dB of gain.  
Line 208: Line 263:
  
 
! [http://atcloudspeakers.co.uk ATC]
 
! [http://atcloudspeakers.co.uk ATC]
−
| [http://test.atcloudspeakers.co.uk/wp-content/uploads/2015/07/SCM25-45-50-100-110-150-Manual-29-06-15.pdf SCM150ASL Pro]
+
| [[media:SCM25-45-50-100-110-150-Manual-29-06-15.pdf|SCM150ASL Pro]]
 
| Active
 
| Active
−
| 1 Pair
+
| 2
 
| Main Studio Loudspeakers.
 
| Main Studio Loudspeakers.
 
|-
 
|-
Line 217: Line 272:
 
| MixCube A
 
| MixCube A
 
| Active
 
| Active
−
| Mono
+
| 1
 
| Near Field Monitor.
 
| Near Field Monitor.
 
|-
 
|-
  
 
! [http://www.neumann-kh-line.com/neumann-kh/home_en.nsf/root/prof-monitoring_studio-monitors_nearfield-monitors_KH310A Neumann]
 
! [http://www.neumann-kh-line.com/neumann-kh/home_en.nsf/root/prof-monitoring_studio-monitors_nearfield-monitors_KH310A Neumann]
−
| [http://www.neumann-kh-line.com/klein-hummel/globals.nsf/resources/KH310_Manual_03_2015_EN.pdf/$File/KH310_Manual_03_2015_EN.pdf KH310 A]
+
| [[media:KH310_Manual_03_2015_EN.pdf|KH310 A]]
 
| Active
 
| Active
−
| 1 Pair
+
| 2
 
| Near Field Monitors.
 
| Near Field Monitors.
 
|-
 
|-
  
 +
! [https://www.genelec.com/previous-models/8030a Genelec]
 +
| [[media:DS8030a.pdf|Genelec 8030]]
 +
| Active
 +
| 5
 +
| Surround Sound Speakers.
 +
|-
 +
 +
! [https://www.genelec.com/previous-models/7050a Genelec]
 +
| [[media:Om7050a.pdf|7050A]]
 +
| Active
 +
| 1
 +
| Surround Sound Sub.
 +
|-
  
 
|}
 
|}
Line 241: Line 309:
 
|-
 
|-
  
−
! [http://www.ampeg.com/products/classic/svt410hlf/ Ampeg]
+
! [http://www.ampeg.com/products/bassamp/ba-210/ Ampeg]
−
| [http://www.ampeg.com/pdf/SVT-410HLF.pdf SVT-410HLF]
+
| [[media:BA_OM.pdf|BA210]]
 
| Bass Cab
 
| Bass Cab
 
| 1
 
| 1
−
| 4 x 10” Speakers, 500 Watts, 4 Ohm impedance
+
| 2 x 10” Speakers, 450 Watts
−
|-
+
|-
−
 
 
−
! [http://www.ampeg.com/products/pro/svt7pro Ampeg]
 
−
| [http://www.ampeg.com/products/pro/svt7pro/PDF/SW0787_RevB.pdf SVT-7PRO]
 
−
| Valve Bass Head
 
−
| 1
 
−
| Value bass amplifier, 1000 Watts at 4 Ohm impedance, 600 Watts at 8 Ohm impedance, Compressor and EQ
 
−
|-  
 
  
 
! [http://www.musictri.be/Categories/Behringer/Keyboards/Combo-Amplifiers/K3000FX/p/P0379 Behringer]
 
! [http://www.musictri.be/Categories/Behringer/Keyboards/Combo-Amplifiers/K3000FX/p/P0379 Behringer]
−
| [https://media.americanmusical.com/ItemFiles/Manual/behringer/BEHK3000FX_manual.pdf Ultratone K3000fx]
+
| [[media:BEHK3000FX_manual.pdf|Ultratone K3000fx]]
 
| Keyboard Amplifier
 
| Keyboard Amplifier
 
| 1
 
| 1
Line 263: Line 324:
  
