https://wiki.newadelphi.uk/api.php?action=feedcontributions&feedformat=atom&user=Tom 2026-05-19T09:01:21Z User contributions MediaWiki 1.45.1 https://wiki.newadelphi.uk/index.php?title=Godox_Xpro_C_TTL_Wireless_Flash_Trigger&diff=1838 2021-05-14T12:33:13Z

<p>Tom: </p> <hr /> <div>==== Documentation ====<br /> <br /> [[Media:XPro_C_with_portable_flash_(screen).pdf | Instructions]]<br /> <br /> [https://www.youtube.com/watch?v=ExGnZIJmpvk Instruction Video]</div>

Tom https://wiki.newadelphi.uk/index.php?title=Godox_Xpro_C_TTL_Wireless_Flash_Trigger&diff=1837 2021-05-14T12:25:30Z

<p>Tom: Created page with &quot;==== Documentation ==== Instructions&quot;</p> <hr /> <div>==== Documentation ====<br /> <br /> [[Media:XPro_C_with_portable_flash_(screen).pdf | Instructions]]</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:XPro_C_with_portable_flash_(screen).pdf&diff=1836 2021-05-14T12:21:30Z

<p>Tom: Xpro C triggers instruction sheet</p> <hr /> <div>== Summary ==<br /> Xpro C triggers instruction sheet</div>

Tom https://wiki.newadelphi.uk/index.php?title=Aputure_MC_Compact_LED_Light&diff=1835 2021-05-12T09:37:13Z

<p>Tom: /* Documentation */</p> <hr /> <div>==== Documentation ====<br /> <br /> [[Media:MC_Product_Manual_EN.pdf | User Manual]]<br /> <br /> ==== Sidus Link App ====<br /> [https://play.google.com/store/apps/details?id=creativity.intelligence.application.sidus.link&amp;hl=en_GB&amp;gl=US Google Play]<br /> <br /> [https://apps.apple.com/us/app/sidus-link/id1471951977 App Store]<br /> <br /> [[File:SidusLinkQR.jpg|50px|thumb|left|App Help]]</div>

Tom https://wiki.newadelphi.uk/index.php?title=Aputure_MC_Compact_LED_Light&diff=1834 2021-05-12T09:36:53Z

<p>Tom: /* Sidus Link App */</p> <hr /> <div>==== Documentation ====<br /> <br /> [[Media:MC_Product_Manual_EN.pdf | User Manual]]<br /> <br /> ==== Documentation ====<br /> [[Media:MC_Product_Manual_EN.pdf]] <br /> <br /> ==== Sidus Link App ====<br /> [https://play.google.com/store/apps/details?id=creativity.intelligence.application.sidus.link&amp;hl=en_GB&amp;gl=US Google Play]<br /> <br /> [https://apps.apple.com/us/app/sidus-link/id1471951977 App Store]<br /> <br /> [[File:SidusLinkQR.jpg|50px|thumb|left|App Help]]</div>

Tom https://wiki.newadelphi.uk/index.php?title=Aputure_MC_Compact_LED_Light&diff=1833 2021-05-12T09:25:54Z

<p>Tom: </p> <hr /> <div>==== Documentation ====<br /> <br /> [[Media:MC_Product_Manual_EN.pdf | User Manual]]<br /> <br /> ==== Sidus Link App ====<br /> <br /> [[File:SidusLinkQR.jpg|200px|thumb|left|[https://play.google.com/store/apps/details?id=creativity.intelligence.application.sidus.link&amp;hl=en_GB&amp;gl=US Google Play] <br /> [https://apps.apple.com/us/app/sidus-link/id1471951977 App Store]]]<br /> <br /> [https://play.google.com/store/apps/details?id=creativity.intelligence.application.sidus.link&amp;hl=en_GB&amp;gl=US Google Play]<br /> <br /> [https://apps.apple.com/us/app/sidus-link/id1471951977 App Store]</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:SidusLinkQR.jpg&diff=1832 2021-05-12T09:22:37Z

<p>Tom: Sidus Link App QR</p> <hr /> <div>== Summary ==<br /> Sidus Link App QR</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:MC_Product_Manual_EN.pdf&diff=1831 2021-05-12T09:06:37Z

<p>Tom: Aputure MC light manual</p> <hr /> <div>== Summary ==<br /> Aputure MC light manual</div>

Tom https://wiki.newadelphi.uk/index.php?title=Aputure_MC_Compact_LED_Light&diff=1830 2021-05-12T09:01:53Z

<p>Tom: Created page with &quot;==== Sidus Link App ==== [https://play.google.com/store/apps/details?id=creativity.intelligence.application.sidus.link&amp;hl=en_GB&amp;gl=US Google Play] [https://apps.apple.com/u...&quot;</p> <hr /> <div>==== Sidus Link App ====<br /> <br /> [https://play.google.com/store/apps/details?id=creativity.intelligence.application.sidus.link&amp;hl=en_GB&amp;gl=US Google Play]<br /> <br /> [https://apps.apple.com/us/app/sidus-link/id1471951977 App Store]</div>

Tom https://wiki.newadelphi.uk/index.php?title=Ronin-S_Motorized_Stabilizing_Gimbal&diff=1829 2021-04-15T13:25:15Z

<p>Tom: Created page with &quot;==== Documentation ==== User Manual&quot;</p> <hr /> <div>==== Documentation ====<br /> <br /> [[Media:Ronin-S_User_Manual_v1.0.pdf|User Manual]]</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:Ronin-S_User_Manual_v1.0.pdf&diff=1828 2021-04-15T13:23:51Z

<p>Tom: Ronin S user manual</p> <hr /> <div>== Summary ==<br /> Ronin S user manual</div>

Tom https://wiki.newadelphi.uk/index.php?title=Epson_V850_Pro_Film_Scanner&diff=1827 2021-04-15T12:01:14Z

<p>Tom: Created page with &quot;===== Instructional Videos ===== &lt;span class=&quot;plainlinks&quot;&gt;[https://web.microsoftstream.com/video/f5e52695-ca17-4642-bae5-c61a91eada31 Epson V800/V850 Essentials]&lt;/span&gt; &lt;spa...&quot;</p> <hr /> <div>===== Instructional Videos =====<br /> <br /> &lt;span class=&quot;plainlinks&quot;&gt;[https://web.microsoftstream.com/video/f5e52695-ca17-4642-bae5-c61a91eada31 Epson V800/V850 Essentials]&lt;/span&gt;<br /> <br /> &lt;span class=&quot;plainlinks&quot;&gt;[https://web.microsoftstream.com/video/1579409b-fdba-4416-9505-3ef545726f29 Epson V800/V850 Additional Info]&lt;/span&gt;</div>

Tom https://wiki.newadelphi.uk/index.php?title=Bronica_ETRSi_645_Medium_Format_Film_Camera&diff=1826 2021-04-14T11:46:45Z

<p>Tom: </p> <hr /> <div>====Instruction Documents====<br /> [[Media:Bronica_ETRSi_body.pdf|Bronica ETRSi 645 Body]]<br /> <br /> [[Media:Bronica_ETRSi_film_back.pdf ‎|Bronica ETRSi 645 Film Back]]</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:Bronica_ETRSi_film_back.pdf&diff=1825 2021-04-14T11:46:05Z

<p>Tom: Induction document for Bronica film back</p> <hr /> <div>== Summary ==<br /> Induction document for Bronica film back</div>

Tom https://wiki.newadelphi.uk/index.php?title=Bronica_ETRSi_645_Medium_Format_Film_Camera&diff=1824 2021-04-14T11:09:11Z

<p>Tom: </p> <hr /> <div>[[Media:Bronica_ETRSi_body.pdf]]</div>

Tom https://wiki.newadelphi.uk/index.php?title=Bronica_ETRSi_645_Medium_Format_Film_Camera&diff=1823 2021-04-14T10:57:57Z

<p>Tom: Created page with &quot; Bronica Body Instruction Sheets&quot;</p> <hr /> <div>[[wiki.newadelphi.uk/wiki/images/c/ce/Bronica_ETRSi_body.pdf| Bronica Body Instruction Sheets]]</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:Bronica_ETRSi_body.pdf&diff=1822 2021-04-13T10:21:47Z

<p>Tom: Induction sheet for the bronica ETRSI body</p> <hr /> <div>== Summary ==<br /> Induction sheet for the bronica ETRSI body</div>

Tom https://wiki.newadelphi.uk/index.php?title=Canon_EOS_250D&diff=1815 2020-10-07T09:29:42Z

<p>Tom: </p> <hr /> <div>&lt;div class=&quot;rightbox&quot;&gt;[[https://wiki.newadelphi.uk/w/File:250d_user_manual.pdf'''User Manual''']]&lt;/div&gt;</div>

Tom https://wiki.newadelphi.uk/index.php?title=Canon_EOS_250D&diff=1814 2020-10-07T09:29:21Z

<p>Tom: </p> <hr /> <div>&lt;div class=&quot;rightbox&quot;&gt;[[https://wiki.newadelphi.uk/w/File:250d_user_manual.pdf|'''User Manual''']]&lt;/div&gt;</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:250d_user_manual.pdf&diff=1813 2020-10-07T09:20:58Z

<p>Tom: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Tom https://wiki.newadelphi.uk/index.php?title=Canon_EOS_250D&diff=1812 2020-10-07T09:20:16Z

<p>Tom: Created blank page</p> <hr /> <div></div>

Tom https://wiki.newadelphi.uk/index.php?title=Website_Copy&diff=1810 2020-04-23T13:16:49Z

<p>Tom: /* Specialist Equipment Store */</p> <hr /> <div>Below is the standardised copy we recommend for publicity of New Adelphi facilities on the web.<br /> <br /> ==Recording Studios==<br /> <br /> Nine state of the art specialist studio spaces, all purpose built for making music and audio post-production to the highest of standards.<br /> <br /> Consisting of:<br /> <br /> '''Six fully featured control and live room pairings'''. Each come equipped with Avid's Pro Tools HDX systems, fully-analogue 24-36 channel Heritage Edition mixing consoles from Audient, S3 digital control surfaces from Avid, and extensive outboard processing units from industry leading makers such as Empirical Labs, Bricasti, Lexicon, Universal Audio and API. All six studios offer everything needed for modern, digital-recording workflows as well as the option for fully analogue recording with one of our three 24-track tape machines, including the classic Studer A820 2” recorder. Audio monitoring is provided by PMC or ATC mid-field main monitors and Neumann KH310 nearfield monitors, with an Avantone MixCube in each studio to ensure mono-compatability.<br /> Live spaces come with bespoke acoustic treatment and furniture, with a selection of drum kits from Ludwig, Gretch, Yamaha and DW. Every room has an upright or baby grand Piano and a range of amplifiers from Orange, Fender, Ampeg and Vox.<br /> <br /> '''The Composition Studio''' is a creative space designed specifically for the needs of modern electronic music production. Boasting a large array of both analogue and digital synthesizers and drum machines, the room also provides 7.1 surround sound monitoring and extensive digital interconnectivity.<br /> <br /> '''The 7.1 Surround Studio''' is designed for full 7.1 surround sound mixing and comes readily equipped for video playback and editing; ideal for Film, TV and Game audio mixing.<br /> <br /> '''The Voice Acting Studio''' comprises three specialist spaces, enabling it to be used as a radio drama studio, voiceover studio or dubbing suite to create audio for film &amp; television.<br /> A large live room provides Foley and sound effect equipment such as a wind machine, gravel pit and staircase. In addition, a spacious 'dead room' can be used for Automatic Dialogue Replacement or spot effects that require a more controlled acoustic environment. Finally, the central control room/podcast studio comes equipped with Avid's Pro Tools Ultimate, Media Composer and their S3 and Dock digital control surfaces. Video playback in all three spaces allows for flexible recording setups.<br /> <br /> <br /> All studios come with a vast array of professional audio software including but not limited to: Pro Tools Ultimate, Logic Pro X, Ableton, MAX MSP, Adobe Audition, Izotope RX Advanced, UAD Ultimate 7, Soundtoys 5, and the FabFilter Total Bundle.<br /> <br /> <br /> ==Specialist Equipment Store==<br /> A centralized space to facilitate the distribution of University-owned equipment via an online booking system, allowing store account holders to reserve equipment remotely, in advance, and tailored to their specific needs. The store covers all disciplines and supports all departments within the School of Arts and Media, holding equipment including:<br /> * Canon full-frame DSLRs including a large stock of 5D MkIVs and 5DS Rs <br /> * Comprehensive range of photography lenses for both Canon and Nikon lens mounts. Standout lenses include a Canon EF 85mm f/1.2L, a Canon TS-E 24mm F/3/5L II, a Tamron 24-70mm F/2.8 zoom, and a Canon EF 300mm F/4L IS. <br /> * Hasselblad and Phase one Medium Format Digital Cameras<br /> * Bronica ETRSi 645 Medium Format Film Cameras<br /> <br /> * BlackMagic Ursa, Canon C100 MkII, and Panasonic AG-UX180 Video Cameras <br /> * Range of Samyang Cine Lenses from 14mm to 135mm<br /> * Large stock of sound recording equipment including a Zoom F8 Multi Track Field Recorder and Sennheiser MKH50-P48 super-cardioid microphone.<br /> * Wide range of location and studio lighting<br /> <br /> * Wacom 13”HD Cintiq and 16” Mobile Studio Graphics Tablets<br /> * 2017 15” Apple Macbook Pro laptops<br /> <br /> Plus, much more.</div>

Tom https://wiki.newadelphi.uk/index.php?title=Website_Copy&diff=1809 2020-04-22T13:59:49Z

