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	<updated>2026-05-19T07:11:01Z</updated>
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	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Screens&amp;diff=2135</id>
		<title>Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Screens&amp;diff=2135"/>
		<updated>2026-05-01T16:27:09Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: A.j.davison moved page Screens to Display Screens&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Display Screens]]&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2134</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2134"/>
		<updated>2026-05-01T16:27:09Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: A.j.davison moved page Screens to Display Screens&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Specification==&lt;br /&gt;
&lt;br /&gt;
Content for the displays should be provided at a minimum of &#039;&#039;&#039;1920 x 1080&#039;&#039;&#039; resolution, or &#039;&#039;&#039;1080 x 1920&#039;&#039;&#039; resolution for portrait displays. Content is not rotated, therefore landscape content on a portrait display, or vice versa, will be letterboxed or pillarboxed and appear at a reduced size.&lt;br /&gt;
&lt;br /&gt;
While &amp;quot;4K&amp;quot; content at 3840 x 2160 is supported, the displays are not all capable of this resolution, and content will be scaled down automatically on those panels. If, for artistic reasons, lower resolution content is to be displayed it must first be scaled up to the minimum resolution, or provided at its original size on a 1080p canvas. It is preferable to do this before submitting the content, as it gives the creator more control over the method of display.&lt;br /&gt;
&lt;br /&gt;
All content will be re-encoded by the display screen system when uploaded.&lt;br /&gt;
&lt;br /&gt;
Most formats are supported, but still images are usually accepted as &#039;&#039;&#039;JPEG&#039;&#039;&#039; or &#039;&#039;&#039;PNG&#039;&#039;&#039; files, while video can be &#039;&#039;&#039;H.264&#039;&#039;&#039; or &#039;&#039;&#039;H.265&#039;&#039;&#039; encoded in &#039;&#039;&#039;MOV&#039;&#039;&#039; or &#039;&#039;&#039;MP4&#039;&#039;&#039; containers. &#039;&#039;&#039;Animated GIF files are not supported.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Should the display system run out of content a fallback playlist will be displayed.&lt;br /&gt;
&lt;br /&gt;
== Posters ==&lt;br /&gt;
&lt;br /&gt;
Seven of the screens are single panels, primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displayed for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the four lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Video ==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| Video panel facing the southern Café entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Broadwalk Windows (Level 1)&lt;br /&gt;
| Three portrait displays facing out onto the Broadwalk through the building.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Music Window (Level 1)&lt;br /&gt;
| Single panel display facing out towards the Business School.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Studio Theatre Window (Level 1)&lt;br /&gt;
| Single panel display facing out towards Newton.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Content Guidance ==&lt;br /&gt;
&lt;br /&gt;
All content must be suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Replay of content subject to external copyright will require an appropriate licence or written confirmation of permission from the copyright holder.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2133</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2133"/>
		<updated>2026-05-01T16:25:43Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Specification==&lt;br /&gt;
&lt;br /&gt;
Content for the displays should be provided at a minimum of &#039;&#039;&#039;1920 x 1080&#039;&#039;&#039; resolution, or &#039;&#039;&#039;1080 x 1920&#039;&#039;&#039; resolution for portrait displays. Content is not rotated, therefore landscape content on a portrait display, or vice versa, will be letterboxed or pillarboxed and appear at a reduced size.&lt;br /&gt;
&lt;br /&gt;
While &amp;quot;4K&amp;quot; content at 3840 x 2160 is supported, the displays are not all capable of this resolution, and content will be scaled down automatically on those panels. If, for artistic reasons, lower resolution content is to be displayed it must first be scaled up to the minimum resolution, or provided at its original size on a 1080p canvas. It is preferable to do this before submitting the content, as it gives the creator more control over the method of display.&lt;br /&gt;
&lt;br /&gt;
All content will be re-encoded by the display screen system when uploaded.&lt;br /&gt;
&lt;br /&gt;
Most formats are supported, but still images are usually accepted as &#039;&#039;&#039;JPEG&#039;&#039;&#039; or &#039;&#039;&#039;PNG&#039;&#039;&#039; files, while video can be &#039;&#039;&#039;H.264&#039;&#039;&#039; or &#039;&#039;&#039;H.265&#039;&#039;&#039; encoded in &#039;&#039;&#039;MOV&#039;&#039;&#039; or &#039;&#039;&#039;MP4&#039;&#039;&#039; containers. &#039;&#039;&#039;Animated GIF files are not supported.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Should the display system run out of content a fallback playlist will be displayed.&lt;br /&gt;
&lt;br /&gt;
== Posters ==&lt;br /&gt;
&lt;br /&gt;
Seven of the screens are single panels, primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displayed for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the four lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Video ==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| Video panel facing the southern Café entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Broadwalk Windows (Level 1)&lt;br /&gt;
| Three portrait displays facing out onto the Broadwalk through the building.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Music Window (Level 1)&lt;br /&gt;
| Single panel display facing out towards the Business School.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Studio Theatre Window (Level 1)&lt;br /&gt;
| Single panel display facing out towards Newton.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Content Guidance ==&lt;br /&gt;
&lt;br /&gt;
All content must be suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Replay of content subject to external copyright will require an appropriate licence or written confirmation of permission from the copyright holder.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2132</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2132"/>
		<updated>2026-05-01T15:55:46Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Posters==&lt;br /&gt;
Seven of the screens are single panels, primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displayed for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the four lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Video==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| Video panel facing the southern Café entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Broadwalk Windows (Level 1)&lt;br /&gt;
| Three portrait displays facing out onto the Broadwalk through the building.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Music Window (Level 1)&lt;br /&gt;
| Single panel display facing out towards the Business School.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Studio Theatre Window (Level 1)&lt;br /&gt;