  
−
! [https://shop.fender.com/en-GB/guitar-amplifiers/vintage-pro-tube/65-twin-reverb/0217340000.html#start=1 Fender]
+
! [https://shop.fender.com/en-GB/guitar-amplifiers/vintage-pro-tube/blues-deluxe-reissue/product-223220.html?rl=en_US Fender]
−
| [https://media.americanmusical.com/ItemFiles/Manual/Fender65TwinReverbManual.pdf 65 Twin Reverb]
+
| [https://www.manualslib.com/manual/358248/Fender-Blues-Deluxe-Reissue.html Blues Deluxe Reissue]
−
| Valve Guitar Amp
+
| Guitar Amp
 
| 1
 
| 1
−
| 2x12" Jensen® C12K with Ceramic Magnets, 85 Watts, 4 Ohm impedance, Reverb and Vibrato
+
| 12” Eminence Speaker, 40 Watts, Spring reverb
 
|-
 
|-
  
 
! [https://marshall.com/marshall-amps/products/amps/vintage-reissues/jcm900-4100 Marshall]
 
! [https://marshall.com/marshall-amps/products/amps/vintage-reissues/jcm900-4100 Marshall]
−
| [https://drtube.com/schematics/marshall/jcm900.pdf JCM 900]
+
| [[media:Jcm900.pdf|JCM 900]]
 
| Guitar Amp Head
 
| Guitar Amp Head
 
| 1
 
| 1
Line 278: Line 339:
  
 
! [https://marshall.com/marshall-amps/products/amps/vintage-reissues/jcm900-4100 Marshall]
 
! [https://marshall.com/marshall-amps/products/amps/vintage-reissues/jcm900-4100 Marshall]
−
| [https://drtube.com/schematics/marshall/jcm900.pdf 1960A]
+
| [[media:Marshall-External-Cabinets-Handbuch.pdf|1960A]]
 
| Guitar Cab
 
| Guitar Cab
 
| 1
 
| 1
Line 285: Line 346:
  
 
! [https://www.roland.com/uk/products/blues_cube_artist/ Roland]
 
! [https://www.roland.com/uk/products/blues_cube_artist/ Roland]
−
| [https://static.roland.com/assets/media/pdf/BC-Tour_Artist_Stage_e04_W.pdf BlueCube Artist]
+
| [[media:BC-Tour_Artist_Stage_e04_W.pdf|BlueCube Artist]]
 
| Guitar Amplifier  
 
| Guitar Amplifier  
 
| 1
 
| 1
 
| 80 Watt, Clean and Crunch channels, Tremolo and Reverb effects  
 
| 80 Watt, Clean and Crunch channels, Tremolo and Reverb effects  
 +
|-
 +
 +
! [https://www.roland.com/uk/products/rd-800/ Roland]
 +
| [[media:RD-800_e03_W.pdf|RD-800]]
 +
| Stage Piano
 +
| 1
 +
| Wide selection of acoustic pianos voiced for live playing, including a new Concert Grand tone derived from the V-Piano Grand, upright tones, and more
 
|-
 
|-
  

Latest revision as of 09:27, 6 September 2023

Risk Assessments

Recording Studio 6 consists of Control 6 (4.21) This studio is linked to the Band Room (3.02).

Please note that a booking for Studio 6 will not automatically book time in the Band Room. This booking would need to be arranged separately with the Music Technicians in Room 0.01.

Control Room

Control 6 has a 24-channel Audient ASP8024 Heritage Edition mixing desk and an Avid S3 controller. Foldback uses the Behringer Ultranet system allowing up to 16 channels to be sent to the P16-M headphone amps. Laptop connectivity is provided using the Madiface USB and there is audio and video stream access for external devices using Apple's AirPlay. There is one TV in the control room which connects to the iMac, Apple TV for AirPlay or an external computer. This studio also has a 5.1 speaker setup.

Live Room

Equipment

Interfaces

Manufacture Name Channels Description
Avid Pro Tools Matrix Studio 32 Connects the Pro Tools HDX system and the Dante Network
Avid Pro Tools HD I/O 32 Connects the Pro Tools HDX system
Avid HDX Card 64 Digilink PCIE Card
RME M-32 AD 32 32 channel analogue to digital converter which connects via ADAT to the HDSPE RAYDAT card.
RME M-32 DA 32 32 channel digital to analogue converter which connects via ADAT to the HDSPE RAYDAT card.
RME HDSPe RayDAT 36 36 channel PCI Card.