<p>Tom: /* Specialist Equipment Store */</p> <hr /> <div>Below is the standardised copy we recommend for publicity of New Adelphi facilities on the web.<br /> <br /> ==Recording Studios==<br /> <br /> Nine state of the art specialist studio spaces, all purpose built for making music and audio post-production to the highest of standards.<br /> <br /> Consisting of:<br /> <br /> '''Six fully featured control and live room pairings'''. Each come equipped with Avid's Pro Tools HDX systems, fully-analogue 24-36 channel Heritage Edition mixing consoles from Audient, S3 digital control surfaces from Avid, and extensive outboard processing units from industry leading makers such as Empirical Labs, Bricasti, Lexicon, Universal Audio and API. All six studios offer everything needed for modern, digital-recording workflows as well as the option for fully analogue recording with one of our three 24-track tape machines, including the classic Studer A820 2” recorder. Audio monitoring is provided by PMC or ATC mid-field main monitors and Neumann KH310 nearfield monitors, with an Avantone MixCube in each studio to ensure mono-compatability.<br /> Live spaces come with bespoke acoustic treatment and furniture, with a selection of drum kits from Ludwig, Gretch, Yamaha and DW. Every room has an upright or baby grand Piano and a range of amplifiers from Orange, Fender, Ampeg and Vox.<br /> <br /> '''The Composition Studio''' is a creative space designed specifically for the needs of modern electronic music production. Boasting a large array of both analogue and digital synthesizers and drum machines, the room also provides 7.1 surround sound monitoring and extensive digital interconnectivity.<br /> <br /> '''The 7.1 Surround Studio''' is designed for full 7.1 surround sound mixing and comes readily equipped for video playback and editing; ideal for Film, TV and Game audio mixing.<br /> <br /> '''The Voice Acting Studio''' comprises three specialist spaces, enabling it to be used as a radio drama studio, voiceover studio or dubbing suite to create audio for film &amp; television.<br /> A large live room provides Foley and sound effect equipment such as a wind machine, gravel pit and staircase. In addition, a spacious 'dead room' can be used for Automatic Dialogue Replacement or spot effects that require a more controlled acoustic environment. Finally, the central control room/podcast studio comes equipped with Avid's Pro Tools Ultimate, Media Composer and their S3 and Dock digital control surfaces. Video playback in all three spaces allows for flexible recording setups.<br /> <br /> <br /> All studios come with a vast array of professional audio software including but not limited to: Pro Tools Ultimate, Logic Pro X, Ableton, MAX MSP, Adobe Audition, Izotope RX Advanced, UAD Ultimate 7, Soundtoys 5, and the FabFilter Total Bundle.<br /> <br /> <br /> ==Specialist Equipment Store==<br /> A centralized space to facilitate the distribution of University-owned equipment via an online booking system, allowing store account holders to reserve equipment remotely, in advance, and tailored to their specific needs. The store covers all disciplines and supports all departments within the School of Arts and Media, holding equipment including:<br /> * Canon full-frame DSLRs including a large stock of 5D MkIVs and 5DS Rs <br /> * Comprehensive range of photography lenses for both Canon and Nikon lens mounts. Standout lenses include a Canon EF 85mm f/1.2L, a Canon TS-E 24mm F/3/5L II, a Tamron 24-70mm F/2.8 zoom, and a Canon EF 300mm F/4L IS. <br /> * Hasselblad and Phase one Medium Format Digital Cameras<br /> * Bronica ETRSi 645 Medium Format Film Cameras<br /> <br /> * BlackMagic Ursa, Canon C100 MkII, and Panasonic AG-UX180 Video Cameras <br /> * Range of Samyang Cine Lenses from 14mm to 135mm<br /> * Large stock of sound recording equipment including a Zoom F8 Multi Track Field Recorder and Sennheiser MKH50-P48 super-cardioid microphone.<br /> * Wide range of location and studio lighting<br /> <br /> * Wacom 16” Cintiq and 16” Mobile Studio Graphics Tablets<br /> * 2017 15” Apple Macbook Pro laptops<br /> <br /> Plus, much more.</div>

Tom https://wiki.newadelphi.uk/index.php?title=Website_Copy&diff=1808 2020-04-22T13:55:43Z

<p>Tom: /* Specialist Equipment Store */</p> <hr /> <div>Below is the standardised copy we recommend for publicity of New Adelphi facilities on the web.<br /> <br /> ==Recording Studios==<br /> <br /> Nine state of the art specialist studio spaces, all purpose built for making music and audio post-production to the highest of standards.<br /> <br /> Consisting of:<br /> <br /> '''Six fully featured control and live room pairings'''. Each come equipped with Avid's Pro Tools HDX systems, fully-analogue 24-36 channel Heritage Edition mixing consoles from Audient, S3 digital control surfaces from Avid, and extensive outboard processing units from industry leading makers such as Empirical Labs, Bricasti, Lexicon, Universal Audio and API. All six studios offer everything needed for modern, digital-recording workflows as well as the option for fully analogue recording with one of our three 24-track tape machines, including the classic Studer A820 2” recorder. Audio monitoring is provided by PMC or ATC mid-field main monitors and Neumann KH310 nearfield monitors, with an Avantone MixCube in each studio to ensure mono-compatability.<br /> Live spaces come with bespoke acoustic treatment and furniture, with a selection of drum kits from Ludwig, Gretch, Yamaha and DW. Every room has an upright or baby grand Piano and a range of amplifiers from Orange, Fender, Ampeg and Vox.<br /> <br /> '''The Composition Studio''' is a creative space designed specifically for the needs of modern electronic music production. Boasting a large array of both analogue and digital synthesizers and drum machines, the room also provides 7.1 surround sound monitoring and extensive digital interconnectivity.<br /> <br /> '''The 7.1 Surround Studio''' is designed for full 7.1 surround sound mixing and comes readily equipped for video playback and editing; ideal for Film, TV and Game audio mixing.<br /> <br /> '''The Voice Acting Studio''' comprises three specialist spaces, enabling it to be used as a radio drama studio, voiceover studio or dubbing suite to create audio for film &amp; television.<br /> A large live room provides Foley and sound effect equipment such as a wind machine, gravel pit and staircase. In addition, a spacious 'dead room' can be used for Automatic Dialogue Replacement or spot effects that require a more controlled acoustic environment. Finally, the central control room/podcast studio comes equipped with Avid's Pro Tools Ultimate, Media Composer and their S3 and Dock digital control surfaces. Video playback in all three spaces allows for flexible recording setups.<br /> <br /> <br /> All studios come with a vast array of professional audio software including but not limited to: Pro Tools Ultimate, Logic Pro X, Ableton, MAX MSP, Adobe Audition, Izotope RX Advanced, UAD Ultimate 7, Soundtoys 5, and the FabFilter Total Bundle.<br /> <br /> <br /> ==Specialist Equipment Store==<br /> A centralized space to facilitate the distribution of University-owned equipment via an online booking system, allowing store account holders to reserve equipment remotely, in advance, and tailored to their specific needs. The store covers all disciplines and supports all departments within the School of Arts and Media, holding equipment including<br /> * Canon full-frame DSLRs including a large stock of 5D MkIVs and 5DS Rs <br /> * Comprehensive range of photography lenses for both Canon and Nikon lens mounts. Standout lenses include a Canon EF 85mm f/1.2L, a Canon TS-E 24mm F/3/5L II, a Tamron 24-70mm F/2.8 zoom, and a Canon EF 300mm F/4L IS. <br /> * Hasselblad and Phase one Medium Format Digital Cameras<br /> * Bronica ETRSi 645 Medium Format Film Cameras<br /> <br /> * BlackMagic Ursa, Canon C100 MkII, and Panasonic AG-UX180 Video Cameras <br /> * Range of Samyang Cine Lenses from 14mm to 135mm<br /> * Large stock of sound recording equipment including a Zoom F8 Multi Track Field Recorder and Sennheiser MKH50-P48 super-cardioid microphone.<br /> * Wide range of location and studio lighting<br /> <br /> * Wacom 16” Cintiq and 16” Mobile Studio Graphics Tablets<br /> * 2017 15” Apple Macbook Pro laptops<br /> <br /> Plus, much more.</div>

Tom https://wiki.newadelphi.uk/index.php?title=Website_Copy&diff=1807 2020-04-22T13:53:36Z

<p>Tom: /* Specialist Equipment Store */</p> <hr /> <div>Below is the standardised copy we recommend for publicity of New Adelphi facilities on the web.<br /> <br /> ==Recording Studios==<br /> <br /> Nine state of the art specialist studio spaces, all purpose built for making music and audio post-production to the highest of standards.<br /> <br /> Consisting of:<br /> <br /> '''Six fully featured control and live room pairings'''. Each come equipped with Avid's Pro Tools HDX systems, fully-analogue 24-36 channel Heritage Edition mixing consoles from Audient, S3 digital control surfaces from Avid, and extensive outboard processing units from industry leading makers such as Empirical Labs, Bricasti, Lexicon, Universal Audio and API. All six studios offer everything needed for modern, digital-recording workflows as well as the option for fully analogue recording with one of our three 24-track tape machines, including the classic Studer A820 2” recorder. Audio monitoring is provided by PMC or ATC mid-field main monitors and Neumann KH310 nearfield monitors, with an Avantone MixCube in each studio to ensure mono-compatability.<br /> Live spaces come with bespoke acoustic treatment and furniture, with a selection of drum kits from Ludwig, Gretch, Yamaha and DW. Every room has an upright or baby grand Piano and a range of amplifiers from Orange, Fender, Ampeg and Vox.<br /> <br /> '''The Composition Studio''' is a creative space designed specifically for the needs of modern electronic music production. Boasting a large array of both analogue and digital synthesizers and drum machines, the room also provides 7.1 surround sound monitoring and extensive digital interconnectivity.<br /> <br /> '''The 7.1 Surround Studio''' is designed for full 7.1 surround sound mixing and comes readily equipped for video playback and editing; ideal for Film, TV and Game audio mixing.<br /> <br /> '''The Voice Acting Studio''' comprises three specialist spaces, enabling it to be used as a radio drama studio, voiceover studio or dubbing suite to create audio for film &amp; television.<br /> A large live room provides Foley and sound effect equipment such as a wind machine, gravel pit and staircase. In addition, a spacious 'dead room' can be used for Automatic Dialogue Replacement or spot effects that require a more controlled acoustic environment. Finally, the central control room/podcast studio comes equipped with Avid's Pro Tools Ultimate, Media Composer and their S3 and Dock digital control surfaces. Video playback in all three spaces allows for flexible recording setups.<br /> <br /> <br /> All studios come with a vast array of professional audio software including but not limited to: Pro Tools Ultimate, Logic Pro X, Ableton, MAX MSP, Adobe Audition, Izotope RX Advanced, UAD Ultimate 7, Soundtoys 5, and the FabFilter Total Bundle.<br /> <br /> <br /> ==Specialist Equipment Store==<br /> A centralized space to facilitate the distribution of University-owned equipment via an online booking system, allowing store account holders to reserve equipment remotely, in advance, and tailored to their specific needs. The store covers all disciplines and supports all departments within the School of Arts and Media, holding equipment including:<br /> • Canon full frame DSLRs including a large stock of 5D MkIVs and 5DS Rs <br /> • Comprehensive range of photography lenses for both Canon and Nikon lens mounts. Standout lenses include a Canon EF 85mm f/1.2L, a Canon TS-E 24mm F/3/5L II, a Tamron 24-70mm F/2.8 zoom, and a Canon EF 300mm F/4L IS. <br /> • Hasselblad and Phase one Medium Format Digital Cameras<br /> • Bronica ETRSi 645 Medium Format Film Cameras<br /> <br /> • BlackMagic Ursa, Canon C100 MkII, and Panasonic AG-UX180 Video Cameras <br /> • Range of Samyang Cine Lenses from 14mm to 135mm<br /> • Large stock of sound recording equipment including a Zoom F8 Multi Track Field Recorder and Sennheiser MKH50-P48 Super-cardioid microphone.<br /> • Wide range of location and studio lighting<br /> <br /> • Wacom 16” Cintiq and 16” Mobile Studio Graphics Tablets<br /> • 2017 15” Apple Macbook Pro laptops</div>

Tom https://wiki.newadelphi.uk/index.php?title=Website_Copy&diff=1806 2020-04-22T13:52:19Z

<p>Tom: </p> <hr /> <div>Below is the standardised copy we recommend for publicity of New Adelphi facilities on the web.<br /> <br /> ==Recording Studios==<br /> <br /> Nine state of the art specialist studio spaces, all purpose built for making music and audio post-production to the highest of standards.<br /> <br /> Consisting of:<br /> <br /> '''Six fully featured control and live room pairings'''. Each come equipped with Avid's Pro Tools HDX systems, fully-analogue 24-36 channel Heritage Edition mixing consoles from Audient, S3 digital control surfaces from Avid, and extensive outboard processing units from industry leading makers such as Empirical Labs, Bricasti, Lexicon, Universal Audio and API. All six studios offer everything needed for modern, digital-recording workflows as well as the option for fully analogue recording with one of our three 24-track tape machines, including the classic Studer A820 2” recorder. Audio monitoring is provided by PMC or ATC mid-field main monitors and Neumann KH310 nearfield monitors, with an Avantone MixCube in each studio to ensure mono-compatability.<br /> Live spaces come with bespoke acoustic treatment and furniture, with a selection of drum kits from Ludwig, Gretch, Yamaha and DW. Every room has an upright or baby grand Piano and a range of amplifiers from Orange, Fender, Ampeg and Vox.<br /> <br /> '''The Composition Studio''' is a creative space designed specifically for the needs of modern electronic music production. Boasting a large array of both analogue and digital synthesizers and drum machines, the room also provides 7.1 surround sound monitoring and extensive digital interconnectivity.<br /> <br /> '''The 7.1 Surround Studio''' is designed for full 7.1 surround sound mixing and comes readily equipped for video playback and editing; ideal for Film, TV and Game audio mixing.<br /> <br /> '''The Voice Acting Studio''' comprises three specialist spaces, enabling it to be used as a radio drama studio, voiceover studio or dubbing suite to create audio for film &amp; television.<br /> A large live room provides Foley and sound effect equipment such as a wind machine, gravel pit and staircase. In addition, a spacious 'dead room' can be used for Automatic Dialogue Replacement or spot effects that require a more controlled acoustic environment. Finally, the central control room/podcast studio comes equipped with Avid's Pro Tools Ultimate, Media Composer and their S3 and Dock digital control surfaces. Video playback in all three spaces allows for flexible recording setups.<br /> <br /> <br /> All studios come with a vast array of professional audio software including but not limited to: Pro Tools Ultimate, Logic Pro X, Ableton, MAX MSP, Adobe Audition, Izotope RX Advanced, UAD Ultimate 7, Soundtoys 5, and the FabFilter Total Bundle.<br /> <br /> <br /> ==Specialist Equipment Store==</div>