| Single panel display facing out towards Newton.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the film displays should be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Framerate: &#039;&#039;&#039;Up to 60 fps&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;H.264&#039;&#039;&#039;&lt;br /&gt;
* Container: &#039;&#039;&#039;MP4&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each film is shown in its entirety and once all have been shown, the pool of films will repeat.&lt;br /&gt;
&lt;br /&gt;
==Content Guidance==&lt;br /&gt;
All content must be age appropriate and suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
Replay of content subject to copyright will require confirmation of permission from the copyright holder. &lt;br /&gt;
&lt;br /&gt;
When producing content for public display, please remember to include the &#039;&#039;&#039;name&#039;&#039;&#039; of your event, the &#039;&#039;&#039;date and time&#039;&#039;&#039; that it will take place, and any &#039;&#039;&#039;ticket and contact information&#039;&#039;&#039;. Try to &#039;&#039;&#039;not&#039;&#039;&#039; include large amounts of text; use imagery to attract attention and include a web address where people can find further information. If you are producing film or video content for advertising an event, please remember to hold the information on screen long enough for people to read. A better method would be to use an overlay, displaying the event information throughout the length of your film.&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;br /&gt;
&lt;br /&gt;
===Filenames===&lt;br /&gt;
If you are producing a batch of posters or films for display at various times during the year, it would be appreciated if you could name your files in the following format:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;STARTDATEANDTIME-ENDDATEANDTIME-NAMEOFEVENT.JPG&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above example is, of course, for a still JPEG file, but the format is the same for .MP4 or .MOV video files.&lt;br /&gt;
&lt;br /&gt;
The date format is YYMMDDHHMM using the 24 hour clock, meaning that content which should start appearing at &#039;&#039;&#039;1pm on 23rd September 2019&#039;&#039;&#039; would be &#039;&#039;&#039;1909231300&#039;&#039;&#039;. For example:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;1909231300-1909271900-bigevent.jpg&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above named file would appear on screens between 1pm on 23rd September 2019 and stop appearing after 7pm on 27th September 2019.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the still poster displays must be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;JPEG&#039;&#039;&#039;&lt;br /&gt;
* Quality Setting: &#039;&#039;&#039;High&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each image is shown for 25 seconds, displayed in random order from the image pool.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2131</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2131"/>
		<updated>2026-05-01T15:50:35Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Posters */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Posters==&lt;br /&gt;
Seven of the screens are single panels, primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displayed for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the four lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Video==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| 2x2 video wall facing the Cockcroft Road / Cafe entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the film displays should be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Framerate: &#039;&#039;&#039;Up to 60 fps&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;H.264&#039;&#039;&#039;&lt;br /&gt;
* Container: &#039;&#039;&#039;MP4&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each film is shown in its entirety and once all have been shown, the pool of films will repeat.&lt;br /&gt;
&lt;br /&gt;
==Content Guidance==&lt;br /&gt;
All content must be age appropriate and suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
Replay of content subject to copyright will require confirmation of permission from the copyright holder. &lt;br /&gt;
&lt;br /&gt;
When producing content for public display, please remember to include the &#039;&#039;&#039;name&#039;&#039;&#039; of your event, the &#039;&#039;&#039;date and time&#039;&#039;&#039; that it will take place, and any &#039;&#039;&#039;ticket and contact information&#039;&#039;&#039;. Try to &#039;&#039;&#039;not&#039;&#039;&#039; include large amounts of text; use imagery to attract attention and include a web address where people can find further information. If you are producing film or video content for advertising an event, please remember to hold the information on screen long enough for people to read. A better method would be to use an overlay, displaying the event information throughout the length of your film.&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;br /&gt;
&lt;br /&gt;
===Filenames===&lt;br /&gt;
If you are producing a batch of posters or films for display at various times during the year, it would be appreciated if you could name your files in the following format:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;STARTDATEANDTIME-ENDDATEANDTIME-NAMEOFEVENT.JPG&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above example is, of course, for a still JPEG file, but the format is the same for .MP4 or .MOV video files.&lt;br /&gt;
&lt;br /&gt;
The date format is YYMMDDHHMM using the 24 hour clock, meaning that content which should start appearing at &#039;&#039;&#039;1pm on 23rd September 2019&#039;&#039;&#039; would be &#039;&#039;&#039;1909231300&#039;&#039;&#039;. For example:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;1909231300-1909271900-bigevent.jpg&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above named file would appear on screens between 1pm on 23rd September 2019 and stop appearing after 7pm on 27th September 2019.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the still poster displays must be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;JPEG&#039;&#039;&#039;&lt;br /&gt;
* Quality Setting: &#039;&#039;&#039;High&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each image is shown for 25 seconds, displayed in random order from the image pool.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2130</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2130"/>
		<updated>2026-05-01T15:48:37Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Posters */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Posters==&lt;br /&gt;
Seven of the screens are single panels, primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displayed for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the main bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the main floor lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Video==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| 2x2 video wall facing the Cockcroft Road / Cafe entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the film displays should be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Framerate: &#039;&#039;&#039;Up to 60 fps&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;H.264&#039;&#039;&#039;&lt;br /&gt;
* Container: &#039;&#039;&#039;MP4&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each film is shown in its entirety and once all have been shown, the pool of films will repeat.&lt;br /&gt;
&lt;br /&gt;
==Content Guidance==&lt;br /&gt;
All content must be age appropriate and suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
Replay of content subject to copyright will require confirmation of permission from the copyright holder. &lt;br /&gt;
