New Adelphi - User contributions [en-gb]

Planning

2020-03-06T16:08:54Z

Connoll Pavey: /* Year 5 (2020-21) */

This is a scratch page for future planning in each area.

==Annual Software Charges==

* '''August:''' Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - '''£500'''
* '''November:''' Cycling '74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - '''£5,000'''

==Major Works==

* Voice Acting Revamp to Studio 8

==Production==

===Year 1 (2016-17)===
* Moved in to New Adelphi, move and reset costs.

===Year 2 (2017-18)===
* New 180 cameras.
* New 5D cameras.
* New C100 cameras.
* Renewal of EditShare support for 2 years - [As Installed] - '''£5,500'''

===Year 3 (2018-19)===
* Replacement pedestals in Screen 1 - '''£15,000'''
* LEDGO 600 Light (x16) - '''£5,000'''
* LEDGO 'Rio' Bags (x16) - '''£500'''
* LEDGO Stands (x16) - '''£3000'''
* LEDGO Batteries (x16) - '''£3500'''
* Canon C100 + Atomos Bundle (x2) - '''£6,000'''
* Manfrotto 504HD,546BK Tripods (x8) - '''£5,500'''
* Samyang VDSLR Lens Kit (x2) - '''£5,000'''

===Year 4 (2019-20)===
* Lighting for Screen 1 - '''£28,000''' ''- NOT FUNDED''
* Lighting for Screen 2 - '''£22,000''' ''- NOT FUNDED''
* Replacement of EditShare - '''£80,000''' ''- NOT FUNDED''
* Blackmagic Duplicator, Remotes, MultiDocks - '''£15,000''' ''- FUNDED £10,000, partially used as emergency fund for lighting''
* Gimbal / Dolly Equipment - '''£10,000''' ''- FUNDED £4,000''

===Year 5 (2020-21)===

'''Audio'''

* Hedd Type 30 Speakers for 5.22 and 5.26 along with mounting brackets and cabling. - £12000

* Beyerdynamic DT 770 Pro Headphones x 10 - £1000

* IZoptope RX Software multi seat licence - £5000 per year

* Sound Radix Auto-Align Post Plugin for Voice Acting - £250

* SynchroArts VocAlign Pro 4 Plugin for Voice Acting - £350

* Audio Ease Indoor plugin - £700

* Audio Ease Altiverb plugin - £500

* Sounds in Sync EdiApps - £5000 per 3 years

* Foley Props refresh - £3000

* The BBC Complete Sound Effects Library - £1600

* Sound Effects Library - £2000

* Sound Effects Library server (something like Avid Nexus) -

* A variety of microphones (Sennheiser MKH 40, Sennheiser MKH 416, Sennheiser MKH 50, Sennheiser MKH 8060, Schoeps CMIT-5U, Sanken COS-11D, DPA 6060-OC-U-B00, Avantone CK-40) - £5000

* RYCOTE MODULAR WINDSHIELD WS 2 KIT '''£588'''

* Shock Mount for Sennheiser MKH50-P48

* Studiobricks VO Sound Booth for 5.22 - £6000

'''New MA ACTING'''

x3 OLYMPUS 40-150MM F/2.8 - MFT - £3225

Good quality F2.8 lens, decent/wide telephoto range for use with BM Studio Cameras that we already have for Screen 2

Booth for Vision Mixing (Doubles as an ADR space)

Tripods for Studio Cams (Andy remember

'''Video'''

New Camera Systems for 2nd/3rd Year Students

BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY - '''£2,266.92 inc VAT'''

''EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire. ''

CORESWX POWERBASE EDGE - BMD POCKET 4K - '''£270'''

Powerbase for extended battery life.

SANDISK 256GB 525MB/S - CFAST - '''£599'''

CFAST 2.0 Card for BMPC

CANON LP-E6N BATTERY (1800MAH) - '''£67.20
'''
Battery for BMPC

8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - '''£400'''

Cage and Handle for BMPC

8SINN 15MM UNIVERSAL RODS SUPPORT - '''£175.99
'''
SMALLHD FOCUS7 WITH BOLT 500 - '''£1,500
'''
Wireless Monitor System

'''Sony PXW-FS7 Camera - 3x£5,334 + 3x£226(cards) + adapters = ~ £17,000'''

''The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. As it stands, our students don't get the chance to experience working with any Sony cameras, and purchasing the FS7s would offer them the chance to, in addition to supplementing the 3rd year stock of cameras''

'''Hard lights – 6 functional lights'''

''We want to look into providing hard light to allow for a wider variety of lighting techniques. Currently, students only have LED soft lights and a few redheads which will soon be rendered obsolete (and currently don't have bulbs in) and there are numerous effects that can't be achieved without hard lights. ''

'''AF lenses for use with the Ronin - 2 x£510 = £1,020'''

'''Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071'''

''This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa''

'''Lenses for the BM cameras for the PPU'''

''Without better lenses, the dedicated PPU cameras are currently very limited in terms of the framing they offer and can only be used in extremly well lit studios''

'''A big TV to assist lessons in Screen 2'''

===Year 6 (2021-22)===

===Year 7 (2022-23)===

===Year 8 (2023-24)===

==Recording==

===Year 1 (2016-17)===
* Moved into New Adelphi, complete studio rebuild, some restocking.

===Year 2 (2017-18)===
* No significant expenditure beyond maintenance and consumables.

===Year 3 (2018-19)===
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - '''£6,000'''
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - '''£11,000'''
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - '''£2000'''
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO's per Studio + Bass Traps for booths + GOBOS for Band Room] - '''£9000'''
* Replace Zoom H4N with H6 and add to current stock levels - '''£4000'''
* Increase splitter stock for location recording - '''£2000'''
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&M stands, 10x K&M boom arms - '''£1200'''

===Year 4 (2019-20)===

* Refresh of microphone stock >> [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]>>(replacing older broken stock/add to existing stock) - '''£17,683'''
''Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock's lifespan as well as to provide greater industry-standard choice to our ever growing student population.''

* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - '''£7,200'''
''The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2" Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1" Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1" Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1" Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2" tape machine would allow for greater use of our existing 2" tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.''

''In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.''

''Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.''

* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - '''£30,000'''
''Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less "surprise" costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units''

* 9 UAD octo-core satellites and two Ultimate plugin bundles - '''£10,000'''

* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - '''£10,000'''
''An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such "specific installation" has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University's current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.''

''The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.''

===Year 5 (2020-21)===
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - '''£25,000'''

* Populate 500-series lunchboxes further - '''£10,000'''

* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - '''£40,000'''

* Location Recording Equipment Refresh (USB-C/USB) - '''£5,000'''

* Ceiling treatment for all studios [Ceiling Tiles] - '''£10,000'''

* Refresh of microphone stands (replacing older broken stock/add to existing stock) - '''£3,000'''

* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - '''£4,000'''

* Mix Studio in rehearsal room - '''£55,000'''
''Much like the recently designed and installed "Composition Studio" the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.''

* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - '''£1,500'''

* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - '''£150,000'''

* Portable GRM Tools Complete II licences and iLok - '''£1,000'''

===Year 6 (2021-22)===
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - '''£20,000'''
* New Plugins and software for all the studios - '''£20,000'''

===Year 7 (2022-23)===
* Major service of Studer A820 - '''£5,000'''

===Year 10 (2026-27)===
* Replacement of an Audient ASP8024 Consoles - '''£220,000'''
* Replacement of Pianos - '''£60,000'''

==Stores==

===Year 1 (2016-17)===
* Move in.

===Year 2 (2017-18)===
* No significant investment.

===Year 3 (2018-19)===
* No significant investment.

===Year 4 (2019-20)===
* Double amount of Ledgo 600s - '''£3500'''
* tripods for ursas
* UV Filters for Lenses - '''£1200'''
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm
* 5DS R bodies - 3 - '''£11000'''
* 24-105mm in line with number of full frame bodies - 9 - '''£9171'''
* 35mm 1:2 primes - 3 - '''£1600'''
* 50mm 1:1.8 primes - 5 - '''£600'''
* 70-200mm telephoto - 1 - '''£589'''
* 85mm 1:1.8 primes - 4 - '''£1700'''
* Bayer Dynamic Headphones DT 770 - 9 - '''£950'''
* Action Cameras - '''£4200'''
* Consumer Video Cameras - '''£6000'''
* Consumer Still Cameras - '''£4000'''

===Year 5 (2020-21)===
* 15x Canon 90D (w/ kit lens) - '''£20,000'''
''The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as "overspill" to the canon full frame stock in this regard.''
* 10x Canon 250D (w/ kit lens) - '''£5100'''
''The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.''
* 5x Sigma 17-50 mm Lenses - '''£1600'''
''Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.''
* 5x Canon 50 mm f/1.4 Lenses - '''£1700'''
''A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.''
* 4x Canon 55-250mm Lenses - '''£1200'''
''Good telephoto lens option for the APS-C bodies.''
* 3x Canon 24 mm Lenses - '''£432'''
''Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body''
* 5x Sigma 30 mm 1.4 Lenses - '''£1800'''
''Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body''
* 2x Sigma 10-20mm lenses - '''£634'''
''Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body''
* 11x Canon 5D MKIV (onward) - '''£31,000'''
''Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.''
* 11x Canon 24-105 mm EF Lenses - '''£1100'''
''For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. ''
* #x 35mm SLRs - '''unspecified'''
''Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty, with all cameras having at least one issue or repair. There is also increased demand from photography and FIMS. Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. ''

===Year 6 (2021-22)===

Panasonic AG-HMC151

2019-11-19T13:17:58Z

Connoll Pavey:

==Overview==

<div class="rightbox">[[:Media:Aghmc151e.pdf|'''User Manual''']]</div>

The AG-HMC151 features highly-acclaimed functions of the popular AG-DVX100 Series of DV-tape based camcorders to tapeless HD recording. Using the cost-saving AVCHD format to record onto SDHC or SD Memory Card media, the AG-HMC151 produces exceptional images and responds to creative production needs. It also features a 28mm (35mm equivalent) wide-angle lens - widest in a professional camera of this class - and a 1/3 type 16:9 progressive CCD. It further enhances image quality by adding a higher-quality PH mode to the clean, extendedtime recording abilities of the AVCHD format. The AG-HMC151 handles full pixel (1920 x 1080/1280 x 720) 24p, 25p, and 30p progressive recording, and includes cinelike gamma and other versatile functions to meet the special needs of creative image production.