Tom https://wiki.newadelphi.uk/index.php?title=Planning&diff=1576 2020-02-20T10:40:43Z

<p>Tom: /* Year 4 (2019-20) */</p> <hr /> <div>This is a scratch page for future planning in each area.<br /> <br /> ==Annual Software Charges==<br /> <br /> * '''August:''' Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - '''£500'''<br /> * '''November:''' Cycling '74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - '''£5,000'''<br /> <br /> ==Production==<br /> <br /> ===Year 1 (2016-17)===<br /> * Moved in to New Adelphi, move and reset costs.<br /> <br /> ===Year 2 (2017-18)===<br /> * New 180 cameras.<br /> * New 5D cameras.<br /> * New C100 cameras.<br /> * Renewal of EditShare support for 2 years - [As Installed] - '''£5,500'''<br /> <br /> ===Year 3 (2018-19)===<br /> * Replacement pedestals in Screen 1 - '''£15,000'''<br /> * LEDGO 600 Light (x16) - '''£5,000'''<br /> * LEDGO 'Rio' Bags (x16) - '''£500'''<br /> * LEDGO Stands (x16) - '''£3000'''<br /> * LEDGO Batteries (x16) - '''£3500'''<br /> * Canon C100 + Atomos Bundle (x2) - '''£6,000'''<br /> * Manfrotto 504HD,546BK Tripods (x8) - '''£5,500'''<br /> * Samyang VDSLR Lens Kit (x2) - '''£5,000'''<br /> <br /> ===Year 4 (2019-20)===<br /> * Lighting for Screen 1 - '''£28,000''' ''- NOT FUNDED''<br /> * Lighting for Screen 2 - '''£22,000''' ''- NOT FUNDED''<br /> * Replacement of EditShare - '''£80,000''' ''- NOT FUNDED''<br /> * Blackmagic Duplicator, Remotes, MultiDocks - '''£15,000''' ''- FUNDED £10,000, partially used as emergency fund for lighting''<br /> * Gimbal / Dolly Equipment - '''£10,000''' ''- FUNDED £4,000''<br /> <br /> ===Year 5 (2020-21)===<br /> <br /> <br /> * New speakers without limiting in 5.22 (for Performance as if it's 6.22)<br /> <br /> <br /> <br /> <br /> New Camera Systems for 2nd/3rd Year Students<br /> <br /> BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY - '''£2,266.92 inc VAT'''<br /> <br /> ''EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire. ''<br /> <br /> CORESWX POWERBASE EDGE - BMD POCKET 4K - '''£270'''<br /> <br /> Powerbase for extended battery life.<br /> <br /> SANDISK 256GB 525MB/S - CFAST - '''£599'''<br /> <br /> CFAST 2.0 Card for BMPC<br /> <br /> CANON LP-E6N BATTERY (1800MAH) - '''£67.20<br /> '''<br /> Battery for BMPC<br /> <br /> 8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - '''£400'''<br /> <br /> Cage and Handle for BMPC<br /> <br /> 8SINN 15MM UNIVERSAL RODS SUPPORT - '''£175.99<br /> '''<br /> SMALLHD FOCUS7 WITH BOLT 500 - '''£1,500<br /> '''<br /> Wireless Monitor System<br /> <br /> <br /> <br /> '''Sony PXW-FS7 Camera - 3x£5,334 + 3x£226 + adapters = ~ £17,000'''<br /> <br /> ''The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. These cameras produce high quality video, and using them would also give students the chance to get used to the Sony interface and their picture profiles''<br /> <br /> '''Hard lights – 6 functional lights'''<br /> <br /> ''We want to look into providing hard light to allow for a wider variety of lighting techniques''<br /> <br /> <br /> '''AF lenses for use with the Ronin - 2 x£510 = £1,020''' <br /> <br /> <br /> '''Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071'''<br /> <br /> ''This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa''<br /> <br /> <br /> '''A variety of microphones'''<br /> <br /> '''Lenses for the BM cameras for the PPU'''<br /> <br /> '''A big TV to assist lessons in Screen 2'''<br /> <br /> RYCOTE MODULAR WINDSHIELD WS 2 KIT '''£588'''<br /> <br /> Shock Mount for Sennheiser MKH50-P48<br /> <br /> ===Year 6 (2021-22)===<br /> <br /> ===Year 7 (2022-23)===<br /> <br /> ===Year 8 (2023-24)===<br /> <br /> ==Recording==<br /> <br /> ===Year 1 (2016-17)===<br /> * Moved into New Adelphi, complete studio rebuild, some restocking.<br /> <br /> ===Year 2 (2017-18)===<br /> * No significant expenditure beyond maintenance and consumables.<br /> <br /> ===Year 3 (2018-19)===<br /> * Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - '''£6,000''' <br /> * Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - '''£11,000'''<br /> * Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - '''£2000'''<br /> * Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO's per Studio + Bass Traps for booths + GOBOS for Band Room] - '''£9000'''<br /> * Replace Zoom H4N with H6 and add to current stock levels - '''£4000'''<br /> * Increase splitter stock for location recording - '''£2000'''<br /> * Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;M stands, 10x K&amp;M boom arms - '''£1200'''<br /> <br /> ===Year 4 (2019-20)===<br /> <br /> * Refresh of microphone stock &gt;&gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&gt;&gt;(replacing older broken stock/add to existing stock) - '''£17,683'''<br /> ''Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock's lifespan as well as to provide greater industry-standard choice to our ever growing student population.'' <br /> <br /> * [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - '''£7,200'''<br /> ''The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&quot; tape machine would allow for greater use of our existing 2&quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.''<br /> <br /> ''In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.''<br /> <br /> ''Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.''<br /> <br /> * Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - '''£30,000'''<br /> ''Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &quot;surprise&quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units''<br /> <br /> * 9 UAD octo-core satellites and two Ultimate plugin bundles - '''£10,000'''<br /> <br /> * Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - '''£10,000'''<br /> ''An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &quot;specific installation&quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University's current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.''<br /> <br /> ''The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.''<br /> <br /> ===Year 5 (2020-21)===<br /> * Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - '''£25,000'''<br /> <br /> * Populate 500-series lunchboxes further - '''£10,000'''<br /> <br /> * Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - '''£40,000'''<br /> <br /> * Location Recording Equipment Refresh (USB-C/USB) - '''£5,000'''<br /> <br /> * Ceiling treatment for all studios [Ceiling Tiles] - '''£10,000'''<br /> <br /> * Refresh of microphone stands (replacing older broken stock/add to existing stock) - '''£3,000'''<br /> <br /> * Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - '''£4,000'''<br /> <br /> * Mix Studio in rehearsal room - '''£55,000'''<br /> ''Much like the recently designed and installed &quot;Composition Studio&quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.''<br /> <br /> * Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - '''£1,500'''<br /> <br /> * Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - '''£150,000'''<br /> <br /> * Portable GRM Tools Complete II licences and iLok - '''£1,000'''<br /> <br /> ===Year 6 (2021-22)===<br /> * Major refresh of microphone stock (replacing older broken stock/add to existing stock) - '''£20,000'''<br /> * New Plugins and software for all the studios - '''£20,000'''<br /> <br /> ===Year 7 (2022-23)===<br /> * Major service of Studer A820 - '''£5,000'''<br /> <br /> ===Year 10 (2026-27)===<br /> * Replacement of an Audient ASP8024 Consoles - '''£220,000'''<br /> * Replacement of Pianos - '''£60,000'''<br /> <br /> ==Stores==<br /> <br /> ===Year 1 (2016-17)===<br /> * Move in.<br /> <br /> ===Year 2 (2017-18)===<br /> * No significant investment.<br /> <br /> ===Year 3 (2018-19)===<br /> * Double amount of Ledgo 600s - '''£3500'''<br /> * tripods for ursas<br /> * UV Filters for Lenses - '''£1200'''<br /> * Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm<br /> * 5DS R bodies - 3 - '''£11000'''<br /> * 24-105mm in line with number of full frame bodies - 9 - '''£9171'''<br /> * 35mm 1:2 primes - 3 - '''£1600'''<br /> * 50mm 1:1.8 primes - 5 - '''£600'''<br /> * 70-200mm telephoto - 1 - '''£589'''<br /> * 85mm 1:1.8 primes - 4 - '''£1700'''<br /> * Bayer Dynamic Headphones DT 770 - 9 - '''£950'''<br /> * Action Cameras - '''£4200'''<br /> * Consumer Video Cameras - '''£6000'''<br /> * Consumer Still Cameras - '''£4000'''<br /> <br /> ===Year 4 (2019-20)===<br /> * 15x Canon 90D (w/ kit lens) - '''£20,000'''<br /> ''The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &quot;overspill&quot; to the canon full frame stock in this regard.''<br /> * 10x Canon 250D (w/ kit lens) - '''£5100'''<br /> ''The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.''<br /> * 5x Sigma 17-50 mm Lenses - '''£1600'''<br /> ''Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.''<br /> * 5x Canon 50 mm f/1.4 Lenses - '''£1700'''<br /> ''A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.''<br /> * 4x Canon 55-250mm Lenses - '''£1200'''<br /> ''Good telephoto lens option for the APS-C bodies.''<br /> * 3x Canon 24 mm Lenses - '''£432'''<br /> ''Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body''<br /> * 5x Sigma 30 mm 1.4 Lenses - '''£1800'''<br /> ''Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body''<br /> * 2x Sigma 10-20mm lenses - '''£634''' <br /> ''Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body''<br /> * 11x Canon 5D MKIV (onward) - '''£31,000'''<br /> ''Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.''<br /> * 11x Canon 24-105 mm EF Lenses - '''£1100'''<br /> ''For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. ''<br /> * #x 35mm SLRs - '''unspecified'''<br /> ''Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty, with all cameras having at least one issue or repair. There is also increased demand from photography and FIMS. Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. ''<br /> <br /> ===Year 5 (2020-21)===<br /> <br /> ===Year 6 (2021-22)===</div>

Tom https://wiki.newadelphi.uk/index.php?title=Planning&diff=1575 2020-02-20T10:40:02Z