&lt;br /&gt;
When producing content for public display, please remember to include the &#039;&#039;&#039;name&#039;&#039;&#039; of your event, the &#039;&#039;&#039;date and time&#039;&#039;&#039; that it will take place, and any &#039;&#039;&#039;ticket and contact information&#039;&#039;&#039;. Try to &#039;&#039;&#039;not&#039;&#039;&#039; include large amounts of text; use imagery to attract attention and include a web address where people can find further information. If you are producing film or video content for advertising an event, please remember to hold the information on screen long enough for people to read. A better method would be to use an overlay, displaying the event information throughout the length of your film.&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;br /&gt;
&lt;br /&gt;
===Filenames===&lt;br /&gt;
If you are producing a batch of posters or films for display at various times during the year, it would be appreciated if you could name your files in the following format:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;STARTDATEANDTIME-ENDDATEANDTIME-NAMEOFEVENT.JPG&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above example is, of course, for a still JPEG file, but the format is the same for .MP4 or .MOV video files.&lt;br /&gt;
&lt;br /&gt;
The date format is YYMMDDHHMM using the 24 hour clock, meaning that content which should start appearing at &#039;&#039;&#039;1pm on 23rd September 2019&#039;&#039;&#039; would be &#039;&#039;&#039;1909231300&#039;&#039;&#039;. For example:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;1909231300-1909271900-bigevent.jpg&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above named file would appear on screens between 1pm on 23rd September 2019 and stop appearing after 7pm on 27th September 2019.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the still poster displays must be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;JPEG&#039;&#039;&#039;&lt;br /&gt;
* Quality Setting: &#039;&#039;&#039;High&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each image is shown for 25 seconds, displayed in random order from the image pool.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2129</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2129"/>
		<updated>2026-05-01T15:48:02Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Posters==&lt;br /&gt;
Seven of the screens are single panels, primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displayed for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the main bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the main ground floor lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Video==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| 2x2 video wall facing the Cockcroft Road / Cafe entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the film displays should be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Framerate: &#039;&#039;&#039;Up to 60 fps&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;H.264&#039;&#039;&#039;&lt;br /&gt;
* Container: &#039;&#039;&#039;MP4&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each film is shown in its entirety and once all have been shown, the pool of films will repeat.&lt;br /&gt;
&lt;br /&gt;
==Content Guidance==&lt;br /&gt;
All content must be age appropriate and suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
Replay of content subject to copyright will require confirmation of permission from the copyright holder. &lt;br /&gt;
&lt;br /&gt;
When producing content for public display, please remember to include the &#039;&#039;&#039;name&#039;&#039;&#039; of your event, the &#039;&#039;&#039;date and time&#039;&#039;&#039; that it will take place, and any &#039;&#039;&#039;ticket and contact information&#039;&#039;&#039;. Try to &#039;&#039;&#039;not&#039;&#039;&#039; include large amounts of text; use imagery to attract attention and include a web address where people can find further information. If you are producing film or video content for advertising an event, please remember to hold the information on screen long enough for people to read. A better method would be to use an overlay, displaying the event information throughout the length of your film.&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;br /&gt;
&lt;br /&gt;
===Filenames===&lt;br /&gt;
If you are producing a batch of posters or films for display at various times during the year, it would be appreciated if you could name your files in the following format:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;STARTDATEANDTIME-ENDDATEANDTIME-NAMEOFEVENT.JPG&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above example is, of course, for a still JPEG file, but the format is the same for .MP4 or .MOV video files.&lt;br /&gt;
&lt;br /&gt;
The date format is YYMMDDHHMM using the 24 hour clock, meaning that content which should start appearing at &#039;&#039;&#039;1pm on 23rd September 2019&#039;&#039;&#039; would be &#039;&#039;&#039;1909231300&#039;&#039;&#039;. For example:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;1909231300-1909271900-bigevent.jpg&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above named file would appear on screens between 1pm on 23rd September 2019 and stop appearing after 7pm on 27th September 2019.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the still poster displays must be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;JPEG&#039;&#039;&#039;&lt;br /&gt;
* Quality Setting: &#039;&#039;&#039;High&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each image is shown for 25 seconds, displayed in random order from the image pool.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2128</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2128"/>
		<updated>2026-05-01T15:47:28Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Posters==&lt;br /&gt;
Seven of the screens are single panels used primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displayed for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the main bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the main ground floor lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Video==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| 2x2 video wall facing the Cockcroft Road / Cafe entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the film displays should be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Framerate: &#039;&#039;&#039;Up to 60 fps&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;H.264&#039;&#039;&#039;&lt;br /&gt;
* Container: &#039;&#039;&#039;MP4&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each film is shown in its entirety and once all have been shown, the pool of films will repeat.&lt;br /&gt;
&lt;br /&gt;
==Content Guidance==&lt;br /&gt;
All content must be age appropriate and suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
Replay of content subject to copyright will require confirmation of permission from the copyright holder. &lt;br /&gt;
&lt;br /&gt;
When producing content for public display, please remember to include the &#039;&#039;&#039;name&#039;&#039;&#039; of your event, the &#039;&#039;&#039;date and time&#039;&#039;&#039; that it will take place, and any &#039;&#039;&#039;ticket and contact information&#039;&#039;&#039;. Try to &#039;&#039;&#039;not&#039;&#039;&#039; include large amounts of text; use imagery to attract attention and include a web address where people can find further information. If you are producing film or video content for advertising an event, please remember to hold the information on screen long enough for people to read. A better method would be to use an overlay, displaying the event information throughout the length of your film.&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;br /&gt;