==Health and Safety Checklist:==

[[File:AG-HMC151_side_1472199305.jpg|thumb|Panasonic AG-HMC151]]

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

''Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''

==Induction Check list:==

'''Battery''' – Battery to be inserted into the back arrow at the bottom, simply push in at the top and slide down in the direction of the arrow on the back of the battery until the “click”

'''SD Card''' – Just above the battery you will see the slot for the SD card, pull the opening hatch down and insert SD card label side up until you hear the “click”. Make note that the card door must be closed for you to be able to use the camera to record.

'''Power Switch''' – the power switch is located at the back right of the camera on the back of the grip handle, pull down and the white line will be pointing to “on” which will switch the camera on.

'''Format SD card''' – Really important that you format your card to make sure that yours is the only footage on there before shooting. After inserting the card located behind the SD card above the viewfinder you will see a MENU button in green, when you press this a CAM MENU screen will appear on the screen. Use the toggle switch central to the menu button to scroll down, keep scrolling to CARD FUNCTIONS, push toggle in, card format will be the first option, press on that then choose yes and yes again until you see “SD CARD FORMAT COMPLETED”

'''Focus''' – 2 options here, on the left at the front of the camera under FOCUS you can choose auto or manual focus, if you want full control over your own focus make sure this is on manual and you can control the focus with the first ring on the lens (end of the camera)

'''ND Filter''' – Mostly this would be switched to off, but you can test with your lighting or when shooting outside if you wanted to use the ND filters.

'''Zoom''' – There are 3 ways to zoom on the 151 1. The focus ring, on the left side at the front of the camera behind the focus switch you will see user 1,2, and 3, below is a switch, to use the manual ring behind the focus ring this switch MUST me on manual not servo. 2. First rocker located on the top of the top handle, go back to that manual/servo switch and make sure this time its on servo, you can use the top rocker to zoom in or out. 3. Second rocker, on the right of the camera above the side handle you will see a larger rocker that you can use again to use this the switch must be set to servo.

'''Iris''' – located on the left at the front on the bottom row the button that says IRIS, pushing this will either set it to auto or manual, if manual make sure your camera is letting enough light in, you can scroll up or down to adjust with the dial in front of the IRIS button.

'''Gain''' – Gain toggle is towards the front of the camera behind Iris options of L/M/H (low, medium, high) usually this will be set to low, when the gain is set to high it is very difficult to change after. Primarily gain is only used in extreme low light situations.

'''White Balance''' – White balance button is located on the left of the camera on the bottom row behind Iris and Gain, set this to B, hold a white piece of paper in front of the camera and then right at the front of the camera below the lens you will see the AWB button, push and hold this until “ABB END” on screen

'''Shutter''' – Located next to your screen, along the top from left to right you will see BARS, SHUTTER, SPEED, and SELECT. You can turn this off by pressing shutter until its says “shutter off” on your screen or for standard footage you can set it to 1/60 on this camera, it would usually be 1/50

'''Record Button''' – There are two record buttons, one on the top handle in front of the small zoom rocker, the second behind the large rocker on the right, same location as the on/off switch

'''Thumbnail''' – Playback function is located just to the left of where the battery is located, it’s the bottom button marked MODE, press that to switch between live feed and playback mode.

'''Rec Format''' – Hitting MENU again scrolling you will find REC FORMAT, make sure that if you are shooting standard footage this is set to 1080p/25p or if what your shooting doesn’t require as much quality and you need more space on the SD card 720/25p

==Instructional Videos==

<youtube>8VM2_zHJ1Gw</youtube>

<youtube>UzZAQDys8k0</youtube>

Panasonic AG-HMC151

2019-11-19T13:12:21Z

Connoll Pavey:

File:AG-HMC151 side 1472199305.jpg

2019-11-19T13:10:54Z

Connoll Pavey:

Panasonic AG-HMC151

2019-11-19T13:09:54Z

Connoll Pavey:

==Overview==

<div class="rightbox">[[:Media:Aghmc151e.pdf|'''User Manual''']]</div>

The AG-HMC151 features highly-acclaimed functions of the popular AG-DVX100 Series of DV-tape based camcorders to tapeless HD recording. Using the cost-saving AVCHD format to record onto SDHC or SD Memory Card media, the AG-HMC151 produces exceptional images and responds to creative production needs. It also features a 28mm (35mm equivalent) wide-angle lens - widest in a professional camera of this class - and a 1/3 type 16:9 progressive CCD. It further enhances image quality by adding a higher-quality PH mode to the clean, extendedtime recording abilities of the AVCHD format. The AG-HMC151 handles full pixel (1920 x 1080/1280 x 720) 24p, 25p, and 30p progressive recording, and includes cinelike gamma and other versatile functions to meet the special needs of creative image production.

==Health and Safety Checklist:==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

''Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''

==Induction Check list:==

'''Battery''' – Battery to be inserted into the back arrow at the bottom, simply push in at the top and slide down in the direction of the arrow on the back of the battery until the “click”

'''SD Card''' – Just above the battery you will see the slot for the SD card, pull the opening hatch down and insert SD card label side up until you hear the “click”. Make note that the card door must be closed for you to be able to use the camera to record.

'''Power Switch''' – the power switch is located at the back right of the camera on the back of the grip handle, pull down and the white line will be pointing to “on” which will switch the camera on.

'''Format SD card''' – Really important that you format your card to make sure that yours is the only footage on there before shooting. After inserting the card located behind the SD card above the viewfinder you will see a MENU button in green, when you press this a CAM MENU screen will appear on the screen. Use the toggle switch central to the menu button to scroll down, keep scrolling to CARD FUNCTIONS, push toggle in, card format will be the first option, press on that then choose yes and yes again until you see “SD CARD FORMAT COMPLETED”

'''Focus''' – 2 options here, on the left at the front of the camera under FOCUS you can choose auto or manual focus, if you want full control over your own focus make sure this is on manual and you can control the focus with the first ring on the lens (end of the camera)

'''ND Filter''' – Mostly this would be switched to off, but you can test with your lighting or when shooting outside if you wanted to use the ND filters.

'''Zoom''' – There are 3 ways to zoom on the 151 1. The focus ring, on the left side at the front of the camera behind the focus switch you will see user 1,2, and 3, below is a switch, to use the manual ring behind the focus ring this switch MUST me on manual not servo. 2. First rocker located on the top of the top handle, go back to that manual/servo switch and make sure this time its on servo, you can use the top rocker to zoom in or out. 3. Second rocker, on the right of the camera above the side handle you will see a larger rocker that you can use again to use this the switch must be set to servo.

'''Iris''' – located on the left at the front on the bottom row the button that says IRIS, pushing this will either set it to auto or manual, if manual make sure your camera is letting enough light in, you can scroll up or down to adjust with the dial in front of the IRIS button.

'''Gain''' – Gain toggle is towards the front of the camera behind Iris options of L/M/H (low, medium, high) usually this will be set to low, when the gain is set to high it is very difficult to change after. Primarily gain is only used in extreme low light situations.

'''White Balance''' – White balance button is located on the left of the camera on the bottom row behind Iris and Gain, set this to B, hold a white piece of paper in front of the camera and then right at the front of the camera below the lens you will see the AWB button, push and hold this until “ABB END” on screen

'''Shutter''' – Located next to your screen, along the top from left to right you will see BARS, SHUTTER, SPEED, and SELECT. You can turn this off by pressing shutter until its says “shutter off” on your screen or for standard footage you can set it to 1/60 on this camera, it would usually be 1/50

'''Record Button''' – There are two record buttons, one on the top handle in front of the small zoom rocker, the second behind the large rocker on the right, same location as the on/off switch

'''Thumbnail''' – Playback function is located just to the left of where the battery is located, it’s the bottom button marked MODE, press that to switch between live feed and playback mode.

'''Rec Format''' – Hitting MENU again scrolling you will find REC FORMAT, make sure that if you are shooting standard footage this is set to 1080p/25p or if what your shooting doesn’t require as much quality and you need more space on the SD card 720/25p

File:Aghmc151e.pdf

2019-11-19T13:09:21Z

Connoll Pavey:

Panasonic AG-HMC151

2019-11-19T13:03:41Z

Connoll Pavey:

==Overview==

The AG-HMC151 features highly-acclaimed functions of the popular AG-DVX100 Series of DV-tape based camcorders to tapeless HD recording. Using the cost-saving AVCHD format to record onto SDHC or SD Memory Card media, the AG-HMC151 produces exceptional images and responds to creative production needs. It also features a 28mm (35mm equivalent) wide-angle lens - widest in a professional camera of this class - and a 1/3 type 16:9 progressive CCD. It further enhances image quality by adding a higher-quality PH mode to the clean, extendedtime recording abilities of the AVCHD format. The AG-HMC151 handles full pixel (1920 x 1080/1280 x 720) 24p, 25p, and 30p progressive recording, and includes cinelike gamma and other versatile functions to meet the special needs of creative image production.

==Health and Safety Checklist:==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

''Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''

==Induction Check list:==

'''Battery''' – Battery to be inserted into the back arrow at the bottom, simply push in at the top and slide down in the direction of the arrow on the back of the battery until the “click”

'''SD Card''' – Just above the battery you will see the slot for the SD card, pull the opening hatch down and insert SD card label side up until you hear the “click”. Make note that the card door must be closed for you to be able to use the camera to record.

'''Power Switch''' – the power switch is located at the back right of the camera on the back of the grip handle, pull down and the white line will be pointing to “on” which will switch the camera on.

'''Format SD card''' – Really important that you format your card to make sure that yours is the only footage on there before shooting. After inserting the card located behind the SD card above the viewfinder you will see a MENU button in green, when you press this a CAM MENU screen will appear on the screen. Use the toggle switch central to the menu button to scroll down, keep scrolling to CARD FUNCTIONS, push toggle in, card format will be the first option, press on that then choose yes and yes again until you see “SD CARD FORMAT COMPLETED”

'''Focus''' – 2 options here, on the left at the front of the camera under FOCUS you can choose auto or manual focus, if you want full control over your own focus make sure this is on manual and you can control the focus with the first ring on the lens (end of the camera)

'''ND Filter''' – Mostly this would be switched to off, but you can test with your lighting or when shooting outside if you wanted to use the ND filters.