Tape Machine

Manufacturer Name Channels Description
Tascam MSR-24S 24 24 Track 1" Reel to Reel Tape Machine. This machine is 'roaming' and can be reconnected in any studio.
Otari MX-55 2 2 Track 1/4" Reel to Reel Tape Machine. This machine is 'roaming' and can be reconnected in any studio.

Outboard

Manufacture Name Type Quantity Channels Description
Alesis Microverb 4 Effects Unit 1 Stereo Multi-FX Processor - including Reverb, Delay, Chorus and Pitch Shifting.
Bricasti M7 Reverb Unit 1 Stereo Digital reverb that includes a range of algorithm types including Halls, Rooms, Plates, Ambience, Spaces and Chambers.
DBX 1066 Compressor 2 Stereo Duel compressor with gate/expander and peak limiter.
Drawmer DS201 Gate 2 Stereo Duel noise gate - Dual-mono and stereo functionality.
Empirical Labs Distressor Compressor 2 Mono Classic Knee Compressor.
KORG Pitchblack Pro Instrument tuner 1 2 Two channel rack tuner.
Lexicon MPX 1 Reverb Unit 1 Stereo Digital Reverb unit with a range of algorithms including Halls, Rooms, Plates, Ambience, Spaces and Chambers.
MOTU Midi Express XT Midi Interface 1 8 8 in 8 out midi USB interface.
Tascam DA-3000 Digital 2-Track Recorder 1 Stereo Records up to 24bit 192khz on to either SD, CF card or USB stick.
TC Electronics D2 Effects Unit 1 Stereo Multi-tap rhythmic delay unit.
Universal Audio 6176 Channel Strip 1 Mono 6176 Vintage Channel Strip - 610-B mic/line pre-amp and signature FET 1176LN compressor
Warm Audio WA76 Compressor 2 Mono 1176 style compressor
Warm Audio EQP-WA EQ 2 Mono Pultec Style EQ

Pre Amps

Manufacture Name Channels Description
Universal Audio 6176 1 6176 Vintage Channel Strip - 610-B mic/line pre-amp and signature FET 1176LN compressor
API 3124 4 API's classic Mic / line pre-amplifier.
TL Audio 5001 4 4 channel tube mic pre.
TL Audio 5501 1 Mono channel strip which includes a preamp, compressor with a gate/expander and EQ.
Warm Audio TB12 1 API Style Mic / line pre-amplifier with up to 71 dB of gain.

Monitors

Manufacture Name Type Quantity Description
ATC SCM150ASL Pro Active 2 Main Studio Loudspeakers.
Avantone MixCube A Active 1 Near Field Monitor.
Neumann KH310 A Active 2 Near Field Monitors.
Genelec Genelec 8030 Active 5 Surround Sound Speakers.
Genelec 7050A Active 1 Surround Sound Sub.

Instruments

Manufacture Name Type Quantity Description
Ampeg BA210 Bass Cab 1 2 x 10” Speakers, 450 Watts
Behringer Ultratone K3000fx Keyboard Amplifier 1 300 Watt, 15" BUGERA woofer, Graphic EQ
Fender Blues Deluxe Reissue Guitar Amp 1 12” Eminence Speaker, 40 Watts, Spring reverb
Marshall JCM 900 Guitar Amp Head 1 100 Watt amp head, 8 or 16 Ohm impedance, Two reverb channels, EQ
Marshall 1960A Guitar Cab 1 4x12" Celestion G12T-75 Speakers, 300 Watts mono 150 Watts Stereo, 16 Ohm impedance mono, 8 Ohm impedance stereo
Roland BlueCube Artist Guitar Amplifier 1 80 Watt, Clean and Crunch channels, Tremolo and Reverb effects
Roland RD-800 Stage Piano 1 Wide selection of acoustic pianos voiced for live playing, including a new Concert Grand tone derived from the V-Piano Grand, upright tones, and more
Yamaha Live Custom 5 Peice Drum Kit 1 Bass Drum Size 22" x 18", Snare Drum Size 14" x 5.5" Floor Tom Size 14" x 13", Rack Tom Size 12" x 8" Rack Tom Size 10" x 7"
Yamaha GC1 Baby Grand Piano 1 88 Keys
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