&lt;br /&gt;
===Filenames===&lt;br /&gt;
If you are producing a batch of posters or films for display at various times during the year, it would be appreciated if you could name your files in the following format:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;STARTDATEANDTIME-ENDDATEANDTIME-NAMEOFEVENT.JPG&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above example is, of course, for a still JPEG file, but the format is the same for .MP4 or .MOV video files.&lt;br /&gt;
&lt;br /&gt;
The date format is YYMMDDHHMM using the 24 hour clock, meaning that content which should start appearing at &#039;&#039;&#039;1pm on 23rd September 2019&#039;&#039;&#039; would be &#039;&#039;&#039;1909231300&#039;&#039;&#039;. For example:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;1909231300-1909271900-bigevent.jpg&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above named file would appear on screens between 1pm on 23rd September 2019 and stop appearing after 7pm on 27th September 2019.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the still poster displays must be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;JPEG&#039;&#039;&#039;&lt;br /&gt;
* Quality Setting: &#039;&#039;&#039;High&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each image is shown for 25 seconds, displayed in random order from the image pool.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2127</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2127"/>
		<updated>2026-05-01T15:43:04Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi, used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Posters==&lt;br /&gt;
Seven of the screens are single panels used primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displayed for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the main bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the main ground floor lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Video==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| 2x2 video wall facing the Cockcroft Road / Cafe entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the film displays should be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Framerate: &#039;&#039;&#039;Up to 60 fps&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;H.264&#039;&#039;&#039;&lt;br /&gt;
* Container: &#039;&#039;&#039;MP4&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each film is shown in its entirety and once all have been shown, the pool of films will repeat.&lt;br /&gt;
&lt;br /&gt;
==Content Guidance==&lt;br /&gt;
All content must be age appropriate and suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
Replay of content subject to copyright will require confirmation of permission from the copyright holder. &lt;br /&gt;
&lt;br /&gt;
When producing content for public display, please remember to include the &#039;&#039;&#039;name&#039;&#039;&#039; of your event, the &#039;&#039;&#039;date and time&#039;&#039;&#039; that it will take place, and any &#039;&#039;&#039;ticket and contact information&#039;&#039;&#039;. Try to &#039;&#039;&#039;not&#039;&#039;&#039; include large amounts of text; use imagery to attract attention and include a web address where people can find further information. If you are producing film or video content for advertising an event, please remember to hold the information on screen long enough for people to read. A better method would be to use an overlay, displaying the event information throughout the length of your film.&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;br /&gt;
&lt;br /&gt;
===Filenames===&lt;br /&gt;
If you are producing a batch of posters or films for display at various times during the year, it would be appreciated if you could name your files in the following format:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;STARTDATEANDTIME-ENDDATEANDTIME-NAMEOFEVENT.JPG&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above example is, of course, for a still JPEG file, but the format is the same for .MP4 or .MOV video files.&lt;br /&gt;
&lt;br /&gt;
The date format is YYMMDDHHMM using the 24 hour clock, meaning that content which should start appearing at &#039;&#039;&#039;1pm on 23rd September 2019&#039;&#039;&#039; would be &#039;&#039;&#039;1909231300&#039;&#039;&#039;. For example:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;1909231300-1909271900-bigevent.jpg&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above named file would appear on screens between 1pm on 23rd September 2019 and stop appearing after 7pm on 27th September 2019.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the still poster displays must be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;JPEG&#039;&#039;&#039;&lt;br /&gt;
* Quality Setting: &#039;&#039;&#039;High&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each image is shown for 25 seconds, displayed in random order from the image pool.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2126</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2126"/>
		<updated>2026-05-01T12:34:14Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi, used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Posters==&lt;br /&gt;
Seven of the screens are single panels used primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displaying for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the main bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the main ground floor lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Video==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| 2x2 video wall facing the Cockcroft Road / Cafe entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the film displays should be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Framerate: &#039;&#039;&#039;Up to 60 fps&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;H.264&#039;&#039;&#039;&lt;br /&gt;
* Container: &#039;&#039;&#039;MP4&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each film is shown in its entirety and once all have been shown, the pool of films will repeat.&lt;br /&gt;
&lt;br /&gt;
==Content Guidance==&lt;br /&gt;
All content must be age appropriate and suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
Replay of content subject to copyright will require confirmation of permission from the copyright holder. &lt;br /&gt;
&lt;br /&gt;
When producing content for public display, please remember to include the &#039;&#039;&#039;name&#039;&#039;&#039; of your event, the &#039;&#039;&#039;date and time&#039;&#039;&#039; that it will take place, and any &#039;&#039;&#039;ticket and contact information&#039;&#039;&#039;. Try to &#039;&#039;&#039;not&#039;&#039;&#039; include large amounts of text; use imagery to attract attention and include a web address where people can find further information. If you are producing film or video content for advertising an event, please remember to hold the information on screen long enough for people to read. A better method would be to use an overlay, displaying the event information throughout the length of your film.&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;br /&gt;
&lt;br /&gt;
===Filenames===&lt;br /&gt;