'''Zoom''' – There are 3 ways to zoom on the 151 1. The focus ring, on the left side at the front of the camera behind the focus switch you will see user 1,2, and 3, below is a switch, to use the manual ring behind the focus ring this switch MUST me on manual not servo. 2. First rocker located on the top of the top handle, go back to that manual/servo switch and make sure this time its on servo, you can use the top rocker to zoom in or out. 3. Second rocker, on the right of the camera above the side handle you will see a larger rocker that you can use again to use this the switch must be set to servo.

'''Iris''' – located on the left at the front on the bottom row the button that says IRIS, pushing this will either set it to auto or manual, if manual make sure your camera is letting enough light in, you can scroll up or down to adjust with the dial in front of the IRIS button.

'''Gain''' – Gain toggle is towards the front of the camera behind Iris options of L/M/H (low, medium, high) usually this will be set to low, when the gain is set to high it is very difficult to change after. Primarily gain is only used in extreme low light situations.

'''White Balance''' – White balance button is located on the left of the camera on the bottom row behind Iris and Gain, set this to B, hold a white piece of paper in front of the camera and then right at the front of the camera below the lens you will see the AWB button, push and hold this until “ABB END” on screen

'''Shutter''' – Located next to your screen, along the top from left to right you will see BARS, SHUTTER, SPEED, and SELECT. You can turn this off by pressing shutter until its says “shutter off” on your screen or for standard footage you can set it to 1/60 on this camera, it would usually be 1/50

'''Record Button''' – There are two record buttons, one on the top handle in front of the small zoom rocker, the second behind the large rocker on the right, same location as the on/off switch

'''Thumbnail''' – Playback function is located just to the left of where the battery is located, it’s the bottom button marked MODE, press that to switch between live feed and playback mode.

'''Rec Format''' – Hitting MENU again scrolling you will find REC FORMAT, make sure that if you are shooting standard footage this is set to 1080p/25p or if what your shooting doesn’t require as much quality and you need more space on the SD card 720/25p

Panasonic AG-HMC151

2019-11-19T13:01:31Z

Connoll Pavey: Created page with "==Overview== The AG-HMC151 features highly-acclaimed functions of the popular AG-DVX100 Series of DV-tape based camcorders to tapeless HD recording. Using the cost-saving AVC..."

==Overview==

The AG-HMC151 features highly-acclaimed functions of the popular AG-DVX100 Series of DV-tape based camcorders to tapeless HD recording. Using the cost-saving AVCHD format to record onto SDHC or SD Memory Card media, the AG-HMC151 produces exceptional images and responds to creative production needs. It also features a 28mm (35mm equivalent) wide-angle lens - widest in a professional camera of this class - and a 1/3 type 16:9 progressive CCD. It further enhances image quality by adding a higher-quality PH mode to the clean, extendedtime recording abilities of the AVCHD format. The AG-HMC151 handles full pixel (1920 x 1080/1280 x 720) 24p, 25p, and 30p progressive recording, and includes cinelike gamma and other versatile functions to meet the special needs of creative image production.

==Health and Safety Checklist:==

Bags - All bags and cases must be stored in a safe location away from any thoroughfares.

Tripod - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

Mounting the Camera - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

Stability - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.

==Induction Check list:==

Battery – Battery to be inserted into the back arrow at the bottom, simply push in at the top and slide down in the direction of the arrow on the back of the battery until the “click”

SD Card – Just above the battery you will see the slot for the SD card, pull the opening hatch down and insert SD card label side up until you hear the “click”. Make note that the card door must be closed for you to be able to use the camera to record.

Power Switch – the power switch is located at the back right of the camera on the back of the grip handle, pull down and the white line will be pointing to “on” which will switch the camera on.

Format SD card – Really important that you format your card to make sure that yours is the only footage on there before shooting. After inserting the card located behind the SD card above the viewfinder you will see a MENU button in green, when you press this a CAM MENU screen will appear on the screen. Use the toggle switch central to the menu button to scroll down, keep scrolling to CARD FUNCTIONS, push toggle in, card format will be the first option, press on that then choose yes and yes again until you see “SD CARD FORMAT COMPLETED”

Focus – 2 options here, on the left at the front of the camera under FOCUS you can choose auto or manual focus, if you want full control over your own focus make sure this is on manual and you can control the focus with the first ring on the lens (end of the camera)

ND Filter – Mostly this would be switched to off, but you can test with your lighting or when shooting outside if you wanted to use the ND filters.

Zoom – There are 3 ways to zoom on the 151 1. The focus ring, on the left side at the front of the camera behind the focus switch you will see user 1,2, and 3, below is a switch, to use the manual ring behind the focus ring this switch MUST me on manual not servo. 2. First rocker located on the top of the top handle, go back to that manual/servo switch and make sure this time its on servo, you can use the top rocker to zoom in or out. 3. Second rocker, on the right of the camera above the side handle you will see a larger rocker that you can use again to use this the switch must be set to servo.

Iris – located on the left at the front on the bottom row the button that says IRIS, pushing this will either set it to auto or manual, if manual make sure your camera is letting enough light in, you can scroll up or down to adjust with the dial in front of the IRIS button.

Gain – Gain toggle is towards the front of the camera behind Iris options of L/M/H (low, medium, high) usually this will be set to low, when the gain is set to high it is very difficult to change after. Primarily gain is only used in extreme low light situations.

White Balance – White balance button is located on the left of the camera on the bottom row behind Iris and Gain, set this to B, hold a white piece of paper in front of the camera and then right at the front of the camera below the lens you will see the AWB button, push and hold this until “ABB END” on screen

Shutter – Located next to your screen, along the top from left to right you will see BARS, SHUTTER, SPEED, and SELECT. You can turn this off by pressing shutter until its says “shutter off” on your screen or for standard footage you can set it to 1/60 on this camera, it would usually be 1/50

Record Button – There are two record buttons, one on the top handle in front of the small zoom rocker, the second behind the large rocker on the right, same location as the on/off switch

Thumbnail – Playback function is located just to the left of where the battery is located, it’s the bottom button marked MODE, press that to switch between live feed and playback mode.

Rec Format – Hitting MENU again scrolling you will find REC FORMAT, make sure that if you are shooting standard footage this is set to 1080p/25p or if what your shooting doesn’t require as much quality and you need more space on the SD card 720/25p

Panasonic AG-UX180

2019-11-19T12:53:30Z

Connoll Pavey:

<div class="rightbox">[[:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]</div>

This will contain a list of resources for the Panasonic AG-UX180:

==Overview==
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.

==Contents==
[[File:Pan180.jpg|thumb|Panasonic AG-UX180 basic (as stored) kit]]
=====Basic (as stored)=====
* 1x Panasonic AG-UX180 Camera
* 1x Panasonic AG-UX180 Dual Battery Charger
* 1x Panasonic AG-UX180 Power Cable + Mains Cable
=====Additional=====
* 2x Panasonic AG-UX180 Battery Pack
* 1x XLR Cable
* 1x Shotgun Microphone
* 1x Pistol Grip with Shockmount
=====Optional=====
* 1x Headphones
* 1x Wind diffuser
==Packing Instructions==
Proper Storage of the Panasonic AG-UX180 in its bag:

# Ensure SD cards are removed and the lens cover is in the closed position
# Remove any battery from the camera and store them appropriately in the camera bag
# Ensure all cables and the battery charger is in the smaller inside compartment
# Place camera in the large inside compartment with the lens facing away from the accessories
# Store sound equipment in the side pouch

Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the case or foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.

==Health and Safety==

[[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]]

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

==Induction Checklist==

'''Battery''' - Show how to insert the battery into the back of the camera.

'''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting.

'''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position.

'''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this)

'''Lens Cover''' - Explain the importance and the location of the lens cover.

'''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)

'''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out.

'''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11

'''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB

'''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance.

'''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.

'''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button

'''Record Button''' - Indicate the location of the record button

'''Thumbnail''' - The thumbnail button allows students to review the footage they have captured.

'''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch

'''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.

''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''

==Instructional Videos==
===Introduction to the UX Series===
<youtube>Azq5cuqlAbI</youtube>

===Slow Motion===
<youtube>p6z1A3-IjCY</youtube>

Panasonic AG-UX180

2019-11-19T12:50:00Z

Connoll Pavey:

<div class="rightbox">[[:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]</div>

This will contain a list of resources for the Panasonic AG-UX180:

==Overview==
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.

==Contents==
[[File:Pan180.jpg|thumb|Panasonic AG-UX180 basic (as stored) kit]] [[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]]
=====Basic (as stored)=====
* 1x Panasonic AG-UX180 Camera
* 1x Panasonic AG-UX180 Dual Battery Charger
* 1x Panasonic AG-UX180 Power Cable + Mains Cable
=====Additional=====
* 2x Panasonic AG-UX180 Battery Pack
* 1x XLR Cable
* 1x Shotgun Microphone
* 1x Pistol Grip with Shockmount
=====Optional=====
* 1x Headphones
* 1x Wind diffuser
==Packing Instructions==
Proper Storage of the Panasonic AG-UX180 in its bag:

# Ensure SD cards are removed and the lens cover is in the closed position
# Remove any battery from the camera and store them appropriately in the camera bag
# Ensure all cables and the battery charger is in the smaller inside compartment
# Place camera in the large inside compartment with the lens facing away from the accessories
# Store sound equipment in the side pouch

Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the case or foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.

==Health and Safety==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

==Induction Checklist==

'''Battery''' - Show how to insert the battery into the back of the camera.

'''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting.

'''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position.

'''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this)

'''Lens Cover''' - Explain the importance and the location of the lens cover.

'''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)

'''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out.

'''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11

'''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB

'''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance.

'''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.

'''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button

'''Record Button''' - Indicate the location of the record button

'''Thumbnail''' - The thumbnail button allows students to review the footage they have captured.