<p>Tom: /* Year 4 (2019-20) */</p> <hr /> <div>This is a scratch page for future planning in each area.<br /> <br /> ==Annual Software Charges==<br /> <br /> * '''August:''' Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - '''£500'''<br /> * '''November:''' Cycling '74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - '''£5,000'''<br /> <br /> ==Production==<br /> <br /> ===Year 1 (2016-17)===<br /> * Moved in to New Adelphi, move and reset costs.<br /> <br /> ===Year 2 (2017-18)===<br /> * New 180 cameras.<br /> * New 5D cameras.<br /> * New C100 cameras.<br /> * Renewal of EditShare support for 2 years - [As Installed] - '''£5,500'''<br /> <br /> ===Year 3 (2018-19)===<br /> * Replacement pedestals in Screen 1 - '''£15,000'''<br /> * LEDGO 600 Light (x16) - '''£5,000'''<br /> * LEDGO 'Rio' Bags (x16) - '''£500'''<br /> * LEDGO Stands (x16) - '''£3000'''<br /> * LEDGO Batteries (x16) - '''£3500'''<br /> * Canon C100 + Atomos Bundle (x2) - '''£6,000'''<br /> * Manfrotto 504HD,546BK Tripods (x8) - '''£5,500'''<br /> * Samyang VDSLR Lens Kit (x2) - '''£5,000'''<br /> <br /> ===Year 4 (2019-20)===<br /> * Lighting for Screen 1 - '''£28,000''' ''- NOT FUNDED''<br /> * Lighting for Screen 2 - '''£22,000''' ''- NOT FUNDED''<br /> * Replacement of EditShare - '''£80,000''' ''- NOT FUNDED''<br /> * Blackmagic Duplicator, Remotes, MultiDocks - '''£15,000''' ''- FUNDED £10,000, partially used as emergency fund for lighting''<br /> * Gimbal / Dolly Equipment - '''£10,000''' ''- FUNDED £4,000''<br /> <br /> ===Year 5 (2020-21)===<br /> <br /> <br /> * New speakers without limiting in 5.22 (for Performance as if it's 6.22)<br /> <br /> <br /> <br /> <br /> New Camera Systems for 2nd/3rd Year Students<br /> <br /> BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY - '''£2,266.92 inc VAT'''<br /> <br /> ''EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire. ''<br /> <br /> CORESWX POWERBASE EDGE - BMD POCKET 4K - '''£270'''<br /> <br /> Powerbase for extended battery life.<br /> <br /> SANDISK 256GB 525MB/S - CFAST - '''£599'''<br /> <br /> CFAST 2.0 Card for BMPC<br /> <br /> CANON LP-E6N BATTERY (1800MAH) - '''£67.20<br /> '''<br /> Battery for BMPC<br /> <br /> 8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - '''£400'''<br /> <br /> Cage and Handle for BMPC<br /> <br /> 8SINN 15MM UNIVERSAL RODS SUPPORT - '''£175.99<br /> '''<br /> SMALLHD FOCUS7 WITH BOLT 500 - '''£1,500<br /> '''<br /> Wireless Monitor System<br /> <br /> <br /> <br /> '''Sony PXW-FS7 Camera - 3x£5,334 + 3x£226 + adapters = ~ £17,000'''<br /> <br /> ''The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. These cameras produce high quality video, and using them would also give students the chance to get used to the Sony interface and their picture profiles''<br /> <br /> '''Hard lights – 6 functional lights'''<br /> <br /> ''We want to look into providing hard light to allow for a wider variety of lighting techniques''<br /> <br /> <br /> '''AF lenses for use with the Ronin - 2 x£510 = £1,020''' <br /> <br /> <br /> '''Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071'''<br /> <br /> ''This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa''<br /> <br /> <br /> '''A variety of microphones'''<br /> <br /> '''Lenses for the BM cameras for the PPU'''<br /> <br /> '''A big TV to assist lessons in Screen 2'''<br /> <br /> RYCOTE MODULAR WINDSHIELD WS 2 KIT '''£588'''<br /> <br /> Shock Mount for Sennheiser MKH50-P48<br /> <br /> ===Year 6 (2021-22)===<br /> <br /> ===Year 7 (2022-23)===<br /> <br /> ===Year 8 (2023-24)===<br /> <br /> ==Recording==<br /> <br /> ===Year 1 (2016-17)===<br /> * Moved into New Adelphi, complete studio rebuild, some restocking.<br /> <br /> ===Year 2 (2017-18)===<br /> * No significant expenditure beyond maintenance and consumables.<br /> <br /> ===Year 3 (2018-19)===<br /> * Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - '''£6,000''' <br /> * Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - '''£11,000'''<br /> * Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - '''£2000'''<br /> * Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO's per Studio + Bass Traps for booths + GOBOS for Band Room] - '''£9000'''<br /> * Replace Zoom H4N with H6 and add to current stock levels - '''£4000'''<br /> * Increase splitter stock for location recording - '''£2000'''<br /> * Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;M stands, 10x K&amp;M boom arms - '''£1200'''<br /> <br /> ===Year 4 (2019-20)===<br /> <br /> * Refresh of microphone stock &gt;&gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&gt;&gt;(replacing older broken stock/add to existing stock) - '''£17,683'''<br /> ''Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock's lifespan as well as to provide greater industry-standard choice to our ever growing student population.'' <br /> <br /> * [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - '''£7,200'''<br /> ''The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&quot; tape machine would allow for greater use of our existing 2&quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.''<br /> <br /> ''In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.''<br /> <br /> ''Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.''<br /> <br /> * Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - '''£30,000'''<br /> ''Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &quot;surprise&quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units''<br /> <br /> * 9 UAD octo-core satellites and two Ultimate plugin bundles - '''£10,000'''<br /> <br /> * Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - '''£10,000'''<br /> ''An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &quot;specific installation&quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University's current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.''<br /> <br /> ''The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.''<br /> <br /> ===Year 5 (2020-21)===<br /> * Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - '''£25,000'''<br /> <br /> * Populate 500-series lunchboxes further - '''£10,000'''<br /> <br /> * Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - '''£40,000'''<br /> <br /> * Location Recording Equipment Refresh (USB-C/USB) - '''£5,000'''<br /> <br /> * Ceiling treatment for all studios [Ceiling Tiles] - '''£10,000'''<br /> <br /> * Refresh of microphone stands (replacing older broken stock/add to existing stock) - '''£3,000'''<br /> <br /> * Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - '''£4,000'''<br /> <br /> * Mix Studio in rehearsal room - '''£55,000'''<br /> ''Much like the recently designed and installed &quot;Composition Studio&quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.''<br /> <br /> * Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - '''£1,500'''<br /> <br /> * Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - '''£150,000'''<br /> <br /> * Portable GRM Tools Complete II licences and iLok - '''£1,000'''<br /> <br /> ===Year 6 (2021-22)===<br /> * Major refresh of microphone stock (replacing older broken stock/add to existing stock) - '''£20,000'''<br /> * New Plugins and software for all the studios - '''£20,000'''<br /> <br /> ===Year 7 (2022-23)===<br /> * Major service of Studer A820 - '''£5,000'''<br /> <br /> ===Year 10 (2026-27)===<br /> * Replacement of an Audient ASP8024 Consoles - '''£220,000'''<br /> * Replacement of Pianos - '''£60,000'''<br /> <br /> ==Stores==<br /> <br /> ===Year 1 (2016-17)===<br /> * Move in.<br /> <br /> ===Year 2 (2017-18)===<br /> * No significant investment.<br /> <br /> ===Year 3 (2018-19)===<br /> * Double amount of Ledgo 600s - '''£3500'''<br /> * tripods for ursas<br /> * UV Filters for Lenses - '''£1200'''<br /> * Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm<br /> * 5DS R bodies - 3 - '''£11000'''<br /> * 24-105mm in line with number of full frame bodies - 9 - '''£9171'''<br /> * 35mm 1:2 primes - 3 - '''£1600'''<br /> * 50mm 1:1.8 primes - 5 - '''£600'''<br /> * 70-200mm telephoto - 1 - '''£589'''<br /> * 85mm 1:1.8 primes - 4 - '''£1700'''<br /> * Bayer Dynamic Headphones DT 770 - 9 - '''£950'''<br /> * Action Cameras - '''£4200'''<br /> * Consumer Video Cameras - '''£6000'''<br /> * Consumer Still Cameras - '''£4000'''<br /> <br /> ===Year 4 (2019-20)===<br /> * 15x Canon 90D (w/ kit lens) - '''£20,000'''<br /> ''The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &quot;overspill&quot; to the canon full frame stock in this regard.''<br /> * 10x Canon 250D (w/ kit lens) - '''£5100'''<br /> ''The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.''<br /> * 5x Sigma 17-50 mm Lenses - '''£1600'''<br /> ''Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.''<br /> * 5x Canon 50 mm f/1.4 Lenses - '''£1700'''<br /> ''A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.''<br /> * 4x Canon 55-250mm Lenses - '''£1200'''<br /> ''Good telephoto lens option for the APS-C bodies.''<br /> * 3x Canon 24 mm Lenses - '''£432'''<br /> ''Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body''<br /> * 5x Sigma 30 mm 1.4 Lenses - '''£1800'''<br /> ''Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body''<br /> * 2x Sigma 10-20mm lenses - '''£634''' <br /> ''Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body''<br /> * 11x Canon 5D MKIV (onward) - '''£31,000'''<br /> ''Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.''<br /> * 11x Canon 24-105 mm EF Lenses - '''£1100'''<br /> ''For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. ''<br /> * #x 35mm SLRs <br /> ''Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty, with all cameras having at least one issue or repair. There is also increased demand from photography and FIMS. Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. ''<br /> <br /> ===Year 5 (2020-21)===<br /> <br /> ===Year 6 (2021-22)===</div>

Tom https://wiki.newadelphi.uk/index.php?title=Planning&diff=1567 2020-02-18T16:19:16Z

<p>Tom: /* Year 4 (2019-20) */</p> <hr /> <div>This is a scratch page for future planning in each area.<br /> <br /> ==Annual Software Charges==<br /> <br /> * '''August:''' Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - '''£500'''<br /> * '''November:''' Cycling '74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - '''£5,000'''<br /> <br /> ==Production==<br /> <br /> ===Year 1 (2016-17)===<br /> * Moved in to New Adelphi, move and reset costs.<br /> <br /> ===Year 2 (2017-18)===<br /> * New 180 cameras.<br /> * New 5D cameras.<br /> * New C100 cameras.<br /> * Renewal of EditShare support for 2 years - [As Installed] - '''£5,500'''<br /> <br /> ===Year 3 (2018-19)===<br /> * Replacement pedestals in Screen 1 - '''£15,000'''<br /> * LEDGO 600 Light (x16) - '''£5,000'''<br /> * LEDGO 'Rio' Bags (x16) - '''£500'''<br /> * LEDGO Stands (x16) - '''£3000'''<br /> * LEDGO Batteries (x16) - '''£3500'''<br /> * Canon C100 + Atomos Bundle (x2) - '''£6,000'''<br /> * Manfrotto 504HD,546BK Tripods (x8) - '''£5,500'''<br /> * Samyang VDSLR Lens Kit (x2) - '''£5,000'''<br /> <br /> ===Year 4 (2019-20)===<br /> * Lighting for Screen 1 - '''£28,000'''<br /> * Lighting for Screen 2 - '''£22,000'''<br /> * Replacement of EditShare - '''£80,000'''<br /> * Blackmagic Duplicator, Remotes, MultiDocks - '''£15,000'''<br /> * Gimbal / Dolly Equipment - '''£10,000'''<br /> <br /> ===Year 5 (2020-21)===<br /> <br /> <br /> * New speakers without limiting in 5.22 (for Performance as if it's 6.22)<br /> <br /> <br /> <br /> <br /> New Camera Systems for 2nd/3rd Year Students<br /> <br /> BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY - '''£2,266.92 inc VAT'''<br /> <br /> ''EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire. ''<br /> <br /> CORESWX POWERBASE EDGE - BMD POCKET 4K - '''£270'''<br /> <br /> Powerbase for extended battery life.<br /> <br /> SANDISK 256GB 525MB/S - CFAST - '''£599'''<br /> <br /> CFAST 2.0 Card for BMPC<br /> <br /> CANON LP-E6N BATTERY (1800MAH) - '''£67.20<br /> '''<br /> Battery for BMPC<br /> <br /> 8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - '''£400'''<br /> <br /> Cage and Handle for BMPC<br /> <br /> 8SINN 15MM UNIVERSAL RODS SUPPORT - '''£175.99<br /> '''<br /> SMALLHD FOCUS7 WITH BOLT 500 - '''£1,500<br /> '''<br /> Wireless Monitor System<br /> <br /> <br /> <br /> '''Sony PXW-FS7 Camera - 3x£5,334 + 3x£226 + adapters = ~ £17,000'''<br /> <br /> ''The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. These cameras produce high quality video, and using them would also give students the chance to get used to the Sony interface and their picture profiles''<br /> <br /> '''Hard lights – 6 functional lights'''<br /> <br /> ''We want to look into providing hard light to allow for a wider variety of lighting techniques''<br /> <br /> <br /> '''AF lenses for use with the Ronin - 2 x£510 = £1,020''' <br /> <br /> <br /> '''Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071'''<br /> <br /> ''This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa''<br /> <br /> <br /> '''A variety of microphones'''<br /> <br /> '''Lenses for the BM cameras for the PPU'''<br /> <br /> '''A big TV to assist lessons in Screen 2'''<br /> <br /> RYCOTE MODULAR WINDSHIELD WS 2 KIT '''£588'''<br /> <br /> Shock Mount for Sennheiser MKH50-P48<br /> <br /> ===Year 6 (2021-22)===<br /> <br /> ===Year 7 (2022-23)===<br /> <br /> ===Year 8 (2023-24)===<br /> <br /> ==Recording==<br /> <br /> ===Year 1 (2016-17)===<br /> * Moved into New Adelphi, complete studio rebuild, some restocking.<br /> <br /> ===Year 2 (2017-18)===<br /> * No significant expenditure beyond maintenance and consumables.<br /> <br /> ===Year 3 (2018-19)===<br /> * Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - '''£6,000''' <br /> * Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - '''£11,000'''<br /> * Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - '''£2000'''<br /> * Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO's per Studio + Bass Traps for booths + GOBOS for Band Room] - '''£9000'''<br /> * Replace Zoom H4N with H6 and add to current stock levels - '''£4000'''<br /> * Increase splitter stock for location recording - '''£2000'''<br /> * Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;M stands, 10x K&amp;M boom arms - '''£1200'''<br /> <br /> ===Year 4 (2019-20)===<br /> <br /> * Refresh of microphone stock &gt;&gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&gt;&gt;(replacing older broken stock/add to existing stock) - '''£17,683'''<br /> ''Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock's lifespan as well as to provide greater industry-standard choice to our ever growing student population.'' <br /> <br /> * [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - '''£7,200'''<br /> ''The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&quot; tape machine would allow for greater use of our existing 2&quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.''<br /> <br /> ''In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.''<br /> <br /> ''Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.''<br /> <br /> * Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - '''£30,000'''<br /> ''Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &quot;surprise&quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units''<br /> <br /> * 9 UAD octo-core satellites and two Ultimate plugin bundles - '''£10,000'''<br /> <br /> * Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - '''£10,000'''<br /> ''An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &quot;specific installation&quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University's current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.''<br /> <br /> ''The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.''<br /> <br /> ===Year 5 (2020-21)===<br /> * Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - '''£25,000'''<br /> <br /> * Populate 500-series lunchboxes further - '''£10,000'''<br /> <br /> * Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - '''£40,000'''<br /> <br /> * Location Recording Equipment Refresh (USB-C/USB) - '''£5,000'''<br /> <br /> * Ceiling treatment for all studios [Ceiling Tiles] - '''£10,000'''<br /> <br /> * Refresh of microphone stands (replacing older broken stock/add to existing stock) - '''£3,000'''<br /> <br /> * Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - '''£4,000'''<br /> <br /> * Mix Studio in rehearsal room - '''£55,000'''<br /> ''Much like the recently designed and installed &quot;Composition Studio&quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.''<br /> <br /> * Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - '''£1,500'''<br /> <br /> * Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - '''£150,000'''<br /> <br /> * Portable GRM Tools Complete II licences and iLok - '''£1,000'''<br /> <br /> ===Year 6 (2021-22)===<br /> * Major refresh of microphone stock (replacing older broken stock/add to existing stock) - '''£20,000'''<br /> * New Plugins and software for all the studios - '''£20,000'''<br /> <br /> ===Year 7 (2022-23)===<br /> * Major service of Studer A820 - '''£5,000'''<br /> <br /> ===Year 10 (2026-27)===<br /> * Replacement of an Audient ASP8024 Consoles - '''£220,000'''<br /> * Replacement of Pianos - '''£60,000'''<br /> <br /> ==Stores==<br /> <br /> ===Year 1 (2016-17)===<br /> * Move in.<br /> <br /> ===Year 2 (2017-18)===<br /> * No significant investment.<br /> <br /> ===Year 3 (2018-19)===<br /> * Double amount of Ledgo 600s - '''£3500'''<br /> * tripods for ursas<br /> * UV Filters for Lenses - '''£1200'''<br /> * Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm<br /> * 5DS R bodies - 3 - '''£11000'''<br /> * 24-105mm in line with number of full frame bodies - 9 - '''£9171'''<br /> * 35mm 1:2 primes - 3 - '''£1600'''<br /> * 50mm 1:1.8 primes - 5 - '''£600'''<br /> * 70-200mm telephoto - 1 - '''£589'''<br /> * 85mm 1:1.8 primes - 4 - '''£1700'''<br /> * Bayer Dynamic Headphones DT 770 - 9 - '''£950'''<br /> * Action Cameras - '''£4200'''<br /> * Consumer Video Cameras - '''£6000'''<br /> * Consumer Still Cameras - '''£4000'''<br /> <br /> ===Year 4 (2019-20)===<br /> * 15x Canon 90D (w/ kit lens) - '''£20,000'''<br /> ''The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &quot;overspill&quot; to the canon full frame stock in this regard.''<br /> * 10x Canon 250D (w/ kit lens) - '''£5100'''<br /> ''The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.''<br /> * 5x Sigma 17-50 mm Lenses - '''£1600'''<br /> ''Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.''<br /> * 5x Canon 50 mm f/1.4 Lenses - '''£1700'''<br /> ''A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.''<br /> * 4x Canon 55-250mm Lenses - '''£1200'''<br /> ''Good telephoto lens option for the APS-C bodies.''<br /> * 3x Canon 24 mm Lenses - '''£432'''<br /> ''Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body''<br /> * 5x Sigma 30 mm 1.4 Lenses - '''£1800'''<br /> ''Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body''<br /> * 2x Sigma 10-20mm lenses - '''£634''' <br /> ''Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body''<br /> * 11x Canon 5D MKIV (onward) - '''£31,000'''<br /> ''Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.''<br /> * 11x Canon 24-105 mm EF Lenses - '''£1100'''<br /> ''For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. ''<br /> * #x 35mm SLRs <br /> ''Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty, with all cameras having at least one issue or repair. There is also increased demand from photography, FIMS, and Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. ''<br /> <br /> ===Year 5 (2020-21)===<br /> <br /> ===Year 6 (2021-22)===</div>