If you are producing a batch of posters or films for display at various times during the year, it would be appreciated if you could name your files in the following format:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;STARTDATEANDTIME-ENDDATEANDTIME-NAMEOFEVENT.JPG&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above example is, of course, for a still JPEG file, but the format is the same for .MP4 or .MOV video files.&lt;br /&gt;
&lt;br /&gt;
The date format is YYMMDDHHMM using the 24 hour clock, meaning that content which should start appearing at &#039;&#039;&#039;1pm on 23rd September 2019&#039;&#039;&#039; would be &#039;&#039;&#039;1909231300&#039;&#039;&#039;. For example:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;1909231300-1909271900-bigevent.jpg&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above named file would appear on screens between 1pm on 23rd September 2019 and stop appearing after 7pm on 27th September 2019.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the still poster displays must be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;JPEG&#039;&#039;&#039;&lt;br /&gt;
* Quality Setting: &#039;&#039;&#039;High&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each image is shown for 25 seconds, displayed in random order from the image pool.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2125</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2125"/>
		<updated>2026-05-01T12:34:05Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi, used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Posters==&lt;br /&gt;
Seven of the screens are single panels used primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displaying for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the main bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the main ground floor lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Video==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| 2x2 video wall facing the Cockcroft Road / Cafe entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the film displays should be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Framerate: &#039;&#039;&#039;Up to 60 fps&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;H.264&#039;&#039;&#039;&lt;br /&gt;
* Container: &#039;&#039;&#039;MP4&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each film is shown in its entirety and once all have been shown, the pool of films will repeat.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Content Guidance==&lt;br /&gt;
All content must be age appropriate and suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
Replay of content subject to copyright will require confirmation of permission from the copyright holder. &lt;br /&gt;
&lt;br /&gt;
When producing content for public display, please remember to include the &#039;&#039;&#039;name&#039;&#039;&#039; of your event, the &#039;&#039;&#039;date and time&#039;&#039;&#039; that it will take place, and any &#039;&#039;&#039;ticket and contact information&#039;&#039;&#039;. Try to &#039;&#039;&#039;not&#039;&#039;&#039; include large amounts of text; use imagery to attract attention and include a web address where people can find further information. If you are producing film or video content for advertising an event, please remember to hold the information on screen long enough for people to read. A better method would be to use an overlay, displaying the event information throughout the length of your film.&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;br /&gt;
&lt;br /&gt;
===Filenames===&lt;br /&gt;
If you are producing a batch of posters or films for display at various times during the year, it would be appreciated if you could name your files in the following format:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;STARTDATEANDTIME-ENDDATEANDTIME-NAMEOFEVENT.JPG&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above example is, of course, for a still JPEG file, but the format is the same for .MP4 or .MOV video files.&lt;br /&gt;
&lt;br /&gt;
The date format is YYMMDDHHMM using the 24 hour clock, meaning that content which should start appearing at &#039;&#039;&#039;1pm on 23rd September 2019&#039;&#039;&#039; would be &#039;&#039;&#039;1909231300&#039;&#039;&#039;. For example:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;1909231300-1909271900-bigevent.jpg&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above named file would appear on screens between 1pm on 23rd September 2019 and stop appearing after 7pm on 27th September 2019.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the still poster displays must be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;JPEG&#039;&#039;&#039;&lt;br /&gt;
* Quality Setting: &#039;&#039;&#039;High&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each image is shown for 25 seconds, displayed in random order from the image pool.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2124</id>
		<title>Display Screens</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Display_Screens&amp;diff=2124"/>
		<updated>2026-05-01T12:33:56Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are fourteen display screens around New Adelphi, used for displaying student work and promotional material.&lt;br /&gt;
&lt;br /&gt;
==Posters==&lt;br /&gt;
Seven of the screens are single panels used primarily for still image &amp;quot;posters&amp;quot;. They are used to provide general purpose information and promotional material, with each poster displaying for around twenty seconds.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Screen&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Balcony (Level 2)&lt;br /&gt;
| Faces out from the Level 2 lift balcony into the atrium. Visible from the mezzanine opposite.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 0)&lt;br /&gt;
| Facing the main bank of three lifts in the basement.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 1)&lt;br /&gt;
| Facing out into the atrium next to the main ground floor lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 2)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 3)&lt;br /&gt;
| Facing the rear side of the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Lifts (Level 7)&lt;br /&gt;
| Facing the main bank of three lifts.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Reception&lt;br /&gt;
| On the wall in reception.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Video==&lt;br /&gt;
Other display screens show both video and still image content.&lt;br /&gt;
&lt;br /&gt;
These displays can be found in the following locations:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Area&lt;br /&gt;
! Location&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Atrium (Level 1)&lt;br /&gt;
| 2x2 video wall facing the Cockcroft Road / Cafe entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! Theatre (Level 1)&lt;br /&gt;
| 3x3 video wall adjacent to the Business School entrance.&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the film displays should be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Framerate: &#039;&#039;&#039;Up to 60 fps&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;H.264&#039;&#039;&#039;&lt;br /&gt;
* Container: &#039;&#039;&#039;MP4&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each film is shown in its entirety and once all have been shown, the pool of films will repeat.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Content Guidance==&lt;br /&gt;
All content must be age appropriate and suitable for viewing by members of the public. Content should be produced to a high standard; poorly produced or inappropriate material will be rejected.&lt;br /&gt;
&lt;br /&gt;
Replay of content subject to copyright will require confirmation of permission from the copyright holder. &lt;br /&gt;