'''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch

'''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.

''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''

==Instructional Videos==
===Introduction to the UX Series===
<youtube>Azq5cuqlAbI</youtube>

===Slow Motion===
<youtube>p6z1A3-IjCY</youtube>

Panasonic AG-UX180

2019-11-19T12:48:42Z

Connoll Pavey:

This will contain a list of resources for the Panasonic AG-UX180:

==Overview==
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.

<div class="rightbox">[[:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]</div>

==Contents==
[[File:Pan180.jpg|thumb|Panasonic AG-UX180 basic (as stored) kit]] [[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]]
=====Basic (as stored)=====
* 1x Panasonic AG-UX180 Camera
* 1x Panasonic AG-UX180 Dual Battery Charger
* 1x Panasonic AG-UX180 Power Cable + Mains Cable
=====Additional=====
* 2x Panasonic AG-UX180 Battery Pack
* 1x XLR Cable
* 1x Shotgun Microphone
* 1x Pistol Grip with Shockmount
=====Optional=====
* 1x Headphones
* 1x Wind diffuser
==Packing Instructions==
Proper Storage of the Panasonic AG-UX180 in its bag:

# Ensure SD cards are removed and the lens cover is in the closed position
# Remove any battery from the camera and store them appropriately in the camera bag
# Ensure all cables and the battery charger is in the smaller inside compartment
# Place camera in the large inside compartment with the lens facing away from the accessories
# Store sound equipment in the side pouch

Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the case or foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.

==Health and Safety==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

==Induction Checklist==

'''Battery''' - Show how to insert the battery into the back of the camera.

'''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting.

'''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position.

'''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this)

'''Lens Cover''' - Explain the importance and the location of the lens cover.

'''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)

'''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out.

'''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11

'''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB

'''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance.

'''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.

'''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button

'''Record Button''' - Indicate the location of the record button

'''Thumbnail''' - The thumbnail button allows students to review the footage they have captured.

'''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch

'''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.

''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''

==Instructional Videos==
===Introduction to the UX Series===
<youtube>Azq5cuqlAbI</youtube>

===Slow Motion===
<youtube>p6z1A3-IjCY</youtube>

Panasonic AG-UX180

2019-11-19T12:32:30Z

Connoll Pavey:

<div class="rightbox">[[:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]</div>

This will contain a list of resources for the Panasonic AG-UX180:

==Overview==
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.

==Contents==
[[File:Pan180.jpg|thumb|Panasonic AG-UX180 basic (as stored) kit]] [[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]]
=====Basic (as stored)=====
* 1x Panasonic AG-UX180 Camera
* 1x Panasonic AG-UX180 Dual Battery Charger
* 1x Panasonic AG-UX180 Power Cable + Mains Cable
=====Additional=====
* 2x Panasonic AG-UX180 Battery Pack
* 1x XLR Cable
* 1x Shotgun Microphone
* 1x Pistol Grip with Shockmount
=====Optional=====
* 1x Headphones
* 1x Wind diffuser
==Packing Instructions==
Proper Storage of the Panasonic AG-UX180 in its bag:

# Ensure SD cards are removed and the lens cover is in the closed position
# Remove any battery from the camera and store them appropriately in the camera bag
# Ensure all cables and the battery charger is in the smaller inside compartment
# Place camera in the large inside compartment with the lens facing away from the accessories
# Store sound equipment in the side pouch

Cases and foam padding are integral for the protection and safe transportation of equipment. Damage or destruction to the case or foam padding should be reported to the store and the appropriate form filled in for consideration by the technical managers.

==Health and Safety==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

==Induction Checklist==

'''Battery''' - Show how to insert the battery into the back of the camera.

'''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting.

'''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position.

'''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this)

'''Lens Cover''' - Explain the importance and the location of the lens cover.

'''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)

'''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out.

'''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11

'''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB

'''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance.

'''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.

'''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button

'''Record Button''' - Indicate the location of the record button

'''Thumbnail''' - The thumbnail button allows students to review the footage they have captured.

'''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch

'''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.

''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''

==Instructional Videos==
===Introduction to the UX Series===
<youtube>Azq5cuqlAbI</youtube>

===Slow Motion===
<youtube>p6z1A3-IjCY</youtube>

Canon EOS 5D Mark II Digital SLR

2019-11-18T17:54:40Z

Connoll Pavey:

<div class="rightbox">[[:Media:Eos5dmkii-im5-c-en.pdf|'''User Manual''']]</div>
This will contain a list of resources for the Canon EOS 5D Mark II:

==Overview==
The Canon EOS 5D Mark II combines high performance ISO with outstanding resolution. With the full frame capabilities, you are able to capture scenes and people with clarity and confidence. The 1080p video boasts outstanding quality that holds up on larger monitors. With a high megapixel, you can rely on larger files for your shooting requirements. The EOS 5D Mark II digital SLR from Canon shoots at 3.9fps, making this camera ideal for studio, wedding and landscape photographers.

[[File:D942dfdcfb564545694c79e2bc19ea65-1200-80.jpg|thumb|Canon EOS 5D MkII]]

==Health and Safety Checklist:==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

''Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.
''

==Induction Check list:==

'''(Looking from the back)'''

'''IMPORTANT *Top of the camera set dial on the left to “M” (Manual)*'''

'''Battery''' – Battery open is located on the bottom of the camera, slide the clip in the direction of the arrow to open, slide battery arrow side down until you hear the click, to remove slide the right clip holding the battery in to one side.

'''CF card''' – SD card will not work, CF card is what is needed, the card insert is located on the right side of the camera, pull the cliding hatch towards you then out to open, you will see the insert for the car, slide card in face towards you until you hear click.

'''Power Switch''' – Located to the bottom left of the screen rotate until the white line is next to “ON”, rotate opposite until parallel to “OFF” to switch off.

'''Format SD card''' – Press “MENU” located to next to the top left of the screen, use the toggle to the top right of the screen to scroll across, 5th from the left you’ll see the first wrench icon, use the wheel below the toggle to scroll down to “format” press the centre of the wheel then toggle to “OK”.

'''Focus''' – Canon lens – the first ring at the end of the lens is your manual focus OR on the side of the lens you have auto/manual switch, for AUTO switch to auto and when you have the subject in frame, on the back, top right of the camera find “AF ON” press this and the camera will auto focus.
Sigma lens – Only focus option is on the lens, again first ring, closest to end of the lens

'''Zoom''' – Canon lens - on the back of the camera, the very top right button you will see a button, the icon is a cross grid in a frame, this is your zoom, the zooms are set, 3 set zooms, no gradual zoom, there is no back zoom so keep pressing forward zoom and it will go back to default.
Sigma – same applies

'''Iris''' – located on the left at the front on the bottom row the button that says IRIS, pushing this will either set it to auto or manual, if manual make sure your camera is letting enough light in, you can scroll up or down to adjust with the dial in front of the IRIS button.

'''Gain/ISO''' – top of the camera you will see a screen with four buttons above the top display, third from the left is “ISO” press this and the options will come up on the screen, usually the camera likes to be around 1600, but set to your preference by scrolling through to see.

'''White Balance''' – Located on the top of the camera above the top display, first from the left is “WB” button, the white balance pre sets will come up on the main screen, to manually set scroll to the far right with the back wheel to “K” then use the dial on the top right of the camera, put a white piece of paper in the frame and scroll until you hit a perfect white.

'''Shutter''' – The display on the top of the camera you will see in the top left number which is your shutter number, use the scroll on the top of the camera to set this to 50 if you are shooting in real time.

'''Record Button''' – To record video on this camera you need to press the button in the centre of the wheel at the back of the camera

'''Playback''' – located on the back of the camera, next to the screen on the left second button from the bottom is a play symbol, press this and you can play back your clips

==Instructional Videos==

===Setting up a 5D MkII for Video===
<youtube>TNNqUm_nSXk</youtube>

Canon EOS 5D Mark II Digital SLR

2019-11-18T17:53:40Z

Connoll Pavey:

Canon EOS 5D Mark II Digital SLR

2019-11-18T17:53:03Z

Connoll Pavey:

Canon EOS 5D Mark II Digital SLR

2019-11-18T17:44:06Z

Connoll Pavey: /* Health and Safety Checklist: */

Canon EOS 5D Mark II Digital SLR

2019-11-18T14:54:57Z

Connoll Pavey:

<div class="rightbox">[[:Media:Eos5dmkii-im5-c-en.pdf|'''User Manual''']]</div>
This will contain a list of resources for the Canon EOS 5D Mark II:

==Overview==
The Canon EOS 5D Mark II combines high performance ISO with outstanding resolution. With the full frame capabilities, you are able to capture scenes and people with clarity and confidence. The 1080p video boasts outstanding quality that holds up on larger monitors. With a high megapixel, you can rely on larger files for your shooting requirements. The EOS 5D Mark II digital SLR from Canon shoots at 3.9fps, making this camera ideal for studio, wedding and landscape photographers.

[[File:D942dfdcfb564545694c79e2bc19ea65-1200-80.jpg|thumb|Canon EOS 5D MkII]]

==Health and Safety Checklist:==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.

==Induction Check list:==

'''(Looking from the back)'''

'''IMPORTANT *Top of the camera set dial on the left to “M” (Manual)*'''

'''Battery''' – Battery open is located on the bottom of the camera, slide the clip in the direction of the arrow to open, slide battery arrow side down until you hear the click, to remove slide the right clip holding the battery in to one side.

'''CF card''' – SD card will not work, CF card is what is needed, the card insert is located on the right side of the camera, pull the cliding hatch towards you then out to open, you will see the insert for the car, slide card in face towards you until you hear click.

'''Power Switch''' – Located to the bottom left of the screen rotate until the white line is next to “ON”, rotate opposite until parallel to “OFF” to switch off.

'''Format SD card''' – Press “MENU” located to next to the top left of the screen, use the toggle to the top right of the screen to scroll across, 5th from the left you’ll see the first wrench icon, use the wheel below the toggle to scroll down to “format” press the centre of the wheel then toggle to “OK”.