Tom https://wiki.newadelphi.uk/index.php?title=Planning&diff=1566 2020-02-18T16:14:28Z

<p>Tom: /* Year 4 (2019-20) */</p> <hr /> <div>This is a scratch page for future planning in each area.<br /> <br /> ==Annual Software Charges==<br /> <br /> * '''August:''' Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - '''£500'''<br /> * '''November:''' Cycling '74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - '''£5,000'''<br /> <br /> ==Production==<br /> <br /> ===Year 1 (2016-17)===<br /> * Moved in to New Adelphi, move and reset costs.<br /> <br /> ===Year 2 (2017-18)===<br /> * New 180 cameras.<br /> * New 5D cameras.<br /> * New C100 cameras.<br /> * Renewal of EditShare support for 2 years - [As Installed] - '''£5,500'''<br /> <br /> ===Year 3 (2018-19)===<br /> * Replacement pedestals in Screen 1 - '''£15,000'''<br /> * LEDGO 600 Light (x16) - '''£5,000'''<br /> * LEDGO 'Rio' Bags (x16) - '''£500'''<br /> * LEDGO Stands (x16) - '''£3000'''<br /> * LEDGO Batteries (x16) - '''£3500'''<br /> * Canon C100 + Atomos Bundle (x2) - '''£6,000'''<br /> * Manfrotto 504HD,546BK Tripods (x8) - '''£5,500'''<br /> * Samyang VDSLR Lens Kit (x2) - '''£5,000'''<br /> <br /> ===Year 4 (2019-20)===<br /> * Lighting for Screen 1 - '''£28,000'''<br /> * Lighting for Screen 2 - '''£22,000'''<br /> * Replacement of EditShare - '''£80,000'''<br /> * Blackmagic Duplicator, Remotes, MultiDocks - '''£15,000'''<br /> * Gimbal / Dolly Equipment - '''£10,000'''<br /> <br /> ===Year 5 (2020-21)===<br /> <br /> <br /> * New speakers without limiting in 5.22 (for Performance as if it's 6.22)<br /> <br /> <br /> <br /> <br /> New Camera Systems for 2nd/3rd Year Students<br /> <br /> BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY - '''£2,266.92 inc VAT'''<br /> <br /> ''EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire. ''<br /> <br /> CORESWX POWERBASE EDGE - BMD POCKET 4K - '''£270'''<br /> <br /> Powerbase for extended battery life.<br /> <br /> SANDISK 256GB 525MB/S - CFAST - '''£599'''<br /> <br /> CFAST 2.0 Card for BMPC<br /> <br /> CANON LP-E6N BATTERY (1800MAH) - '''£67.20<br /> '''<br /> Battery for BMPC<br /> <br /> 8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - '''£400'''<br /> <br /> Cage and Handle for BMPC<br /> <br /> 8SINN 15MM UNIVERSAL RODS SUPPORT - '''£175.99<br /> '''<br /> SMALLHD FOCUS7 WITH BOLT 500 - '''£1,500<br /> '''<br /> Wireless Monitor System<br /> <br /> <br /> <br /> '''Sony PXW-FS7 Camera - 3x£5,334 + 3x£226 + adapters = ~ £17,000'''<br /> <br /> ''The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. These cameras produce high quality video, and using them would also give students the chance to get used to the Sony interface and their picture profiles''<br /> <br /> '''Hard lights – 6 functional lights'''<br /> <br /> ''We want to look into providing hard light to allow for a wider variety of lighting techniques''<br /> <br /> <br /> '''AF lenses for use with the Ronin - 2 x£510 = £1,020''' <br /> <br /> <br /> '''Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071'''<br /> <br /> ''This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa''<br /> <br /> <br /> '''A variety of microphones'''<br /> <br /> '''Lenses for the BM cameras for the PPU'''<br /> <br /> '''A big TV to assist lessons in Screen 2'''<br /> <br /> RYCOTE MODULAR WINDSHIELD WS 2 KIT '''£588'''<br /> <br /> Shock Mount for Sennheiser MKH50-P48<br /> <br /> ===Year 6 (2021-22)===<br /> <br /> ===Year 7 (2022-23)===<br /> <br /> ===Year 8 (2023-24)===<br /> <br /> ==Recording==<br /> <br /> ===Year 1 (2016-17)===<br /> * Moved into New Adelphi, complete studio rebuild, some restocking.<br /> <br /> ===Year 2 (2017-18)===<br /> * No significant expenditure beyond maintenance and consumables.<br /> <br /> ===Year 3 (2018-19)===<br /> * Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - '''£6,000''' <br /> * Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - '''£11,000'''<br /> * Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - '''£2000'''<br /> * Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO's per Studio + Bass Traps for booths + GOBOS for Band Room] - '''£9000'''<br /> * Replace Zoom H4N with H6 and add to current stock levels - '''£4000'''<br /> * Increase splitter stock for location recording - '''£2000'''<br /> * Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;M stands, 10x K&amp;M boom arms - '''£1200'''<br /> <br /> ===Year 4 (2019-20)===<br /> <br /> * Refresh of microphone stock &gt;&gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&gt;&gt;(replacing older broken stock/add to existing stock) - '''£17,683'''<br /> ''Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock's lifespan as well as to provide greater industry-standard choice to our ever growing student population.'' <br /> <br /> * [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - '''£7,200'''<br /> ''The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&quot; tape machine would allow for greater use of our existing 2&quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.''<br /> <br /> ''In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.''<br /> <br /> ''Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.''<br /> <br /> * Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - '''£30,000'''<br /> ''Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &quot;surprise&quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units''<br /> <br /> * 9 UAD octo-core satellites and two Ultimate plugin bundles - '''£10,000'''<br /> <br /> * Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - '''£10,000'''<br /> ''An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &quot;specific installation&quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University's current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.''<br /> <br /> ''The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.''<br /> <br /> ===Year 5 (2020-21)===<br /> * Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - '''£25,000'''<br /> <br /> * Populate 500-series lunchboxes further - '''£10,000'''<br /> <br /> * Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - '''£40,000'''<br /> <br /> * Location Recording Equipment Refresh (USB-C/USB) - '''£5,000'''<br /> <br /> * Ceiling treatment for all studios [Ceiling Tiles] - '''£10,000'''<br /> <br /> * Refresh of microphone stands (replacing older broken stock/add to existing stock) - '''£3,000'''<br /> <br /> * Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - '''£4,000'''<br /> <br /> * Mix Studio in rehearsal room - '''£55,000'''<br /> ''Much like the recently designed and installed &quot;Composition Studio&quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.''<br /> <br /> * Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - '''£1,500'''<br /> <br /> * Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - '''£150,000'''<br /> <br /> * Portable GRM Tools Complete II licences and iLok - '''£1,000'''<br /> <br /> ===Year 6 (2021-22)===<br /> * Major refresh of microphone stock (replacing older broken stock/add to existing stock) - '''£20,000'''<br /> * New Plugins and software for all the studios - '''£20,000'''<br /> <br /> ===Year 7 (2022-23)===<br /> * Major service of Studer A820 - '''£5,000'''<br /> <br /> ===Year 10 (2026-27)===<br /> * Replacement of an Audient ASP8024 Consoles - '''£220,000'''<br /> * Replacement of Pianos - '''£60,000'''<br /> <br /> ==Stores==<br /> <br /> ===Year 1 (2016-17)===<br /> * Move in.<br /> <br /> ===Year 2 (2017-18)===<br /> * No significant investment.<br /> <br /> ===Year 3 (2018-19)===<br /> * Double amount of Ledgo 600s - '''£3500'''<br /> * tripods for ursas<br /> * UV Filters for Lenses - '''£1200'''<br /> * Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm<br /> * 5DS R bodies - 3 - '''£11000'''<br /> * 24-105mm in line with number of full frame bodies - 9 - '''£9171'''<br /> * 35mm 1:2 primes - 3 - '''£1600'''<br /> * 50mm 1:1.8 primes - 5 - '''£600'''<br /> * 70-200mm telephoto - 1 - '''£589'''<br /> * 85mm 1:1.8 primes - 4 - '''£1700'''<br /> * Bayer Dynamic Headphones DT 770 - 9 - '''£950'''<br /> * Action Cameras - '''£4200'''<br /> * Consumer Video Cameras - '''£6000'''<br /> * Consumer Still Cameras - '''£4000'''<br /> <br /> ===Year 4 (2019-20)===<br /> * 15x Canon 90D (w/ kit lens) - '''£20,000'''<br /> ''The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &quot;overspill&quot; to the canon full frame stock in this regard.''<br /> * 10x Canon 250D (w/ kit lens) - '''£5100'''<br /> ''The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.''<br /> * 5x Sigma 17-50 mm Lenses - '''£1600'''<br /> ''Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.''<br /> * 5x Canon 50 mm f/1.4 Lenses - '''£1700'''<br /> ''A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.''<br /> * 4x Canon 55-250mm Lenses - '''£1200'''<br /> ''Good telephoto lens option for the APS-C bodies.''<br /> * 3x Canon 24 mm Lenses - '''£432'''<br /> ''Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body''<br /> * 5x Sigma 30 mm 1.4 Lenses - '''£1800'''<br /> ''Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body''<br /> * 2x Sigma 10-20mm lenses - '''£634''' <br /> ''Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body''<br /> * 11x Canon 5D MKIV (onward) - '''£31,000'''<br /> ''Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.''<br /> * 11x Canon 24-105 mm EF Lenses - '''£1100'''<br /> ''For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. ''<br /> * #x 35mm SLRs <br /> ''Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty. There is also increased demand from photography, FIMS, and Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. ''<br /> <br /> ===Year 5 (2020-21)===<br /> <br /> ===Year 6 (2021-22)===</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:151.jpg&diff=1530 2019-11-28T16:14:05Z

<p>Tom: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Tom https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-HMC151&diff=1529 2019-11-28T16:12:15Z