&lt;br /&gt;
When producing content for public display, please remember to include the &#039;&#039;&#039;name&#039;&#039;&#039; of your event, the &#039;&#039;&#039;date and time&#039;&#039;&#039; that it will take place, and any &#039;&#039;&#039;ticket and contact information&#039;&#039;&#039;. Try to &#039;&#039;&#039;not&#039;&#039;&#039; include large amounts of text; use imagery to attract attention and include a web address where people can find further information. If you are producing film or video content for advertising an event, please remember to hold the information on screen long enough for people to read. A better method would be to use an overlay, displaying the event information throughout the length of your film.&lt;br /&gt;
&lt;br /&gt;
In exceptional circumstances, such as a special event or conference, it is possible to temporarily override other content. Please discuss this when submitting your media.&lt;br /&gt;
&lt;br /&gt;
===Filenames===&lt;br /&gt;
If you are producing a batch of posters or films for display at various times during the year, it would be appreciated if you could name your files in the following format:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;STARTDATEANDTIME-ENDDATEANDTIME-NAMEOFEVENT.JPG&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above example is, of course, for a still JPEG file, but the format is the same for .MP4 or .MOV video files.&lt;br /&gt;
&lt;br /&gt;
The date format is YYMMDDHHMM using the 24 hour clock, meaning that content which should start appearing at &#039;&#039;&#039;1pm on 23rd September 2019&#039;&#039;&#039; would be &#039;&#039;&#039;1909231300&#039;&#039;&#039;. For example:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;1909231300-1909271900-bigevent.jpg&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The above named file would appear on screens between 1pm on 23rd September 2019 and stop appearing after 7pm on 27th September 2019.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Specification===&lt;br /&gt;
Content for the still poster displays must be provided in the following format:&lt;br /&gt;
&lt;br /&gt;
* Dimensions: &#039;&#039;&#039;1920 x 1080 pixels&#039;&#039;&#039;&lt;br /&gt;
* Orientation: &#039;&#039;&#039;Landscape Only&#039;&#039;&#039;&lt;br /&gt;
* Compression: &#039;&#039;&#039;JPEG&#039;&#039;&#039;&lt;br /&gt;
* Quality Setting: &#039;&#039;&#039;High&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Each image is shown for 25 seconds, displayed in random order from the image pool.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Software&amp;diff=2109</id>
		<title>Software</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Software&amp;diff=2109"/>
		<updated>2025-12-09T15:31:58Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Major Packages */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Recording and Production==&lt;br /&gt;
&lt;br /&gt;
The following software is available in the Recording and Production areas of New Adelphi.&lt;br /&gt;
&lt;br /&gt;
===Major Packages===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Package&lt;br /&gt;
! Publisher&lt;br /&gt;
! Version&lt;br /&gt;
! Licences&lt;br /&gt;
! Description&lt;br /&gt;
! [[Recording_Studio_1|Studio 1]]&lt;br /&gt;
! [[Recording_Studio_2|Studio 2]]&lt;br /&gt;
! [[Recording_Studio_3|Studio 3]]&lt;br /&gt;
! [[Recording_Studio_4|Studio 4]]&lt;br /&gt;
! [[Recording_Studio_5|Studio 5]]&lt;br /&gt;
! [[Recording_Studio_6|Studio 6]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 9]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 10]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 11]]&lt;br /&gt;
! [[Surround_Mix|Surround Mix]]&lt;br /&gt;
! [[Voice_Acting|Voice Acting]]&lt;br /&gt;
! [[Mac Suite 4.05]]&lt;br /&gt;
! Elsewhere?&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
! [[Adobe|Adobe Creative Cloud]]&lt;br /&gt;
| Adobe&lt;br /&gt;
| Latest&lt;br /&gt;
| Lots&lt;br /&gt;
| All Apps Plan.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]], [[Library|The Library]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[DaVinci Resolve|DaVinci Resolve]]&lt;br /&gt;
| Black Magic Design&lt;br /&gt;
| Latest&lt;br /&gt;
| 150&lt;br /&gt;
| Digital Video workstation.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[DSP Quattro]]&lt;br /&gt;
| Stefano Daino&lt;br /&gt;
| 4.4&lt;br /&gt;
| 8&lt;br /&gt;
| Audio editor and CD mastering package.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Komplete]]&lt;br /&gt;
| Native Instruments&lt;br /&gt;
| 10&lt;br /&gt;
| 36&lt;br /&gt;
| Audio production suite.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Logic]]&lt;br /&gt;
| Apple&lt;br /&gt;
| 11.1&lt;br /&gt;
| 36&lt;br /&gt;
| Native digital audio workstation.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Band room|Band Room]], [[Library|The Library]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Live]]&lt;br /&gt;
| Ableton&lt;br /&gt;
| 12&lt;br /&gt;
| 36&lt;br /&gt;
| Music sequencer and digital audio workstation.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Melodyne Studio ]]&lt;br /&gt;
| Celemony&lt;br /&gt;
| 5&lt;br /&gt;
| 11&lt;br /&gt;
| Pitch and Timing Correction.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Melodyne Essential ]]&lt;br /&gt;
| Celemony&lt;br /&gt;
| 5&lt;br /&gt;
| 11&lt;br /&gt;
| Pitch and Timing Correction.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Max]]&lt;br /&gt;
| Cycling &#039;74&lt;br /&gt;
| 7.3.2&lt;br /&gt;
| 36&lt;br /&gt;
| Virtual audio designer and manipulator.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
! [[Pro Tools|Pro Tools Ultimate]]&lt;br /&gt;
| Avid&lt;br /&gt;
| Latest&lt;br /&gt;
| 150&lt;br /&gt;
| Hardware-based digital audio workstation.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Reaper]]&lt;br /&gt;
| Reaper&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| Digtial Audio Workstation.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Sibelius Ultimate]]&lt;br /&gt;
| Avid&lt;br /&gt;
| Latest&lt;br /&gt;
| 150&lt;br /&gt;
| Notation software.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]], [[Library|The Library]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Media Composer|Media Composer Ultimate]]&lt;br /&gt;
| Avid&lt;br /&gt;
| Latest&lt;br /&gt;
| 150&lt;br /&gt;
| Digital Video workstation.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Plug-Ins===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Package&lt;br /&gt;
! Publisher&lt;br /&gt;
! Version&lt;br /&gt;
! Licences&lt;br /&gt;
! Description&lt;br /&gt;
! [[Recording_Studio_1|Studio 1]]&lt;br /&gt;
! [[Recording_Studio_2|Studio 2]]&lt;br /&gt;
! [[Recording_Studio_3|Studio 3]]&lt;br /&gt;
! [[Recording_Studio_4|Studio 4]]&lt;br /&gt;
! [[Recording_Studio_5|Studio 5]]&lt;br /&gt;
! [[Recording_Studio_6|Studio 6]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 9]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 10]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 11]]&lt;br /&gt;
! [[Surround_Mix|Surround Mix]]&lt;br /&gt;
! [[Voice_Acting|Voice Acting]]&lt;br /&gt;
! [[Mac Suite 4.05]]&lt;br /&gt;
! Elsewhere?&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Sony|360 Reality Audio Walkmix Creator]]&lt;br /&gt;
| Sony&lt;br /&gt;
| unknown&lt;br /&gt;
| 150&lt;br /&gt;
| Spatial Audio Rendering plugin for Sony 360 immersive audio.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Audio Ease|Speakerphone]]&lt;br /&gt;
| Audio Ease&lt;br /&gt;
| 2&lt;br /&gt;
| 1&lt;br /&gt;
| Emulates the sound of voice through speakers and phones.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Acon Digital|Verberate 2]]&lt;br /&gt;