'''Focus''' – Canon lens – the first ring at the end of the lens is your manual focus OR on the side of the lens you have auto/manual switch, for AUTO switch to auto and when you have the subject in frame, on the back, top right of the camera find “AF ON” press this and the camera will auto focus.
Sigma lens – Only focus option is on the lens, again first ring, closest to end of the lens

'''Zoom''' – Canon lens - on the back of the camera, the very top right button you will see a button, the icon is a cross grid in a frame, this is your zoom, the zooms are set, 3 set zooms, no gradual zoom, there is no back zoom so keep pressing forward zoom and it will go back to default.
Sigma – same applies

'''Iris''' – located on the left at the front on the bottom row the button that says IRIS, pushing this will either set it to auto or manual, if manual make sure your camera is letting enough light in, you can scroll up or down to adjust with the dial in front of the IRIS button.

'''Gain/ISO''' – top of the camera you will see a screen with four buttons above the top display, third from the left is “ISO” press this and the options will come up on the screen, usually the camera likes to be around 1600, but set to your preference by scrolling through to see.

'''White Balance''' – Located on the top of the camera above the top display, first from the left is “WB” button, the white balance pre sets will come up on the main screen, to manually set scroll to the far right with the back wheel to “K” then use the dial on the top right of the camera, put a white piece of paper in the frame and scroll until you hit a perfect white.

'''Shutter''' – The display on the top of the camera you will see in the top left number which is your shutter number, use the scroll on the top of the camera to set this to 50 if you are shooting in real time.

'''Record Button''' – To record video on this camera you need to press the button in the centre of the wheel at the back of the camera

'''Playback''' – located on the back of the camera, next to the screen on the left second button from the bottom is a play symbol, press this and you can play back your clips

Canon EOS 5D Mark II Digital SLR

2019-11-18T14:54:37Z

Connoll Pavey:

<div class="rightbox">[[:Media:Eos5dmkii-im5-c-en.pdf|'''User Manual''']]</div>
This will contain a list of resources for the Canon EOS 5D Mark II:

==Overview==
The Canon EOS 5D Mark II combines high performance ISO with outstanding resolution. With the full frame capabilities, you are able to capture scenes and people with clarity and confidence. The 1080p video boasts outstanding quality that holds up on larger monitors. With a high megapixel, you can rely on larger files for your shooting requirements. The EOS 5D Mark II digital SLR from Canon shoots at 3.9fps, making this camera ideal for studio, wedding and landscape photographers.

[[File:D942dfdcfb564545694c79e2bc19ea65-1200-80.jpg.jpg|thumb|Canon EOS 5D MkII]]

==Health and Safety Checklist:==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.

==Induction Check list:==

'''(Looking from the back)'''

'''IMPORTANT *Top of the camera set dial on the left to “M” (Manual)*'''

'''Battery''' – Battery open is located on the bottom of the camera, slide the clip in the direction of the arrow to open, slide battery arrow side down until you hear the click, to remove slide the right clip holding the battery in to one side.

'''CF card''' – SD card will not work, CF card is what is needed, the card insert is located on the right side of the camera, pull the cliding hatch towards you then out to open, you will see the insert for the car, slide card in face towards you until you hear click.

'''Power Switch''' – Located to the bottom left of the screen rotate until the white line is next to “ON”, rotate opposite until parallel to “OFF” to switch off.

'''Format SD card''' – Press “MENU” located to next to the top left of the screen, use the toggle to the top right of the screen to scroll across, 5th from the left you’ll see the first wrench icon, use the wheel below the toggle to scroll down to “format” press the centre of the wheel then toggle to “OK”.

'''Focus''' – Canon lens – the first ring at the end of the lens is your manual focus OR on the side of the lens you have auto/manual switch, for AUTO switch to auto and when you have the subject in frame, on the back, top right of the camera find “AF ON” press this and the camera will auto focus.
Sigma lens – Only focus option is on the lens, again first ring, closest to end of the lens

'''Zoom''' – Canon lens - on the back of the camera, the very top right button you will see a button, the icon is a cross grid in a frame, this is your zoom, the zooms are set, 3 set zooms, no gradual zoom, there is no back zoom so keep pressing forward zoom and it will go back to default.
Sigma – same applies

'''Iris''' – located on the left at the front on the bottom row the button that says IRIS, pushing this will either set it to auto or manual, if manual make sure your camera is letting enough light in, you can scroll up or down to adjust with the dial in front of the IRIS button.

'''Gain/ISO''' – top of the camera you will see a screen with four buttons above the top display, third from the left is “ISO” press this and the options will come up on the screen, usually the camera likes to be around 1600, but set to your preference by scrolling through to see.

'''White Balance''' – Located on the top of the camera above the top display, first from the left is “WB” button, the white balance pre sets will come up on the main screen, to manually set scroll to the far right with the back wheel to “K” then use the dial on the top right of the camera, put a white piece of paper in the frame and scroll until you hit a perfect white.

'''Shutter''' – The display on the top of the camera you will see in the top left number which is your shutter number, use the scroll on the top of the camera to set this to 50 if you are shooting in real time.

'''Record Button''' – To record video on this camera you need to press the button in the centre of the wheel at the back of the camera

'''Playback''' – located on the back of the camera, next to the screen on the left second button from the bottom is a play symbol, press this and you can play back your clips

File:D942dfdcfb564545694c79e2bc19ea65-1200-80.jpg

2019-11-18T14:53:41Z

Connoll Pavey: Canon EOS 5D MarkII

== Summary ==
Canon EOS 5D MarkII

Canon EOS 5D Mark II Digital SLR

2019-11-18T14:45:15Z

Connoll Pavey: Created page with "<div class="rightbox">'''User Manual'''</div> This will contain a list of resources for the Canon EOS 5D Mark II: ==Overview== The Canon EO..."

<div class="rightbox">[[:Media:Eos5dmkii-im5-c-en.pdf|'''User Manual''']]</div>
This will contain a list of resources for the Canon EOS 5D Mark II:

==Overview==
The Canon EOS 5D Mark II combines high performance ISO with outstanding resolution. With the full frame capabilities, you are able to capture scenes and people with clarity and confidence. The 1080p video boasts outstanding quality that holds up on larger monitors. With a high megapixel, you can rely on larger files for your shooting requirements. The EOS 5D Mark II digital SLR from Canon shoots at 3.9fps, making this camera ideal for studio, wedding and landscape photographers.

==Health and Safety Checklist:==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.

==Induction Check list:==

'''(Looking from the back)'''

'''IMPORTANT *Top of the camera set dial on the left to “M” (Manual)*'''

'''Battery''' – Battery open is located on the bottom of the camera, slide the clip in the direction of the arrow to open, slide battery arrow side down until you hear the click, to remove slide the right clip holding the battery in to one side.

'''CF card''' – SD card will not work, CF card is what is needed, the card insert is located on the right side of the camera, pull the cliding hatch towards you then out to open, you will see the insert for the car, slide card in face towards you until you hear click.

'''Power Switch''' – Located to the bottom left of the screen rotate until the white line is next to “ON”, rotate opposite until parallel to “OFF” to switch off.

'''Format SD card''' – Press “MENU” located to next to the top left of the screen, use the toggle to the top right of the screen to scroll across, 5th from the left you’ll see the first wrench icon, use the wheel below the toggle to scroll down to “format” press the centre of the wheel then toggle to “OK”.

'''Focus''' – Canon lens – the first ring at the end of the lens is your manual focus OR on the side of the lens you have auto/manual switch, for AUTO switch to auto and when you have the subject in frame, on the back, top right of the camera find “AF ON” press this and the camera will auto focus.
Sigma lens – Only focus option is on the lens, again first ring, closest to end of the lens

'''Zoom''' – Canon lens - on the back of the camera, the very top right button you will see a button, the icon is a cross grid in a frame, this is your zoom, the zooms are set, 3 set zooms, no gradual zoom, there is no back zoom so keep pressing forward zoom and it will go back to default.
Sigma – same applies

'''Iris''' – located on the left at the front on the bottom row the button that says IRIS, pushing this will either set it to auto or manual, if manual make sure your camera is letting enough light in, you can scroll up or down to adjust with the dial in front of the IRIS button.

'''Gain/ISO''' – top of the camera you will see a screen with four buttons above the top display, third from the left is “ISO” press this and the options will come up on the screen, usually the camera likes to be around 1600, but set to your preference by scrolling through to see.

'''White Balance''' – Located on the top of the camera above the top display, first from the left is “WB” button, the white balance pre sets will come up on the main screen, to manually set scroll to the far right with the back wheel to “K” then use the dial on the top right of the camera, put a white piece of paper in the frame and scroll until you hit a perfect white.

'''Shutter''' – The display on the top of the camera you will see in the top left number which is your shutter number, use the scroll on the top of the camera to set this to 50 if you are shooting in real time.

'''Record Button''' – To record video on this camera you need to press the button in the centre of the wheel at the back of the camera

'''Playback''' – located on the back of the camera, next to the screen on the left second button from the bottom is a play symbol, press this and you can play back your clips

File:Eos5dmkii-im5-c-en.pdf

2019-11-18T14:44:39Z

Connoll Pavey: PDF Manual for EOS 5D MarkII with Firmware v2.0.0

== Summary ==
PDF Manual for EOS 5D MarkII with Firmware v2.0.0

File:PanasonicAGUX180.jpg

2019-11-11T17:46:38Z

Connoll Pavey: Panasonic AG-UX180

== Summary ==
Panasonic AG-UX180

Panasonic AG-UX180

2019-11-11T17:45:47Z

Connoll Pavey: /* Overview */

This will contain a list of resources for the Panasonic AG-UX180:

==Overview==
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.

<div class="|Left box 1 title">[[Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]</div>

[[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]]

==Health and Safety==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

==Induction Checklist==

'''Battery''' - Show how to insert the battery into the back of the camera.

'''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting.

'''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position.

'''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this)

'''Lens Cover''' - Explain the importance and the location of the lens cover.

'''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)

'''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out.

'''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11

'''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB

'''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance.

'''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.

'''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button

'''Record Button''' - Indicate the location of the record button

'''Thumbnail''' - The thumbnail button allows students to review the footage they have captured.

'''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch

'''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.