<p>Tom: </p> <hr /> <div>==Overview==<br /> <br /> &lt;div class=&quot;rightbox&quot;&gt;[[:Media:Aghmc151e.pdf|'''User Manual''']]&lt;/div&gt;<br /> <br /> The AG-HMC151 features highly-acclaimed functions of the popular AG-DVX100 series of DV-tape based camcorders to tapeless HD recording. Using the cost-saving AVCHD format to record onto SDHC or SD Memory Card media, the AG-HMC151 produces exceptional images and responds to creative production needs. It also features a 28mm (35mm equivalent) wide-angle lens - widest in a professional camera of this class - and a 1/3 type 16:9 progressive CCD. It further enhances image quality by adding a higher-quality PH mode to the clean, extended time recording abilities of the AVCHD format. The AG-HMC151 handles full pixel (1920 x 1080/1280 x 720) 24p, 25p, and 30p progressive recording, and includes cinelike gamma and other versatile functions to meet the special needs of creative image production.<br /> <br /> ==Contents==<br /> [[File:151.jpg|thumb|Panasonic AG-HMC151 basic (as stored) kit]] <br /> =====Basic (as stored)=====<br /> * 1x Panasonic AG-HMC151 camera<br /> * 1x mains power cable<br /> * 1x battery charging power block<br /> * 1x battery attachment power adapto<br /> =====Additional=====<br /> * 2x Panasonic AG-HMC151 Battery Pack<br /> * 1x XLR Cable<br /> * 1x Shotgun Microphone<br /> * 1x Pistol Grip with Shockmount<br /> =====Optional=====<br /> * 1x Headphones<br /> * 1x Wind diffuser <br /> ==Packing Instructions==<br /> Proper Storage of the AG-HMC151 in its bag:<br /> <br /> # Ensure SD card and battery is removed<br /> # store the batteries appropriately in the camera bag<br /> # Ensure all cables and the battery charger is in a pouch in the left hand compartment<br /> # Place camera in the large inside compartment with the lens facing toward the outside of the bag<br /> # Store sound equipment in the right hand side pouch <br /> <br /> Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the case or foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.<br /> <br /> ==Health and Safety Checklist:==<br /> <br /> [[File:AG-HMC151_side_1472199305.jpg|thumb|Panasonic AG-HMC151]]<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. <br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> ''Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.'' <br /> <br /> ==Induction Check list:==<br /> <br /> '''Battery''' – Battery to be inserted into the back arrow at the bottom, simply push in at the top and slide down in the direction of the arrow on the back of the battery until the “click”<br /> <br /> '''SD Card''' – Just above the battery you will see the slot for the SD card, pull the opening hatch down and insert SD card label side up until you hear the “click”. Make note that the card door must be closed for you to be able to use the camera to record. <br /> <br /> '''Power Switch''' – the power switch is located at the back right of the camera on the back of the grip handle, pull down and the white line will be pointing to “on” which will switch the camera on.<br /> <br /> '''Format SD card''' – Really important that you format your card to make sure that yours is the only footage on there before shooting. After inserting the card located behind the SD card above the viewfinder you will see a MENU button in green, when you press this a CAM MENU screen will appear on the screen. Use the toggle switch central to the menu button to scroll down, keep scrolling to CARD FUNCTIONS, push toggle in, card format will be the first option, press on that then choose yes and yes again until you see “SD CARD FORMAT COMPLETED”<br /> <br /> '''Focus''' – 2 options here, on the left at the front of the camera under FOCUS you can choose auto or manual focus, if you want full control over your own focus make sure this is on manual and you can control the focus with the first ring on the lens (end of the camera) <br /> <br /> '''ND Filter''' – Mostly this would be switched to off, but you can test with your lighting or when shooting outside if you wanted to use the ND filters.<br /> <br /> '''Zoom''' – There are 3 ways to zoom on the 151 1. The focus ring, on the left side at the front of the camera behind the focus switch you will see user 1,2, and 3, below is a switch, to use the manual ring behind the focus ring this switch MUST me on manual not servo. 2. First rocker located on the top of the top handle, go back to that manual/servo switch and make sure this time its on servo, you can use the top rocker to zoom in or out. 3. Second rocker, on the right of the camera above the side handle you will see a larger rocker that you can use again to use this the switch must be set to servo. <br /> <br /> '''Iris''' – located on the left at the front on the bottom row the button that says IRIS, pushing this will either set it to auto or manual, if manual make sure your camera is letting enough light in, you can scroll up or down to adjust with the dial in front of the IRIS button. <br /> <br /> '''Gain''' – Gain toggle is towards the front of the camera behind Iris options of L/M/H (low, medium, high) usually this will be set to low, when the gain is set to high it is very difficult to change after. Primarily gain is only used in extreme low light situations. <br /> <br /> '''White Balance''' – White balance button is located on the left of the camera on the bottom row behind Iris and Gain, set this to B, hold a white piece of paper in front of the camera and then right at the front of the camera below the lens you will see the AWB button, push and hold this until “ABB END” on screen<br /> <br /> '''Shutter''' – Located next to your screen, along the top from left to right you will see BARS, SHUTTER, SPEED, and SELECT. You can turn this off by pressing shutter until its says “shutter off” on your screen or for standard footage you can set it to 1/60 on this camera, it would usually be 1/50 <br /> <br /> '''Record Button''' – There are two record buttons, one on the top handle in front of the small zoom rocker, the second behind the large rocker on the right, same location as the on/off switch <br /> <br /> '''Thumbnail''' – Playback function is located just to the left of where the battery is located, it’s the bottom button marked MODE, press that to switch between live feed and playback mode. <br /> <br /> '''Rec Format''' – Hitting MENU again scrolling you will find REC FORMAT, make sure that if you are shooting standard footage this is set to 1080p/25p or if what your shooting doesn’t require as much quality and you need more space on the SD card 720/25p<br /> <br /> ==Instructional Videos== <br /> <br /> &lt;youtube&gt;8VM2_zHJ1Gw&lt;/youtube&gt;<br /> <br /> &lt;youtube&gt;UzZAQDys8k0&lt;/youtube&gt;</div>

Tom https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-HMC151&diff=1528 2019-11-28T14:56:56Z

<p>Tom: </p> <hr /> <div>==Overview==<br /> <br /> &lt;div class=&quot;rightbox&quot;&gt;[[:Media:Aghmc151e.pdf|'''User Manual''']]&lt;/div&gt;<br /> <br /> The AG-HMC151 features highly-acclaimed functions of the popular AG-DVX100 series of DV-tape based camcorders to tapeless HD recording. Using the cost-saving AVCHD format to record onto SDHC or SD Memory Card media, the AG-HMC151 produces exceptional images and responds to creative production needs. It also features a 28mm (35mm equivalent) wide-angle lens - widest in a professional camera of this class - and a 1/3 type 16:9 progressive CCD. It further enhances image quality by adding a higher-quality PH mode to the clean, extended time recording abilities of the AVCHD format. The AG-HMC151 handles full pixel (1920 x 1080/1280 x 720) 24p, 25p, and 30p progressive recording, and includes cinelike gamma and other versatile functions to meet the special needs of creative image production.<br /> <br /> ==Contents==<br /> [[File:|thumb|Panasonic AG-UX180 basic (as stored) kit]] <br /> =====Basic (as stored)=====<br /> * <br /> =====Additional=====<br /> * <br /> =====Optional=====<br /> * <br /> ==Packing Instructions==<br /> Proper Storage of the ** in its bag:<br /> <br /> # <br /> <br /> Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the case or foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.<br /> <br /> ==Health and Safety Checklist:==<br /> <br /> [[File:AG-HMC151_side_1472199305.jpg|thumb|Panasonic AG-HMC151]]<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. <br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> ''Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.'' <br /> <br /> ==Induction Check list:==<br /> <br /> '''Battery''' – Battery to be inserted into the back arrow at the bottom, simply push in at the top and slide down in the direction of the arrow on the back of the battery until the “click”<br /> <br /> '''SD Card''' – Just above the battery you will see the slot for the SD card, pull the opening hatch down and insert SD card label side up until you hear the “click”. Make note that the card door must be closed for you to be able to use the camera to record. <br /> <br /> '''Power Switch''' – the power switch is located at the back right of the camera on the back of the grip handle, pull down and the white line will be pointing to “on” which will switch the camera on.<br /> <br /> '''Format SD card''' – Really important that you format your card to make sure that yours is the only footage on there before shooting. After inserting the card located behind the SD card above the viewfinder you will see a MENU button in green, when you press this a CAM MENU screen will appear on the screen. Use the toggle switch central to the menu button to scroll down, keep scrolling to CARD FUNCTIONS, push toggle in, card format will be the first option, press on that then choose yes and yes again until you see “SD CARD FORMAT COMPLETED”<br /> <br /> '''Focus''' – 2 options here, on the left at the front of the camera under FOCUS you can choose auto or manual focus, if you want full control over your own focus make sure this is on manual and you can control the focus with the first ring on the lens (end of the camera) <br /> <br /> '''ND Filter''' – Mostly this would be switched to off, but you can test with your lighting or when shooting outside if you wanted to use the ND filters.<br /> <br /> '''Zoom''' – There are 3 ways to zoom on the 151 1. The focus ring, on the left side at the front of the camera behind the focus switch you will see user 1,2, and 3, below is a switch, to use the manual ring behind the focus ring this switch MUST me on manual not servo. 2. First rocker located on the top of the top handle, go back to that manual/servo switch and make sure this time its on servo, you can use the top rocker to zoom in or out. 3. Second rocker, on the right of the camera above the side handle you will see a larger rocker that you can use again to use this the switch must be set to servo. <br /> <br /> '''Iris''' – located on the left at the front on the bottom row the button that says IRIS, pushing this will either set it to auto or manual, if manual make sure your camera is letting enough light in, you can scroll up or down to adjust with the dial in front of the IRIS button. <br /> <br /> '''Gain''' – Gain toggle is towards the front of the camera behind Iris options of L/M/H (low, medium, high) usually this will be set to low, when the gain is set to high it is very difficult to change after. Primarily gain is only used in extreme low light situations. <br /> <br /> '''White Balance''' – White balance button is located on the left of the camera on the bottom row behind Iris and Gain, set this to B, hold a white piece of paper in front of the camera and then right at the front of the camera below the lens you will see the AWB button, push and hold this until “ABB END” on screen<br /> <br /> '''Shutter''' – Located next to your screen, along the top from left to right you will see BARS, SHUTTER, SPEED, and SELECT. You can turn this off by pressing shutter until its says “shutter off” on your screen or for standard footage you can set it to 1/60 on this camera, it would usually be 1/50 <br /> <br /> '''Record Button''' – There are two record buttons, one on the top handle in front of the small zoom rocker, the second behind the large rocker on the right, same location as the on/off switch <br /> <br /> '''Thumbnail''' – Playback function is located just to the left of where the battery is located, it’s the bottom button marked MODE, press that to switch between live feed and playback mode. <br /> <br /> '''Rec Format''' – Hitting MENU again scrolling you will find REC FORMAT, make sure that if you are shooting standard footage this is set to 1080p/25p or if what your shooting doesn’t require as much quality and you need more space on the SD card 720/25p<br /> <br /> ==Instructional Videos== <br /> <br /> &lt;youtube&gt;8VM2_zHJ1Gw&lt;/youtube&gt;<br /> <br /> &lt;youtube&gt;UzZAQDys8k0&lt;/youtube&gt;</div>

Tom https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&diff=1512 2019-11-18T15:04:52Z

<p>Tom: </p> <hr /> <div>&lt;div class=&quot;rightbox&quot;&gt;[[:Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]&lt;/div&gt;<br /> This will contain a list of resources for the Panasonic AG-UX180:<br /> <br /> ==Overview==<br /> Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.<br /> <br /> ==Contents==<br /> [[File:Pan180.jpg|thumb|Panasonic AG-UX180 basic (as stored) kit]] [[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]] <br /> =====Basic (as stored)=====<br /> * 1x Panasonic AG-UX180 Camera<br /> * 1x Panasonic AG-UX180 Dual Battery Charger<br /> * 1x Panasonic AG-UX180 Power Cable + Mains Cable<br /> =====Additional=====<br /> * 2x Panasonic AG-UX180 Battery Pack<br /> * 1x XLR Cable<br /> * 1x Shotgun Microphone<br /> * 1x Pistol Grip with Shockmount<br /> =====Optional=====<br /> * 1x Headphones<br /> * 1x Wind diffuser<br /> ==Packing Instructions==<br /> Proper Storage of the Panasonic AG-UX180 in its bag:<br /> <br /> # Ensure SD cards are removed and the lens cover is in the closed position<br /> # Remove any battery from the camera and store them appropriately in the camera bag<br /> # Ensure all cables and the battery charger is in the smaller inside compartment<br /> # Place camera in the large inside compartment with the lens facing away from the accessories<br /> # Store sound equipment in the side pouch <br /> <br /> Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the case or foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.<br /> <br /> ==Health and Safety==<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. <br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> ==Induction Checklist==<br /> <br /> '''Battery''' - Show how to insert the battery into the back of the camera.<br /> <br /> '''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting. <br /> <br /> '''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position. <br /> <br /> '''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this) <br /> <br /> '''Lens Cover''' - Explain the importance and the location of the lens cover.<br /> <br /> '''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)<br /> <br /> '''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out. <br /> <br /> '''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11<br /> <br /> '''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB <br /> <br /> '''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance. <br /> <br /> '''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.<br /> <br /> '''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button <br /> <br /> '''Record Button''' - Indicate the location of the record button<br /> <br /> '''Thumbnail''' - The thumbnail button allows students to review the footage they have captured. <br /> <br /> '''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch<br /> <br /> '''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.<br /> <br /> <br /> ''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''<br /> <br /> ==Instructional Videos==<br /> ===Introduction to the UX Series===<br /> &lt;youtube&gt;Azq5cuqlAbI&lt;/youtube&gt;<br /> <br /> ===Slow Motion===<br /> &lt;youtube&gt;p6z1A3-IjCY&lt;/youtube&gt;</div>

Tom https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&diff=1509 2019-11-18T14:54:12Z