| Acon Digital&lt;br /&gt;
| 2&lt;br /&gt;
| 150&lt;br /&gt;
| Reverb.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Acon Digital|DeBleed Snare]]&lt;br /&gt;
| Acon Digital&lt;br /&gt;
| 1.0.5&lt;br /&gt;
| 150&lt;br /&gt;
| Snare Gate.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Avid|Avid Complete Plugin Bundle]]&lt;br /&gt;
| Avid&lt;br /&gt;
| 2019&lt;br /&gt;
| 150&lt;br /&gt;
| All Avid plug-ins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Blue Ripple Sound|O3A]]&lt;br /&gt;
| Blue Ripple Sound&lt;br /&gt;
| Unknown&lt;br /&gt;
| 11&lt;br /&gt;
| High Order Ambisonic Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Dear Reality|Dear Reality Free Bundle]]&lt;br /&gt;
| Sennheiser&lt;br /&gt;
| Various&lt;br /&gt;
| 11&lt;br /&gt;
| All Dear Reality Plugins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Dolby|Dolby Atmos Binaural Settings]]&lt;br /&gt;
| Dolby&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| To setup the binaural listening for dolby atmos through a DAW.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Dolby|Dolby Atmos Renderer]]&lt;br /&gt;
| Dolby&lt;br /&gt;
| 5.3&lt;br /&gt;
| 1&lt;br /&gt;
| Creating and playing Dolby Atmos files.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Dolby|Dolby Atmos Conversation Tool]]&lt;br /&gt;
| Dolby&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| Converting frame rate, format or FFOA of a master file.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Dolby|Dolby Atmos Music Panner]]&lt;br /&gt;
| Dolby&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| Alternative Panner to the built in DAW one. Allows you to do step sequences.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Dolby|Dolby Atmos LTC Generator]]&lt;br /&gt;
| Dolby&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| Generates LTC to send to the renderer.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Dolby|Dolby Atmos Media Encoder]]&lt;br /&gt;
| Dolby&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| Encodes dolby media files for finale delivery to consumer.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Dolby|Dolby Atmos reference player ]]&lt;br /&gt;
| Dolby&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| Playing back Dolby Video and Atmos Files for QC.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[FabFilter|FabFilter Total Bundle]]&lt;br /&gt;
| FabFilter&lt;br /&gt;
| Various&lt;br /&gt;
| 11&lt;br /&gt;
| All FabFilter plug-ins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Fiedle Audio|Dolby Atmos composer and Beam]]&lt;br /&gt;
| Fiedle&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| Monitoring plugin for Dolby Atmos and a panner.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[IEM|IEM Plugin Suite]]&lt;br /&gt;
| IEM&lt;br /&gt;
| 1.3.0&lt;br /&gt;
| 40&lt;br /&gt;
| Amber sonic plugins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Izotope|Post Production Suite]]&lt;br /&gt;
| Izotope&lt;br /&gt;
| 9&lt;br /&gt;
| 1&lt;br /&gt;
| Includes RX Advanced, Dialogue Match, Neutron, Nectar, Insight 2, Tonal Balance Control 2, Relay, Stratus 3D, Symphony 3D.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Izotope|RX 11 Advanced]]&lt;br /&gt;
| Izotope&lt;br /&gt;
| 11&lt;br /&gt;
| 25&lt;br /&gt;
| Audio Clean up plugin and editor. Also an ARA plugin.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Izotope|Ozone 11 EQ]]&lt;br /&gt;
| Izotope&lt;br /&gt;
| Unknown&lt;br /&gt;
| 11&lt;br /&gt;
| EQ&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Izotope|Trash]]&lt;br /&gt;
| Izotope&lt;br /&gt;
| Unknown&lt;br /&gt;
| 11&lt;br /&gt;
| Distortion Plugin&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Izotope|Vinyl]]&lt;br /&gt;
| Izotope&lt;br /&gt;
| Unknown&lt;br /&gt;
| 11&lt;br /&gt;
| Simulates the sound of Vinyl&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Kilohearts|Kilohearts Essentials]]&lt;br /&gt;
| Kilohearts&lt;br /&gt;
| Various&lt;br /&gt;
| 11&lt;br /&gt;
| All Kilohearts Essential plugins .&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Mixed in Key|Captin Chords Lite and Human Lite Audio]]&lt;br /&gt;
| Mixed in Key&lt;br /&gt;
| Various&lt;br /&gt;
| 150&lt;br /&gt;
| The lite version of Captain Chords and Human Audio that come with Pro Tools .&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
! [[Plugin Alliance|Plugin Alliance Free plugin bundle ]]&lt;br /&gt;
| Plugin Alliance&lt;br /&gt;
| Latest&lt;br /&gt;
| 11&lt;br /&gt;
| All free Plugin Alliance plug-ins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Plugin Alliance|Ampeg SVTVR Classic ]]&lt;br /&gt;
| Plugin Alliance&lt;br /&gt;
| Latest&lt;br /&gt;
| 11&lt;br /&gt;
| Bass amp Sim of Ampeg SVT .&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
! [[Soundtoys|Soundtoys 5 Complete ]]&lt;br /&gt;
| Soundtoys 5&lt;br /&gt;
| 5.5&lt;br /&gt;
| 11&lt;br /&gt;
| All Soundtoys plug-ins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[GRM Tools|GRM Tools Complete II]]&lt;br /&gt;
| INA GRM&lt;br /&gt;
| 3.7.0&lt;br /&gt;
| 36&lt;br /&gt;
| All GRM Tools plug-ins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Sennheiser|A-B Converter]]&lt;br /&gt;
| Sennheiser&lt;br /&gt;
| Unknown&lt;br /&gt;
| 11&lt;br /&gt;
| Ambersonic A to B converter.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Sound Radix|Muteomatic]]&lt;br /&gt;
| Sound Radix&lt;br /&gt;
| Various&lt;br /&gt;
| 11&lt;br /&gt;
| Muting plugin for use with remote session workflows.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Rode|SoundField]]&lt;br /&gt;
| Rode&lt;br /&gt;
| Unknown&lt;br /&gt;
| 11&lt;br /&gt;
| Ambersonic A to B converter.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[McDSP|EC300 Native Delay]]&lt;br /&gt;
| McDSP&lt;br /&gt;
| Unknown &lt;br /&gt;
| 11&lt;br /&gt;
| Delay plugin.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[TAL|TAL Reverb 4, Chorus-LX, Vocoder 2]]&lt;br /&gt;
| Togu Audio Line&lt;br /&gt;
| Latest&lt;br /&gt;
| 11&lt;br /&gt;
| All free Plugin Alliance plug-ins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[TAL|Reverb 4, Chorus-LX, Vocoder 2]]&lt;br /&gt;
| Togu Audio Line&lt;br /&gt;
| Latest&lt;br /&gt;
| 11&lt;br /&gt;
| All free Plugin Alliance plug-ins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Two Big Ears|FB360 Spatial Workstation]]&lt;br /&gt;
| Two Big Ears&lt;br /&gt;
| Latest&lt;br /&gt;
| 11&lt;br /&gt;
| All FB360 Spatial Plugins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Valhalla DSP|Valhalla Space Modulator, Freq Echo, Super Massive]]&lt;br /&gt;
| Valhalla DSP&lt;br /&gt;
| Latest&lt;br /&gt;
| 11&lt;br /&gt;
| All Valhalla DSP Free Plugins.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Voxengo|Span]]&lt;br /&gt;
| Voxengo&lt;br /&gt;
| Latest&lt;br /&gt;
| 11&lt;br /&gt;
| Spectrum analyser plugin .&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Universal Audio|UAD Ultimate 7]]&lt;br /&gt;
| UAD&lt;br /&gt;
| 9.11&lt;br /&gt;
| 12&lt;br /&gt;
| All Universal Audio Developed Plugins + Some Additional&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Soundradix|Auto-Align Post]]&lt;br /&gt;
| Soundradix&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| Phase alignment tool.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Steven Slate Drums|Trigger 2 and Sample Packs]]&lt;br /&gt;
| Steven Slate Drums&lt;br /&gt;
| Latest&lt;br /&gt;
| 11&lt;br /&gt;
| Sample replacement tool and all additional sample packs.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Synchro Arts|VocAlign Ultra]]&lt;br /&gt;