''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''

==Instructional Videos==

'''Introduction to the UX Series''' https://www.youtube.com/watch?v=Azq5cuqlAbI

'''Slow Motion''' https://www.youtube.com/watch?v=p6z1A3-IjCY

Panasonic AG-UX180

2019-11-11T17:42:26Z

Connoll Pavey: /* Induction Checklist */

This will contain a list of resources for the Panasonic AG-UX180:

==Overview==
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.

<div class="|Left box 1 title">[[Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]</div>

==Health and Safety==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

==Induction Checklist==

'''Battery''' - Show how to insert the battery into the back of the camera.

'''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting.

'''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position.

'''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this)

'''Lens Cover''' - Explain the importance and the location of the lens cover.

'''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)

'''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out.

'''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11

'''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB

'''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance.

'''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.

'''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button

'''Record Button''' - Indicate the location of the record button

'''Thumbnail''' - The thumbnail button allows students to review the footage they have captured.

'''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch

'''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.

''Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.''

==Instructional Videos==

'''Introduction to the UX Series''' https://www.youtube.com/watch?v=Azq5cuqlAbI

'''Slow Motion''' https://www.youtube.com/watch?v=p6z1A3-IjCY

Panasonic AG-UX180

2019-11-11T17:41:38Z

Connoll Pavey: /* Induction Checklist */

This will contain a list of resources for the Panasonic AG-UX180:

==Overview==
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.

<div class="|Left box 1 title">[[Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]</div>

==Health and Safety==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

==Induction Checklist==

'''Battery''' - Show how to insert the battery into the back of the camera.

'''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting.

'''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position.

'''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this)

'''Lens Cover''' - Explain the importance and the location of the lens cover.

'''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)

'''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out.

'''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11

'''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB

'''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance.

'''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.

'''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button

'''Record Button''' - Indicate the location of the record button

'''Thumbnail''' - The thumbnail button allows students to review the footage they have captured.

'''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch

'''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.

Also – Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.

==Instructional Videos==

'''Introduction to the UX Series''' https://www.youtube.com/watch?v=Azq5cuqlAbI

'''Slow Motion''' https://www.youtube.com/watch?v=p6z1A3-IjCY

Panasonic AG-UX180

2019-11-11T17:35:17Z

Connoll Pavey:

This will contain a list of resources for the Panasonic AG-UX180:

==Overview==
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.

<div class="|Left box 1 title">[[Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|'''User Manual''']]</div>

==Health and Safety==

'''Bags''' - All bags and cases must be stored in a safe location away from any thoroughfares.

'''Tripod''' - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

'''Mounting the Camera''' - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

'''Stability''' - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

==Induction Checklist==

'''Battery''' - Show how to insert the battery into the back of the camera.

'''SD Card''' - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting.

'''Power Switch''' - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position.

'''EVF''' - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this)

'''Lens Cover''' - Explain the importance and the location of the lens cover.

'''Focus''' - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)

'''Zoom''' - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out.

'''Iris''' - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11

'''Gain''' - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB

'''White Balance''' - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance.

'''Shutter''' - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.

'''Focus''' (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button

'''Record Button''' - Indicate the location of the record button

'''Thumbnail''' - The thumbnail button allows students to review the footage they have captured.

'''Slow-Motion''' - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch

'''Time-lapse''' - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.

==Instructional Videos==

'''Introduction to the UX Series''' https://www.youtube.com/watch?v=Azq5cuqlAbI

'''Slow Motion''' https://www.youtube.com/watch?v=p6z1A3-IjCY

Panasonic AG-UX180

2019-11-11T16:48:14Z

Connoll Pavey:

File:AG-UX180P.PJ(DVQP1161ZA) E.pdf

2019-11-11T16:39:56Z

Connoll Pavey:

Panasonic AG-UX180

2019-11-11T16:39:16Z

Connoll Pavey:

Panasonic AG-UX180

2019-11-11T16:10:20Z

Connoll Pavey:

Panasonic AG-UX180

2019-11-11T15:52:30Z

Connoll Pavey: Created page with "This will contain a list of resources for the Panasonic AG-UX180: Panasonic AG-UX180 Health and Safety Checklist: Bags - All bags and cases must be stored in a safe locati..."

This will contain a list of resources for the Panasonic AG-UX180:

Panasonic AG-UX180

Health and Safety Checklist:

Bags - All bags and cases must be stored in a safe location away from any thoroughfares.

Tripod - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.

Mounting the Camera - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod.

Stability - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight.

Induction Checklist :

Battery - Show how to insert the battery into the back of the camera.

SD Card - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting.

Power Switch - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position.

EVF - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this)

Working back across the camera, starting at the lens.

Lens Cover - Explain the importance and the location of the lens cover.

Focus - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)

Zoom - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out.

Iris - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11

Gain - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB

White Balance - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance.

Shutter - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.

Focus (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button

Record Button - Indicate the location of the record button

Thumbnail - The thumbnail button allows students to review the footage they have captured.

Slow-Motion - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch

Time-lapse - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.

Production

2019-11-11T15:32:12Z

Connoll Pavey: Created page with "This page will become the for Production related information"

This page will become the for Production related information

Planning

2019-10-16T11:57:55Z

Connoll Pavey: /* Year 5 (2020-21) */

This is a scratch page for future planning in each area.

==Annual Software Charges==

* '''August:''' Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - '''£500'''
* '''November:''' Cycling '74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - '''£5,000'''

==Production==

===Year 1 (2016-17)===
* Moved in to New Adelphi, move and reset costs.

===Year 2 (2017-18)===
* New 180 cameras.
* New 5D cameras.
* New C100 cameras.
* Renewal of EditShare support for 2 years - [As Installed] - '''£5,500'''

===Year 3 (2018-19)===
* Replacement pedestals in Screen 1 - '''£15,000'''
* LEDGO 600 Light (x16) - '''£5,000'''
* LEDGO 'Rio' Bags (x16) - '''£500'''
* LEDGO Stands (x16) - '''£3000'''
* LEDGO Batteries (x16) - '''£3500'''
* Canon C100 + Atomos Bundle (x2) - '''£6,000'''
* Manfrotto 504HD,546BK Tripods (x8) - '''£5,500'''
* Samyang VDSLR Lens Kit (x2) - '''£5,000'''

===Year 4 (2019-20)===
* Lighting for Screen 1 - '''£28,000'''
* Lighting for Screen 2 - '''£22,000'''
* Replacement of EditShare - '''£80,000'''
* Blackmagic Duplicator, Remotes, MultiDocks - '''£15,000'''
* Gimbal / Dolly Equipment - '''£10,000'''

===Year 5 (2020-21)===
* New speakers without limiting in 5.22 (for Performance as if it's 6.22)

New Camera Systems for 2nd/3rd Year Students

BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY - '''£2,266.92 inc VAT'''

Blackmagic Design Pocket 6K Cinema Camera 6K Body Only - EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.

CORESWX POWERBASE EDGE - BMD POCKET 4K - '''£270'''

Powerbase for extended battery life.

SANDISK 256GB 525MB/S - CFAST - '''£599'''

CFAST 2.0 Card for BMPC

CANON LP-E6N BATTERY (1800MAH) - '''£67.20
'''
Battery for BMPC

8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - '''£400'''

Cage and Handle for BMPC

8SINN 15MM UNIVERSAL RODS SUPPORT - '''£175.99
'''
SMALLHD FOCUS7 WITH BOLT 500 - '''£1,500
'''
Wireless Monitor System

RYCOTE MODULAR WINDSHIELD WS 2 KIT '''£588'''

Shock Mount for Sennheiser MKH50-P48

===Year 6 (2021-22)===

===Year 7 (2022-23)===

===Year 8 (2023-24)===

==Recording==

===Year 1 (2016-17)===
* Moved into New Adelphi, complete studio rebuild, some restocking.

===Year 2 (2017-18)===
* No significant expenditure beyond maintenance and consumables.

===Year 3 (2018-19)===
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - '''£6,000'''
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - '''£11,000'''
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - '''£2000'''
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO's per Studio + Bass Traps for booths + GOBOS for Band Room] - '''£9000'''
* Replace Zoom H4N with H6 and add to current stock levels - '''£4000'''
* Increase splitter stock for location recording - '''£2000'''
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&M stands, 10x K&M boom arms - '''£1200'''

===Year 4 (2019-20)===
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - '''£4,000'''

* Ceiling treatment for all studios [Ceiling Tiles] - '''£10,000'''

* Refresh of microphone stands (replacing older broken stock/add to existing stock) - '''£3,000'''

* Refresh of microphone stock >> [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]>>(replacing older broken stock/add to existing stock) - '''£17,683'''
''Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock's lifespan as well as to provide greater industry-standard choice to our ever growing student population.''

* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - '''£7,200'''
''The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2" Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1" Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1" Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1" Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2" tape machine would allow for greater use of our existing 2" tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.''

''In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.''

''Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.''

* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - '''£30,000'''
''Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less "surprise" costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units''

* Mix Studio in rehearsal room - '''£55,000'''
''Much like the recently designed and installed "Composition Studio" the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.''

* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - '''£150,000'''

* 9 UAD octo-core satellites and two Ultimate plugin bundles - '''£10,000'''

* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - '''£1,500'''

* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - '''£10,000'''
''An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such "specific installation" has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University's current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.''

''The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.''

===Year 5 (2020-21)===
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - '''£25,000'''
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - '''£40,000'''
* Buy USB-C audio interfaces for location recording - '''5000'''

===Year 6 (2021-22)===
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - '''£20,000'''
* New Plugins and software for all the studios - '''£20,000'''

===Year 7 (2022-23)===
* Major service of Studer A820 - '''£5,000'''

===Year 10 (2026-27)===
* Replacement of an Audient ASP8024 Consoles - '''£220,000'''
* Replacement of Pianos - '''£60,000'''

==Stores==

===Year 1 (2017-18)===
* Move in.

===Year 2 (2018-19)===
* No significant investment.