<p>Tom: </p> <hr /> <div>&lt;div class=&quot;rightbox&quot;&gt;[[:Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]&lt;/div&gt;<br /> This will contain a list of resources for the Panasonic AG-UX180:<br /> <br /> ==Overview==<br /> Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.<br /> <br /> ==Contents==<br /> [[File:Pan180.jpg|thumb|Panasonic AG-UX180 basic (as stored) kit]] [[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]] <br /> =====Basic (as stored)=====<br /> *<br /> =====Additional=====<br /> *<br /> =====Optional=====<br /> *<br /> ==Packing Instructions==<br /> Proper Storage of the .......... in its Peli case/bag:<br /> <br /> Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the case or foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.<br /> <br /> ==Health and Safety==<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. <br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> ==Induction Checklist==<br /> <br /> '''Battery''' - Show how to insert the battery into the back of the camera.<br /> <br /> '''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting. <br /> <br /> '''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position. <br /> <br /> '''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this) <br /> <br /> '''Lens Cover''' - Explain the importance and the location of the lens cover.<br /> <br /> '''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)<br /> <br /> '''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out. <br /> <br /> '''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11<br /> <br /> '''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB <br /> <br /> '''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance. <br /> <br /> '''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.<br /> <br /> '''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button <br /> <br /> '''Record Button''' - Indicate the location of the record button<br /> <br /> '''Thumbnail''' - The thumbnail button allows students to review the footage they have captured. <br /> <br /> '''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch<br /> <br /> '''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.<br /> <br /> <br /> ''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''<br /> <br /> ==Instructional Videos==<br /> ===Introduction to the UX Series===<br /> &lt;youtube&gt;Azq5cuqlAbI&lt;/youtube&gt;<br /> <br /> ===Slow Motion===<br /> &lt;youtube&gt;p6z1A3-IjCY&lt;/youtube&gt;</div>

Tom https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&diff=1507 2019-11-18T14:53:38Z

<p>Tom: </p> <hr /> <div>&lt;div class=&quot;rightbox&quot;&gt;[[:Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]&lt;/div&gt;<br /> This will contain a list of resources for the Panasonic AG-UX180:<br /> <br /> ==Overview==<br /> Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.<br /> <br /> ==Contents==<br /> [[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]] [[File:Pan180.jpg|thumb|Panasonic AG-UX180 basic (as stored) kit]]<br /> =====Basic (as stored)=====<br /> *<br /> =====Additional=====<br /> *<br /> =====Optional=====<br /> *<br /> ==Packing Instructions==<br /> Proper Storage of the .......... in its Peli case/bag:<br /> <br /> Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the case or foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.<br /> <br /> ==Health and Safety==<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. <br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> ==Induction Checklist==<br /> <br /> '''Battery''' - Show how to insert the battery into the back of the camera.<br /> <br /> '''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting. <br /> <br /> '''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position. <br /> <br /> '''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this) <br /> <br /> '''Lens Cover''' - Explain the importance and the location of the lens cover.<br /> <br /> '''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)<br /> <br /> '''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out. <br /> <br /> '''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11<br /> <br /> '''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB <br /> <br /> '''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance. <br /> <br /> '''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.<br /> <br /> '''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button <br /> <br /> '''Record Button''' - Indicate the location of the record button<br /> <br /> '''Thumbnail''' - The thumbnail button allows students to review the footage they have captured. <br /> <br /> '''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch<br /> <br /> '''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.<br /> <br /> <br /> ''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''<br /> <br /> ==Instructional Videos==<br /> ===Introduction to the UX Series===<br /> &lt;youtube&gt;Azq5cuqlAbI&lt;/youtube&gt;<br /> <br /> ===Slow Motion===<br /> &lt;youtube&gt;p6z1A3-IjCY&lt;/youtube&gt;</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:Pan180.jpg&diff=1506 2019-11-18T14:52:55Z

<p>Tom: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Tom https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&diff=1503 2019-11-18T14:34:48Z

<p>Tom: </p> <hr /> <div>&lt;div class=&quot;rightbox&quot;&gt;[[:Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]&lt;/div&gt;<br /> This will contain a list of resources for the Panasonic AG-UX180:<br /> <br /> ==Overview==<br /> Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.<br /> <br /> ==Contents==<br /> [[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]]<br /> =====Basic (as stored)=====<br /> *<br /> =====Additional=====<br /> *<br /> =====Optional=====<br /> *<br /> ==Packing Instructions==<br /> Proper Storage of the .......... in its Peli case/bag:<br /> <br /> Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the case or foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.<br /> <br /> ==Health and Safety==<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. <br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> ==Induction Checklist==<br /> <br /> '''Battery''' - Show how to insert the battery into the back of the camera.<br /> <br /> '''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting. <br /> <br /> '''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position. <br /> <br /> '''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this) <br /> <br /> '''Lens Cover''' - Explain the importance and the location of the lens cover.<br /> <br /> '''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)<br /> <br /> '''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out. <br /> <br /> '''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11<br /> <br /> '''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB <br /> <br /> '''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance. <br /> <br /> '''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.<br /> <br /> '''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button <br /> <br /> '''Record Button''' - Indicate the location of the record button<br /> <br /> '''Thumbnail''' - The thumbnail button allows students to review the footage they have captured. <br /> <br /> '''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch<br /> <br /> '''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.<br /> <br /> <br /> ''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''<br /> <br /> ==Instructional Videos==<br /> ===Introduction to the UX Series===<br /> &lt;youtube&gt;Azq5cuqlAbI&lt;/youtube&gt;<br /> <br /> ===Slow Motion===<br /> &lt;youtube&gt;p6z1A3-IjCY&lt;/youtube&gt;</div>

Tom https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&diff=1502 2019-11-18T14:29:29Z

<p>Tom: </p> <hr /> <div>&lt;div class=&quot;rightbox&quot;&gt;[[:Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]&lt;/div&gt;<br /> This will contain a list of resources for the Panasonic AG-UX180:<br /> <br /> ==Overview==<br /> Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.<br /> <br /> [[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]]<br /> <br /> ==Health and Safety==<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. <br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> ==Induction Checklist==<br /> <br /> '''Battery''' - Show how to insert the battery into the back of the camera.<br /> <br /> '''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting. <br /> <br /> '''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position. <br /> <br /> '''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this) <br /> <br /> '''Lens Cover''' - Explain the importance and the location of the lens cover.<br /> <br /> '''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)<br /> <br /> '''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out. <br /> <br /> '''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11<br /> <br /> '''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB <br /> <br /> '''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance. <br /> <br /> '''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.<br /> <br /> '''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button <br /> <br /> '''Record Button''' - Indicate the location of the record button<br /> <br /> '''Thumbnail''' - The thumbnail button allows students to review the footage they have captured. <br /> <br /> '''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch<br /> <br /> '''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.<br /> <br /> <br /> ''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''<br /> <br /> ==Instructional Videos==<br /> ===Introduction to the UX Series===<br /> &lt;youtube&gt;Azq5cuqlAbI&lt;/youtube&gt;<br /> <br /> ===Slow Motion===<br /> &lt;youtube&gt;p6z1A3-IjCY&lt;/youtube&gt;</div>

Tom https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&diff=1501 2019-11-13T14:14:18Z

<p>Tom: </p> <hr /> <div>&lt;div class=&quot;rightbox&quot;&gt;[[:Media:BlackmagicURSAManual.pdf|'''User Manual''']]&lt;/div&gt;<br /> <br /> ==Overview==<br /> The Blackmagic Ursa is a cinema camera that can use both EF and EF-S lenses. The equipment store currently has four of these cameras.<br /> <br /> ==Contents==<br /> The equipment stores Blackmagic Ursas come in wheelable Peli cases and consist of: [[File:Ursa.jpg|thumb|Basic Blackmagic Ursa Kit]]<br /> =====Basic (as stored)=====<br /> * 1x Blackmagic Ursa body with Libec Tripod plate attached to underside<br /> * 1x Vlock double battery charger<br /> * 1x Blackmagic Ursa mains power pack<br /> * 2x Mains power cables <br /> * 1x Blackmagic Ursa weather cover<br /> =====Additional=====<br /> * 2x Blackmagic Ursa Batteries (IDX 146Wh Vlock)<br /> =====Optional=====<br /> * Storage space for 2x Cfast cards and card reader<br /> <br /> ==Packing Instructions==<br /> Proper Storage of the Blackmagic Ursa Camera in its Peli case:<br /> <br /> # Remove the lens, battery, and Cfast card from the camera and ensure the screen is closed and locked to the body. Replace body cap in place of the lens.<br /> # Place Ursa body into its recess.<br /> # Store batteries in recesses provided.<br /> # Store cables, charger, and powerpack in recesses provided. Make sure all wires are secured within the foam recesses.<br /> # (Optional) store cards and card reader in recesses provided. <br /> # Close case and secure the 4 case locks. <br /> <br /> The case should close without any effort. If you feel resistance please double check everything is within its recess and no cables are laying across the edge of the case. <br /> <br /> Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.<br /> <br /> <br /> ==Health and Safety Checklist==<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera<br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> == Induction Checklist==<br /> <br /> '''Battery''' - Show how to attach the V-lock battery into the back of the camera.<br /> <br /> '''Lens and Sensor''' - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. <br /> <br /> <br /> ===== Open the main screen, located on the left handside=====<br /> <br /> '''CFast Card''' - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). <br /> <br /> '''Power Switch''' - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on<br /> <br /> '''3 LCD screens''' - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing<br /> <br /> '''Format card''' – explain how to format the card and what choice to make between Ex-Fat and NTFS<br /> <br /> ===== Looking to the left of the main screen=====<br /> Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)<br /> <br /> ===== Looking underneath the inside screen=====<br /> <br /> '''Iris''' – automatic iris control (not recommended. Won’t work on Samyang lenses)<br /> <br /> '''Focus''' – auto-focus (not recommended) <br /> <br /> '''Peak''' – choose peaking as a means to check the focus<br /> <br /> '''Display''' – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)<br /> <br /> '''MENU'''<br /> <br /> '''Camera''' - choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)<br /> <br /> '''Audio''' – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” <br /> <br /> '''Recording''' <br /> * Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)<br /> * Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)<br /> * Sensor area: should be left on full unless shooting higher than 80fps (discuss)<br /> * Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)<br /> * Project frame rate: should be left on 25 <br /> * Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)<br /> * Dual card mode: off<br /> * Time lapse interval: explain <br /> <br /> '''Display''' <br /> * Dynamic range: explain the benefits of both<br /> * Zebra settings<br /> * SDI mode – NA<br /> * Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)<br /> <br /> '''Slate''' - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t)<br /> <br /> ==== Looking underneath the outside screen====<br /> The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. <br /> There is also a jack input for headphones (needs an adapter)<br /> <br /> On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &quot;Audio in&quot; silicone cover).<br /> <br /> <br /> <br /> ''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:Ursa.jpg&diff=1500 2019-11-13T14:02:14Z

<p>Tom: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Tom https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&diff=1487 2019-11-12T15:46:20Z

<p>Tom: </p> <hr /> <div>==Health and Safety Checklist: ==<br /> &lt;div class=&quot;rightbox&quot;&gt;[[:Media:BlackmagicURSAManual.pdf|'''User Manual''']]&lt;/div&gt;<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera<br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> == Induction Checklist: ==<br /> <br /> '''Battery''' - Show how to attach the V-lock battery into the back of the camera.<br /> <br /> '''Lens and Sensor''' - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. <br /> <br /> <br /> ===== Open the main screen, located on the left handside: =====<br /> <br /> '''CFast Card''' - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). <br /> <br /> '''Power Switch''' - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on<br /> <br /> '''3 LCD screens''' - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing<br /> <br /> '''Format card''' – explain how to format the card and what choice to make between Ex-Fat and NTFS<br /> <br /> <br /> ===== Looking to the left of the main screen: =====<br /> Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)<br /> <br /> <br /> ===== Looking underneath the inside screen: =====<br /> <br /> '''Iris''' – automatic iris control (not recommended. Won’t work on Samyang lenses)<br /> <br /> '''Focus''' – auto-focus (not recommended) <br /> <br /> '''Peak''' – choose peaking as a means to check the focus<br /> <br /> '''Display''' – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)<br /> <br /> '''MENU'''<br /> <br /> '''Camera''' - choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)<br /> <br /> '''Audio''' – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” <br /> <br /> '''Recording''' <br /> * Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)<br /> * Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)<br /> * Sensor area: should be left on full unless shooting higher than 80fps (discuss)<br /> * Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)<br /> * Project frame rate: should be left on 25 <br /> * Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)<br /> * Dual card mode: off<br /> * Time lapse interval: explain <br /> <br /> '''Display''' <br /> * Dynamic range: explain the benefits of both<br /> * Zebra settings<br /> * SDI mode – NA<br /> * Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)<br /> <br /> '''Slate''' - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t) <br /> <br /> <br /> ==== Looking underneath the outside screen: ====<br /> The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. <br /> There is also a jack input for headphones (needs an adapter)<br /> <br /> On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &quot;Audio in&quot; silicone cover).<br /> <br /> <br /> <br /> ''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''</div>

Tom https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&diff=1486 2019-11-12T15:45:29Z