===Year 3 (2019-20)===
* Double amount of Ledgo 600s - '''£3500'''
* tripods for ursas
* UV Filters for Lenses - '''£1200'''
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm
* 5DS R bodies - 3 - '''£11000'''
* 24-105mm in line with number of full frame bodies - 9 - '''£9171'''
* 35mm 1:2 primes - 3 - '''£1600'''
* 50mm 1:1.8 primes - 5 - '''£600'''
* 70-200mm telephoto - 1 - '''£589'''
* 85mm 1:1.8 primes - 4 - '''£1700'''
* Bayer Dynamic Headphones DT 770 - 9 - '''£950'''
* Action Cameras - '''£4200'''
* Consumer Video Cameras - '''£6000'''
* Consumer Still Cameras - '''£4000'''

===Year 4 (2020-21)===
* 15x Canon 90D (w/ kit lens) - '''£20,000'''
''The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as "overspill" to the canon full frame stock in this regard.''
* 10x Canon 250D (w/ kit lens) - '''£5100'''
''The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.''
* 5x Sigma 17-50 mm Lenses - '''£1600'''
''Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.''
* 5x Canon 50 mm f/1.4 Lenses - '''£1700'''
''A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.''
* 4x Canon 55-250mm Lenses - '''£1200'''
''Good telephoto lens option for the APS-C bodies.''
* 3x Canon 24 mm Lenses - '''£432'''
''Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body''
* 5x Sigma 30 mm 1.4 Lenses - '''£1800'''
''Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body''
* 2x Sigma 10-20mm lenses - '''£634'''
''Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body''
* 11x Canon 5D MKIV (onward) - '''£31,000'''
''Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.''
* 11x Canon 24-105 mm EF Lenses - '''£1100'''
''For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. ''

===Year 5 (2021-22)===

===Year 6 (2022-23)===

Planning

2019-10-03T15:58:41Z

Connoll Pavey: /* Year 5 (2020-21) */

This is a scratch page for future planning in each area.

==Annual Software Charges==

* '''August:''' Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - '''£500'''
* '''November:''' Cycling '74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - '''£5,000'''

==Production==

===Year 1 (2016-17)===
* Moved in to New Adelphi, move and reset costs.

===Year 2 (2017-18)===
* New 180 cameras.
* New 5D cameras.
* New C100 cameras.
* Renewal of EditShare support for 2 years - [As Installed] - '''£5,500'''

===Year 3 (2018-19)===
* Replacement pedestals in Screen 1 - '''£15,000'''
* LEDGO 600 Light (x16) - '''£5,000'''
* LEDGO 'Rio' Bags (x16) - '''£500'''
* LEDGO Stands (x16) - '''£3000'''
* LEDGO Batteries (x16) - '''£3500'''
* Canon C100 + Atomos Bundle (x2) - '''£6,000'''
* Manfrotto 504HD,546BK Tripods (x8) - '''£5,500'''
* Samyang VDSLR Lens Kit (x2) - '''£5,000'''

===Year 4 (2019-20)===
* Lighting for Screen 1 - '''£28,000'''
* Lighting for Screen 2 - '''£22,000'''
* Replacement of EditShare - '''£80,000'''
* Blackmagic Duplicator, Remotes, MultiDocks - '''£15,000'''
* Gimbal / Dolly Equipment - '''£10,000'''

===Year 5 (2020-21)===
* New speakers without limiting in 5.22 (for Performance as if it's 6.22)

New Camera Systems for 2nd/3rd Year Students

BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY - '''£2,266.92 inc VAT'''

Blackmagic Design Pocket 6K Cinema Camera 6K Body Only - EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.

CORESWX POWERBASE EDGE - BMD POCKET 4K - '''£270'''

Powerbase for extended battery life.

SANDISK 256GB 525MB/S - CFAST - '''£599'''

CFAST 2.0 Card for BMPC

CANON LP-E6N BATTERY (1800MAH) - '''£67.20
'''
Battery for BMPC

8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - '''£400'''

Cage and Handle for BMPC

8SINN 15MM UNIVERSAL RODS SUPPORT - '''£175.99
'''
SMALLHD FOCUS7 WITH BOLT 500 - '''£1,500
'''
Wireless Monitor System

===Year 6 (2021-22)===

===Year 7 (2022-23)===

===Year 8 (2023-24)===

==Recording==

===Year 1 (2016-17)===
* Moved into New Adelphi, complete studio rebuild, some restocking.

===Year 2 (2017-18)===
* No significant expenditure beyond maintenance and consumables.

===Year 3 (2018-19)===
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - '''£6,000'''
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - '''£11,000'''
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - '''£2000'''
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO's per Studio + Bass Traps for booths + GOBOS for Band Room] - '''£9000'''
* Replace Zoom H4N with H6 and add to current stock levels - '''£4000'''
* Increase splitter stock for location recording - '''£2000'''
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&M stands, 10x K&M boom arms - '''£1200'''

===Year 4 (2019-20)===
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - '''£4,000'''

* Ceiling treatment for all studios [Ceiling Tiles] - '''£10,000'''

* Refresh of microphone stands (replacing older broken stock/add to existing stock) - '''£3,000'''

* Refresh of microphone stock >> [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]>>(replacing older broken stock/add to existing stock) - '''£17,683'''
''Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock's lifespan as well as to provide greater industry-standard choice to our ever growing student population.''

* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - '''£7,200'''
''The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2" Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1" Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1" Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1" Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2" tape machine would allow for greater use of our existing 2" tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.''

''In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.''

''Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.''

* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - '''£30,000'''
''Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less "surprise" costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units''

* Mix Studio in rehearsal room - '''£55,000'''
''Much like the recently designed and installed "Composition Studio" the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.''

* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - '''£150,000'''

* 9 UAD octo-core satellites and two Ultimate plugin bundles - '''£10,000'''

* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - '''£1,500'''

* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - '''£10,000'''
''An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such "specific installation" has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University's current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.''

''The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.''

===Year 5 (2020-21)===
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - '''£25,000'''
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - '''£40,000'''
* Buy USB-C audio interfaces for location recording - '''5000'''

===Year 6 (2021-22)===
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - '''£20,000'''
* New Plugins and software for all the studios - '''£20,000'''

===Year 7 (2022-23)===
* Major service of Studer A820 - '''£5,000'''

===Year 10 (2026-27)===
* Replacement of an Audient ASP8024 Consoles - '''£220,000'''
* Replacement of Pianos - '''£60,000'''

==Stores==

===Year 1 (2017-18)===
* Move in.

===Year 2 (2018-19)===
* No significant investment.

===Year 3 (2019-20)===
* Double amount of Ledgo 600s - '''£3500'''
* tripods for ursas
* UV Filters for Lenses - '''£1200'''
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm
* 5DS R bodies - 3 - '''£11000'''
* 24-105mm in line with number of full frame bodies - 9 - '''£9171'''
* 35mm 1:2 primes - 3 - '''£1600'''
* 50mm 1:1.8 primes - 5 - '''£600'''
* 70-200mm telephoto - 1 - '''£589'''
* 85mm 1:1.8 primes - 4 - '''£1700'''
* Bayer Dynamic Headphones DT 770 - 9 - '''£950'''
* Action Cameras - '''£4200'''
* Consumer Video Cameras - '''£6000'''
* Consumer Still Cameras - '''£4000'''

===Year 4 (2020-21)===
* 15x Canon 90D (w/ kit lens)
''The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as "overspill" to the canon full frame stock in this regard.''
* 10x Canon 250D (w/ kit lens)
''The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.''
* 5x Sigma 17-50 mm Lenses
''Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.''
* 5x Canon 50 mm f/1.4 Lenses
''A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.''
* 4x Canon 55-20 0mm Lenses
''Good telephoto lens option for the APS-C bodies.''
* 3x Canon 24 mm Lenses
''Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body''
* 5x Sigma 30 mm 1.4 Lenses
''Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body''
* 2x Sigma 10-20mm lenses
''Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body''
* 11x Canon 5D
''Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.''
* 11x Canon 24-105 mm EF Lenses
''For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. ''

===Year 5 (2021-22)===

===Year 6 (2022-23)===

Planning

2019-10-03T15:57:53Z

Connoll Pavey: /* Year 5 (2020-21) */

This is a scratch page for future planning in each area.

==Annual Software Charges==

* '''August:''' Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - '''£500'''
* '''November:''' Cycling '74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - '''£5,000'''

==Production==

===Year 1 (2016-17)===
* Moved in to New Adelphi, move and reset costs.

===Year 2 (2017-18)===
* New 180 cameras.
* New 5D cameras.
* New C100 cameras.
* Renewal of EditShare support for 2 years - [As Installed] - '''£5,500'''

===Year 3 (2018-19)===
* Replacement pedestals in Screen 1 - '''£15,000'''
* LEDGO 600 Light (x16) - '''£5,000'''
* LEDGO 'Rio' Bags (x16) - '''£500'''
* LEDGO Stands (x16) - '''£3000'''
* LEDGO Batteries (x16) - '''£3500'''
* Canon C100 + Atomos Bundle (x2) - '''£6,000'''
* Manfrotto 504HD,546BK Tripods (x8) - '''£5,500'''
* Samyang VDSLR Lens Kit (x2) - '''£5,000'''

===Year 4 (2019-20)===
* Lighting for Screen 1 - '''£28,000'''
* Lighting for Screen 2 - '''£22,000'''
* Replacement of EditShare - '''£80,000'''
* Blackmagic Duplicator, Remotes, MultiDocks - '''£15,000'''
* Gimbal / Dolly Equipment - '''£10,000'''

===Year 5 (2020-21)===
* New speakers without limiting in 5.22 (for Performance as if it's 6.22)

New Camera Systems for 2nd/3rd Year Students

BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY - '''£2,266.92 inc VAT'''
Blackmagic Design Pocket 6K Cinema Camera 6K Body Only - EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.

CORESWX POWERBASE EDGE - BMD POCKET 4K - '''£270'''
Powerbase for extended battery life.

SANDISK 256GB 525MB/S - CFAST - '''£599'''
CFAST 2.0 Card for BMPC

CANON LP-E6N BATTERY (1800MAH) - '''£67.20
'''Battery for BMPC

8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - '''£400'''
Cage and Handle for BMPC

8SINN 15MM UNIVERSAL RODS SUPPORT - '''£175.99
'''
SMALLHD FOCUS7 WITH BOLT 500 - '''£1,500
'''Wireless Monitor System

===Year 6 (2021-22)===

===Year 7 (2022-23)===

===Year 8 (2023-24)===

==Recording==

===Year 1 (2016-17)===
* Moved into New Adelphi, complete studio rebuild, some restocking.

===Year 2 (2017-18)===
* No significant expenditure beyond maintenance and consumables.

===Year 3 (2018-19)===
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - '''£6,000'''
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - '''£11,000'''
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - '''£2000'''
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO's per Studio + Bass Traps for booths + GOBOS for Band Room] - '''£9000'''
* Replace Zoom H4N with H6 and add to current stock levels - '''£4000'''
* Increase splitter stock for location recording - '''£2000'''
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&M stands, 10x K&M boom arms - '''£1200'''

===Year 4 (2019-20)===
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - '''£4,000'''

* Ceiling treatment for all studios [Ceiling Tiles] - '''£10,000'''

* Refresh of microphone stands (replacing older broken stock/add to existing stock) - '''£3,000'''

* Refresh of microphone stock >> [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]>>(replacing older broken stock/add to existing stock) - '''£17,683'''
''Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock's lifespan as well as to provide greater industry-standard choice to our ever growing student population.''

* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - '''£7,200'''
''The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2" Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1" Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1" Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1" Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2" tape machine would allow for greater use of our existing 2" tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.''

''In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.''

''Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.''

* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - '''£30,000'''
''Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less "surprise" costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units''

* Mix Studio in rehearsal room - '''£55,000'''
''Much like the recently designed and installed "Composition Studio" the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.''

* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - '''£150,000'''

* 9 UAD octo-core satellites and two Ultimate plugin bundles - '''£10,000'''

* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - '''£1,500'''

* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - '''£10,000'''
''An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such "specific installation" has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University's current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.''

''The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.''

===Year 5 (2020-21)===
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - '''£25,000'''
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - '''£40,000'''
* Buy USB-C audio interfaces for location recording - '''5000'''

===Year 6 (2021-22)===
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - '''£20,000'''
* New Plugins and software for all the studios - '''£20,000'''

===Year 7 (2022-23)===
* Major service of Studer A820 - '''£5,000'''

===Year 10 (2026-27)===
* Replacement of an Audient ASP8024 Consoles - '''£220,000'''
* Replacement of Pianos - '''£60,000'''

==Stores==

===Year 1 (2017-18)===
* Move in.

===Year 2 (2018-19)===
* No significant investment.

===Year 3 (2019-20)===
* Double amount of Ledgo 600s - '''£3500'''
* tripods for ursas
* UV Filters for Lenses - '''£1200'''
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm
* 5DS R bodies - 3 - '''£11000'''
* 24-105mm in line with number of full frame bodies - 9 - '''£9171'''
* 35mm 1:2 primes - 3 - '''£1600'''
* 50mm 1:1.8 primes - 5 - '''£600'''
* 70-200mm telephoto - 1 - '''£589'''
* 85mm 1:1.8 primes - 4 - '''£1700'''
* Bayer Dynamic Headphones DT 770 - 9 - '''£950'''
* Action Cameras - '''£4200'''
* Consumer Video Cameras - '''£6000'''
* Consumer Still Cameras - '''£4000'''

===Year 4 (2020-21)===
* 15x Canon 90D (w/ kit lens)
''The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as "overspill" to the canon full frame stock in this regard.''
* 10x Canon 250D (w/ kit lens)
''The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.''
* 5x Sigma 17-50 mm Lenses
''Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.''
* 5x Canon 50 mm f/1.4 Lenses
''A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.''
* 4x Canon 55-20 0mm Lenses
''Good telephoto lens option for the APS-C bodies.''
* 3x Canon 24 mm Lenses
''Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body''
* 5x Sigma 30 mm 1.4 Lenses
''Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body''
* 2x Sigma 10-20mm lenses
''Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body''
* 11x Canon 5D
''Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.''
* 11x Canon 24-105 mm EF Lenses
''For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. ''

===Year 5 (2021-22)===

===Year 6 (2022-23)===

Planning

2019-10-03T15:56:58Z

Connoll Pavey: /* Year 5 (2020-21) */

This is a scratch page for future planning in each area.

==Annual Software Charges==

* '''August:''' Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - '''£500'''
* '''November:''' Cycling '74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - '''£5,000'''

==Production==

===Year 1 (2016-17)===
* Moved in to New Adelphi, move and reset costs.

===Year 2 (2017-18)===
* New 180 cameras.
* New 5D cameras.
* New C100 cameras.
* Renewal of EditShare support for 2 years - [As Installed] - '''£5,500'''

===Year 3 (2018-19)===
* Replacement pedestals in Screen 1 - '''£15,000'''
* LEDGO 600 Light (x16) - '''£5,000'''
* LEDGO 'Rio' Bags (x16) - '''£500'''
* LEDGO Stands (x16) - '''£3000'''
* LEDGO Batteries (x16) - '''£3500'''
* Canon C100 + Atomos Bundle (x2) - '''£6,000'''
* Manfrotto 504HD,546BK Tripods (x8) - '''£5,500'''
* Samyang VDSLR Lens Kit (x2) - '''£5,000'''

===Year 4 (2019-20)===
* Lighting for Screen 1 - '''£28,000'''
* Lighting for Screen 2 - '''£22,000'''
* Replacement of EditShare - '''£80,000'''
* Blackmagic Duplicator, Remotes, MultiDocks - '''£15,000'''
* Gimbal / Dolly Equipment - '''£10,000'''

===Year 5 (2020-21)===
* New speakers without limiting in 5.22 (for Performance as if it's 6.22)

New Camera Systems for 2nd/3rd Year Students

BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY - '''£2,266.92 inc VAT'''

Blackmagic Design Pocket 6K Cinema Camera 6K Body Only - EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.

CORESWX POWERBASE EDGE - BMD POCKET 4K - £270

Powerbase for extended battery life.

SANDISK 256GB 525MB/S - CFAST - £599

CFAST 2.0 Card for BMPC

CANON LP-E6N BATTERY (1800MAH) - £67.20

Battery for BMPC

8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - £400

Cage and Handle for BMPC

8SINN 15MM UNIVERSAL RODS SUPPORT - £175.99

SMALLHD FOCUS7 WITH BOLT 500 - £1,500

Wireless Monitor System

===Year 6 (2021-22)===

===Year 7 (2022-23)===

===Year 8 (2023-24)===

==Recording==

===Year 1 (2016-17)===
* Moved into New Adelphi, complete studio rebuild, some restocking.

===Year 2 (2017-18)===
* No significant expenditure beyond maintenance and consumables.

===Year 3 (2018-19)===
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - '''£6,000'''
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - '''£11,000'''
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - '''£2000'''
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO's per Studio + Bass Traps for booths + GOBOS for Band Room] - '''£9000'''
* Replace Zoom H4N with H6 and add to current stock levels - '''£4000'''
* Increase splitter stock for location recording - '''£2000'''
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&M stands, 10x K&M boom arms - '''£1200'''

===Year 4 (2019-20)===
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - '''£4,000'''

* Ceiling treatment for all studios [Ceiling Tiles] - '''£10,000'''

* Refresh of microphone stands (replacing older broken stock/add to existing stock) - '''£3,000'''

* Refresh of microphone stock >> [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]>>(replacing older broken stock/add to existing stock) - '''£17,683'''
''Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock's lifespan as well as to provide greater industry-standard choice to our ever growing student population.''

* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - '''£7,200'''
''The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2" Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1" Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1" Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1" Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2" tape machine would allow for greater use of our existing 2" tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.''

''In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.''

''Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.''

* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - '''£30,000'''
''Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less "surprise" costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units''

* Mix Studio in rehearsal room - '''£55,000'''
''Much like the recently designed and installed "Composition Studio" the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.''

* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - '''£150,000'''

* 9 UAD octo-core satellites and two Ultimate plugin bundles - '''£10,000'''

* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - '''£1,500'''

* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - '''£10,000'''
''An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such "specific installation" has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University's current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.''

''The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.''

===Year 5 (2020-21)===
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - '''£25,000'''
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - '''£40,000'''
* Buy USB-C audio interfaces for location recording - '''5000'''

===Year 6 (2021-22)===
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - '''£20,000'''
* New Plugins and software for all the studios - '''£20,000'''

===Year 7 (2022-23)===
* Major service of Studer A820 - '''£5,000'''

===Year 10 (2026-27)===
* Replacement of an Audient ASP8024 Consoles - '''£220,000'''
* Replacement of Pianos - '''£60,000'''

==Stores==

===Year 1 (2017-18)===
* Move in.

===Year 2 (2018-19)===
* No significant investment.

===Year 3 (2019-20)===
* Double amount of Ledgo 600s - '''£3500'''
* tripods for ursas
* UV Filters for Lenses - '''£1200'''
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm
* 5DS R bodies - 3 - '''£11000'''
* 24-105mm in line with number of full frame bodies - 9 - '''£9171'''
* 35mm 1:2 primes - 3 - '''£1600'''
* 50mm 1:1.8 primes - 5 - '''£600'''
* 70-200mm telephoto - 1 - '''£589'''
* 85mm 1:1.8 primes - 4 - '''£1700'''
* Bayer Dynamic Headphones DT 770 - 9 - '''£950'''
* Action Cameras - '''£4200'''
* Consumer Video Cameras - '''£6000'''
* Consumer Still Cameras - '''£4000'''

===Year 4 (2020-21)===
* 15x Canon 90D (w/ kit lens)
''The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as "overspill" to the canon full frame stock in this regard.''
* 10x Canon 250D (w/ kit lens)
''The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.''
* 5x Sigma 17-50 mm Lenses
''Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.''
* 5x Canon 50 mm f/1.4 Lenses
''A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.''
* 4x Canon 55-20 0mm Lenses
''Good telephoto lens option for the APS-C bodies.''
* 3x Canon 24 mm Lenses
''Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body''
* 5x Sigma 30 mm 1.4 Lenses
''Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body''
* 2x Sigma 10-20mm lenses
''Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body''
* 11x Canon 5D
''Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.''
* ##x Canon 24-105 mm EF Lenses
''For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. ''

===Year 5 (2021-22)===

===Year 6 (2022-23)===