<p>Tom: </p> <hr /> <div>==Health and Safety Checklist: ==<br /> &lt;div class=&quot;rightbox&quot;&gt;[[:Media:BlackmagicURSAManual.pdf|'''User Manual''']]&lt;/div&gt;<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera<br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> == Induction Checklist: ==<br /> <br /> '''Battery''' - Show how to attach the V-lock battery into the back of the camera.<br /> <br /> '''Lens and Sensor''' - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. <br /> <br /> <br /> ===== Open the main screen, located on the left handside: =====<br /> <br /> '''CFast Card''' - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). <br /> <br /> '''Power Switch''' - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on<br /> <br /> '''3 LCD screens''' - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing<br /> <br /> '''Format card''' – explain how to format the card and what choice to make between Ex-Fat and NTFS<br /> <br /> <br /> ===== Looking to the left of the main screen: =====<br /> Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)<br /> <br /> <br /> ===== Looking underneath the inside screen: =====<br /> <br /> '''Iris''' – automatic iris control (not recommended. Won’t work on Samyang lenses)<br /> <br /> '''Focus''' – auto-focus (not recommended) <br /> <br /> '''Peak''' – choose peaking as a means to check the focus<br /> <br /> '''Display''' – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)<br /> <br /> '''MENU'''<br /> <br /> '''Camera''' - choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)<br /> <br /> '''Audio''' – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” <br /> <br /> '''Recording''' <br /> * Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)<br /> * Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)<br /> * Sensor area: should be left on full unless shooting higher than 80fps (discuss)<br /> * Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)<br /> * Project frame rate: should be left on 25 <br /> * Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)<br /> * Dual card mode: off<br /> * Time lapse interval: explain <br /> <br /> '''Display''' <br /> * Dynamic range: explain the benefits of both<br /> * Zebra settings<br /> * SDI mode – NA<br /> * Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)<br /> <br /> '''Slate''' - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t) <br /> <br /> ==== Looking underneath the outside screen: ====<br /> The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. <br /> There is also a jack input for headphones (needs an adapter)<br /> <br /> On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &quot;Audio in&quot; silicone cover).<br /> <br /> <br /> <br /> ''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''</div>

Tom https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&diff=1485 2019-11-12T15:29:53Z

<p>Tom: </p> <hr /> <div>==Health and Safety Checklist: ==<br /> &lt;div class=&quot;rightbox&quot;&gt;[[:Media:BlackmagicURSAManual.pdf|'''User Manual''']]&lt;/div&gt;<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera<br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> == Induction Checklist: ==<br /> <br /> '''Battery''' - Show how to attach the V-lock battery into the back of the camera.<br /> <br /> '''Lens and Sensor''' - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. <br /> <br /> ===== Open the main screen, located on the left handside: =====<br /> <br /> '''CFast Card''' - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). <br /> <br /> '''Power Switch''' - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on<br /> <br /> '''3 LCD screens''' - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing<br /> <br /> '''Format card''' – explain how to format the card and what choice to make between Ex-Fat and NTFS<br /> <br /> ===== Looking to the left of the main screen: =====<br /> Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)<br /> <br /> ===== Looking underneath the inside screen: =====<br /> <br /> '''Iris''' – automatic iris control (not recommended. Won’t work on Samyang lenses)<br /> <br /> '''Focus''' – auto-focus (not recommended) <br /> <br /> '''Peak''' – choose peaking as a means to check the focus<br /> <br /> '''Display''' – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)<br /> <br /> '''MENU'''<br /> <br /> '''Camera''' - choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)<br /> <br /> '''Audio''' – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” <br /> <br /> '''Recording''' <br /> * Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)<br /> * Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)<br /> * Sensor area: should be left on full unless shooting higher than 80fps (discuss)<br /> * Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)<br /> * Project frame rate: should be left on 25 <br /> * Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)<br /> * Dual card mode: off<br /> * Time lapse interval: explain <br /> <br /> '''Display''' <br /> * Dynamic range: explain the benefits of both<br /> * Zebra settings<br /> * SDI mode – NA<br /> * Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)<br /> <br /> '''Slate''' - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t) <br /> <br /> ==== Looking underneath the outside screen: ====<br /> The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. <br /> There is also a jack input for headphones (needs an adapter)<br /> <br /> On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &quot;Audio in&quot; silicone cover).<br /> <br /> <br /> <br /> ''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''</div>

Tom https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&diff=1484 2019-11-12T15:25:07Z

<p>Tom: </p> <hr /> <div>==Health and Safety Checklist: ==<br /> &lt;div class=&quot;rightbox&quot;&gt;[[:Media:BlackmagicURSAManual.pdf|'''User Manual''']]&lt;/div&gt;<br /> <br /> '''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.<br /> <br /> '''Tripod''' - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.<br /> <br /> '''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera<br /> <br /> '''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. <br /> <br /> == Induction Checklist: ==<br /> <br /> <br /> '''Battery''' - Show how to attach the V-lock battery into the back of the camera.<br /> <br /> '''Lens and Sensor''' - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. <br /> <br /> ===== Open the main screen, located on the left handside: =====<br /> <br /> <br /> '''CFast Card''' - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). <br /> <br /> '''Power Switch''' - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on<br /> <br /> '''3 LCD screens''' - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing<br /> <br /> '''Format card''' – explain how to format the card and what choice to make between Ex-Fat and NTFS<br /> <br /> ===== Looking to the left of the main screen: =====<br /> Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)<br /> <br /> <br /> ===== Looking underneath the inside screen: =====<br /> <br /> <br /> <br /> '''Iris''' – automatic iris control (not recommended. Won’t work on Samyang lenses)<br /> <br /> '''Focus''' – auto-focus (not recommended) <br /> <br /> '''Peak''' – choose peaking as a means to check the focus<br /> <br /> '''Display''' – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)<br /> <br /> <br /> '''MENU'''<br /> <br /> '''Camera''' - choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)<br /> <br /> '''Audio''' – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” <br /> <br /> '''Recording''' <br /> * Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)<br /> * Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)<br /> * Sensor area: should be left on full unless shooting higher than 80fps (discuss)<br /> * Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)<br /> * Project frame rate: should be left on 25 <br /> * Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)<br /> * Dual card mode: off<br /> * Time lapse interval: explain <br /> <br /> '''Display''' <br /> * Dynamic range: explain the benefits of both<br /> * Zebra settings<br /> * SDI mode – NA<br /> * Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)<br /> <br /> <br /> '''Slate''' - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t) <br /> <br /> ==== Looking underneath the outside screen: ====<br /> The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. <br /> There is also a jack input for headphones (needs an adapter)<br /> <br /> On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &quot;Audio in&quot; silicone cover).<br /> <br /> <br /> <br /> <br /> <br /> ''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''<br /> <br /> <br /> [[:Media:BlackmagicURSAManual.pdf]]</div>

Tom https://wiki.newadelphi.uk/index.php?title=Canon_C100_MkII&diff=1471 2019-11-11T14:01:19Z

<p>Tom: </p> <hr /> <div>==Overview==<br /> &lt;div class=&quot;rightbox&quot;&gt;[[Media:canon_eos_c100_mark_ii.pdf|'''User Manual''']]&lt;/div&gt;<br /> The Canon C100 MkII is a cinema camera that can use both EF and EF-S lenses. The equipment store currently has four of these cameras.<br /> <br /> ==Contents==<br /> The equipment stores C100s come in wheelable Peli cases and consist of: [[File:C100_basic.jpg|thumb|Basic C100 MkII Kit with 2x batteries]]<br /> =====Basic (as stored)=====<br /> * 1x Canon C100 MkII body with side grip and top grip attached<br /> * 1x Canon C100 single battery charger<br /> * 1x Canon C100 Mains power pack<br /> * 2x Mains power cables <br /> =====Additional=====<br /> * 2x Cannon C100 Batteries (BP-955)<br /> =====Optional=====<br /> * 1x Canon C100 Weather Cover<br /> * Storage space for 1x lens<br /> <br /> ==Packing Instructions==<br /> Proper Storage of the Canon C100 MkII Camera in its Peli case:<br /> <br /> # Remove lens, battery, and SD card from C100 Camera<br /> # Place C100 body on its side into its recess with the viewfinder toward the case locks<br /> # Store batteries in recesses provided.<br /> # Store cables, charger, and powerpack in recesses provided. Make sure all wires are secured within the foam recesses<br /> # (Optional) Store lens in the recess provided. <br /> # Close case and secure the two front locks. <br /> <br /> The case should close without any effort. If you feel resistance please double check everything if within its recess and no cables are laying across the edge of the case. <br /> <br /> Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.</div>

Tom https://wiki.newadelphi.uk/index.php?title=File:Canon_eos_c100_mark_ii.pdf&diff=1470 2019-11-11T13:59:12Z

<p>Tom: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Tom https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&diff=1466 2019-11-11T11:17:48Z

<p>Tom: </p> <hr /> <div>==Overview==<br /> &lt;div class=&quot;rightbox&quot;&gt;[[Media:sinar_introduction-manual.pdf|'''User Manual''']]&lt;/div&gt;<br /> The Sinar F monorail is a large format studio camera. It comes with a 150mm lens, six film holders and shoots 5x4 inch sheet film.<br /> <br /> ==Contents== <br /> The Specialist Equipment Stores Sinar F Monorail Camera comes in kit form and should consist of: [[File:Sinar_Large_Format_test.jpg|thumb|Sinar F Monorail Camera Kit]]<br /> * 1x Sinar F 5x4” monorail camera with standard bellows<br /> * 1x Sinar Sinaron S MC 150mm f5.6 lens<br /> * 1x Sinar rail clamp<br /> * 6x 5x4” double sheet film holders with dark slides<br /> * 1x Silvestri 6x focusing loupe with neck strap and pouch<br /> * 2x flash sync cables, PC to small jack<br /> * 1x 3.5mm to 6.35mm jack adaptor<br /> * 1x Weighted seam dark viewing cloth<br /> * 1x Flight case<br /> <br /> == Packing Instructions ==<br /> Proper Storage of the Sinar F Monorail Large Format Camera in its flight case:<br /> <br /> # Set both front and rear standards to 'normal' position (ie. standard height and zero tilt).<br /> # Remove the bellows completely from the camera and place at the bottom of the case in the middle.<br /> # Move the front and rear standards of the camera to the maximum extension at the very ends of the rail.<br /> # Use the fine focus knob to move the rear standard to the end of its travel, so the two standards are as far away from each other as possible.<br /> # Lower the rear standard to the minimum height.<br /> # Tilt rear standard containing the viewing screen forward until it is horizontal and lock it in place.<br /> # Tilt front standard backwards until it is horizontal and lock it in place.<br /> # Take the camera off the rail clamp.<br /> # Put the camera in the case with the lens to the bottom, so that the lens board rests on the bellows and the lens is protected.<br /> # Fold up the dark cloth and place it on top of the rail.<br /> # Put the film holders horizontally into the side compartment.<br /> # Place the rail clamp upside down in the side compartment.<br /> <br /> The case lid should close without putting pressure on the camera. If it doesn't, you may need to re-adjust the height of the standards on the camera or check that there aren't items in the pockets causing an obstruction.</div>

Tom https://wiki.newadelphi.uk/index.php?title=Canon_C100_MkII&diff=1465 2019-11-11T11:02:25Z

<p>Tom: </p> <hr /> <div>==Overview==<br /> The Canon C100 MkII is a cinema camera that can use both EF and EF-S lenses. The equipment store currently has four of these cameras.<br /> <br /> ==Contents==<br /> The equipment stores C100s come in wheelable Peli cases and consist of: [[File:C100_basic.jpg|thumb|Basic C100 MkII Kit with 2x batteries]]<br /> =====Basic (as stored)=====<br /> * 1x Canon C100 MkII body with side grip and top grip attached<br /> * 1x Canon C100 single battery charger<br /> * 1x Canon C100 Mains power pack<br /> * 2x Mains power cables <br /> =====Additional=====<br /> * 2x Cannon C100 Batteries (BP-955)<br /> =====Optional=====<br /> * 1x Canon C100 Weather Cover<br /> * Storage space for 1x lens<br /> <br /> ==Packing Instructions==<br /> Proper Storage of the Canon C100 MkII Camera in its Peli case:<br /> <br /> # Remove lens, battery, and SD card from C100 Camera<br /> # Place C100 body on its side into its recess with the viewfinder toward the case locks<br /> # Store batteries in recesses provided.<br /> # Store cables, charger, and powerpack in recesses provided. Make sure all wires are secured within the foam recesses<br /> # (Optional) Store lens in the recess provided. <br /> # Close case and secure the two front locks. <br /> <br /> The case should close without any effort. If you feel resistance please double check everything if within its recess and no cables are laying across the edge of the case. <br /> <br /> Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.</div>

Tom https://wiki.newadelphi.uk/index.php?title=Canon_C100_MkII&diff=1464 2019-11-11T10:56:32Z

<p>Tom: </p> <hr /> <div>==Overview==<br /> The Canon C100 MkII is a cinema camera that can use both EF and EF-S lenses. The equipment store currently has four of these cameras.<br /> <br /> ==Contents==<br /> The equipment stores C100s come in wheelable Peli cases and consist of: [[File:C100_basic.jpg|thumb|Basic C100 MkII Kit with 2x batteries]]<br /> =====Basic (as stored)=====<br /> * 1x Canon C100 MkII body with side grip and top grip attached<br /> * 1x Canon C100 single battery charger<br /> * 1x Canon C100 Mains power pack<br /> * 2x Mains power cables <br /> =====Additional=====<br /> * 2x Cannon C100 Batteries (BP-955)<br /> =====Optional=====<br /> * 1x Canon C100 Weather Cover<br /> * Storage space for 1x lens<br /> <br /> ==Packing Instructions==<br /> Proper Storage of the Canon C100 MkII Camera in its Peli case:<br /> <br /> # Remove lens, battery, and SD card from C100 Camera<br /> # Place C100 body on its side into its recess with the viewfinder toward the case locks<br /> # Store batteries in recesses provided.<br /> # Store cables, charger, and powerpack in recesses provided. Make sure all wires are secured within the foam recesses<br /> # (Optional) Store lens in the recess provided. <br /> # Close case and secure the two front locks. <br /> <br /> The case should close without any effort. If you feel resistance please double check everything if within its recess and no cables are laying across the edge of the case. <br /> <br /> Damage or destruction to the foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.</div>

Tom