| Synchro Arts&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| Vocal alignment tool.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Slate Complete Access Bundle]]&lt;br /&gt;
| Slate and SSL&lt;br /&gt;
| Latest&lt;br /&gt;
| 25&lt;br /&gt;
| Audio plugin collection.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Youlean|Loudness Meter 2]]&lt;br /&gt;
| Youlean&lt;br /&gt;
| Latest&lt;br /&gt;
| 11&lt;br /&gt;
| Free loudness meter for monitoring LUFS.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===ARA Plugins===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Package&lt;br /&gt;
! Publisher&lt;br /&gt;
! Version&lt;br /&gt;
! Licences&lt;br /&gt;
! Description&lt;br /&gt;
! [[Recording_Studio_1|Studio 1]]&lt;br /&gt;
! [[Recording_Studio_2|Studio 2]]&lt;br /&gt;
! [[Recording_Studio_3|Studio 3]]&lt;br /&gt;
! [[Recording_Studio_4|Studio 4]]&lt;br /&gt;
! [[Recording_Studio_5|Studio 5]]&lt;br /&gt;
! [[Recording_Studio_6|Studio 6]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 9]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 10]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 11]]&lt;br /&gt;
! [[Surround_Mix|Surround Mix]]&lt;br /&gt;
! [[Voice_Acting|Voice Acting]]&lt;br /&gt;
! [[Mac Suite 4.05]]&lt;br /&gt;
! Elsewhere?&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[NoiseWorks|DynAssist Lite]]&lt;br /&gt;
| NoiseWorks&lt;br /&gt;
| 2.2.5&lt;br /&gt;
| 150&lt;br /&gt;
| Automatic Dynamic Control.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Steinberg|SpectralLayers]]&lt;br /&gt;
| Steinberg&lt;br /&gt;
| 11.0.70&lt;br /&gt;
| 150&lt;br /&gt;
| Noise Reduction and Stem Splitter tool.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Celemony|Melodyne 5]]&lt;br /&gt;
| Celemony&lt;br /&gt;
| 5&lt;br /&gt;
| 150&lt;br /&gt;
| Pitch and time correction tool.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Acon Digital|Acoustica Essentials]]&lt;br /&gt;
| Acon Digital&lt;br /&gt;
| 7.7.1&lt;br /&gt;
| 150&lt;br /&gt;
| Noise Reduction Tool.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Steinberg|WaveLab Go]]&lt;br /&gt;
| Steinberg&lt;br /&gt;
| 12.0.51&lt;br /&gt;
| 150&lt;br /&gt;
| Noise Reduction and stem splitting tool.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Synchro Arts|RePitch Elements]]&lt;br /&gt;
| Synchro Arts&lt;br /&gt;
| 1.5.9&lt;br /&gt;
| 150&lt;br /&gt;
| Pitch correction tool.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[iZotope|RX Spectral Editor]]&lt;br /&gt;
| Izotope&lt;br /&gt;
| 11.2&lt;br /&gt;
| 150&lt;br /&gt;
| Noise Reduction Tool.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Midi Plugins===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Package&lt;br /&gt;
! Publisher&lt;br /&gt;
! Version&lt;br /&gt;
! Licences&lt;br /&gt;
! Description&lt;br /&gt;
! [[Recording_Studio_1|Studio 1]]&lt;br /&gt;
! [[Recording_Studio_2|Studio 2]]&lt;br /&gt;
! [[Recording_Studio_3|Studio 3]]&lt;br /&gt;
! [[Recording_Studio_4|Studio 4]]&lt;br /&gt;
! [[Recording_Studio_5|Studio 5]]&lt;br /&gt;
! [[Recording_Studio_6|Studio 6]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 9]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 10]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 11]]&lt;br /&gt;
! [[Surround_Mix|Surround Mix]]&lt;br /&gt;
! [[Voice_Acting|Voice Acting]]&lt;br /&gt;
! [[Mac Suite 4.05]]&lt;br /&gt;
! Elsewhere?&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Bleass|Bleass Arpeggiator]]&lt;br /&gt;
| Bleass&lt;br /&gt;
| 1.3.1&lt;br /&gt;
| 150&lt;br /&gt;
| Arpeggiator that comes with Pro Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Nightfox|Rendition Lite]]&lt;br /&gt;
| Nightfox&lt;br /&gt;
| 1.5&lt;br /&gt;
| 150&lt;br /&gt;
| Lets you play complex chors and ARPS with one figuar.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Audiomordern|Riffer]]&lt;br /&gt;
| Audiomordern&lt;br /&gt;
| 3.1.4&lt;br /&gt;
| 150&lt;br /&gt;
| Midi Sequencer that comes with Pro Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[510k|SEQUND Lite]]&lt;br /&gt;
| 510k&lt;br /&gt;
| Unknown&lt;br /&gt;
| 150&lt;br /&gt;
| Midi Sequencer that comes with Pro Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Modalics|EON Arp]]&lt;br /&gt;
| Modalics&lt;br /&gt;
| 1.1.0&lt;br /&gt;
| 150&lt;br /&gt;
| Arpeggiator that comes with Pro Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[K-Devices|TATAT]]&lt;br /&gt;
| K-Devices&lt;br /&gt;
| Unknown &lt;br /&gt;
| 150&lt;br /&gt;
| Midi Sequencer that comes with Pro Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Pitch Innovations|Grover Shaper]]&lt;br /&gt;
| Pitch Innovations&lt;br /&gt;
| 1.0.4&lt;br /&gt;
| 150&lt;br /&gt;
| Midi Sequencer for rhythems that comes with Pro Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[ChordAxe|ChordAxe PT]]&lt;br /&gt;
| ChordAve&lt;br /&gt;
| 1.0.29&lt;br /&gt;
| 150&lt;br /&gt;
| Harmony plugin that comes with Pro Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Note Stack|Note Stack]]&lt;br /&gt;
| note Stack&lt;br /&gt;
| 25.10.0&lt;br /&gt;
| 150&lt;br /&gt;
| Note generator that comes with Pro Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Pitch Control|Pitch Control]]&lt;br /&gt;
| Pitch Control&lt;br /&gt;
| 25.10.0&lt;br /&gt;
| 150&lt;br /&gt;
| Midi note transposer that comes with Pro Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Velocity Control|Velocity Control]]&lt;br /&gt;
| Velocity Control&lt;br /&gt;
| 25.10.0&lt;br /&gt;
| 150&lt;br /&gt;
| Midi Velocity controller that comes with Pro Tools.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Software Instruments===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Package&lt;br /&gt;
! Publisher&lt;br /&gt;
! Version&lt;br /&gt;
! Licences&lt;br /&gt;
! Description&lt;br /&gt;
! [[Recording_Studio_1|Studio 1]]&lt;br /&gt;
! [[Recording_Studio_2|Studio 2]]&lt;br /&gt;
! [[Recording_Studio_3|Studio 3]]&lt;br /&gt;
! [[Recording_Studio_4|Studio 4]]&lt;br /&gt;
! [[Recording_Studio_5|Studio 5]]&lt;br /&gt;
! [[Recording_Studio_6|Studio 6]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 9]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 10]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 11]]&lt;br /&gt;
! [[Surround_Mix|Surround Mix]]&lt;br /&gt;
! [[Voice_Acting|Voice Acting]]&lt;br /&gt;
! [[Mac Suite 4.05]]&lt;br /&gt;
! Elsewhere?&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Pro Tools|GrooveCell]]&lt;br /&gt;
| Pro Tools&lt;br /&gt;
| 2025.3&lt;br /&gt;
| 150&lt;br /&gt;
| Virtual Drum Machine. Pro Tools only.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
! [[Pro Tools|PlayCell]]&lt;br /&gt;
| Pro Tools&lt;br /&gt;
| 2025.3&lt;br /&gt;
| 150&lt;br /&gt;
| Virtual Sampler. Pro Tools only.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Pro Tools|SynthCell]]&lt;br /&gt;
| Pro Tools&lt;br /&gt;
| 2025.3&lt;br /&gt;
| 150&lt;br /&gt;
| Virtual Analog Synth. Pro Tools only.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Pro Tools|PlayCell]]&lt;br /&gt;
| Pro Tools&lt;br /&gt;
| 2025.3&lt;br /&gt;
| 150&lt;br /&gt;
| Virtual Sampler. Pro Tools only.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Air|Air Instruments]]&lt;br /&gt;
| Air&lt;br /&gt;
| 2024.3&lt;br /&gt;
| 150&lt;br /&gt;
| Includes Boom (Drum Machine), Vacuum (Analogue Synth), Structure (Sample Player), DB (Organ), Mini Grand (Piano). Pro Tools only.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Air|XPand 2]]&lt;br /&gt;
| Air&lt;br /&gt;
| 2023.8&lt;br /&gt;
| 150&lt;br /&gt;
| Multitimbral workstation. Pro Tools only.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Native Instruments|leap Expansions]]&lt;br /&gt;
| Native Instruments&lt;br /&gt;
| Unknown &lt;br /&gt;
| 150&lt;br /&gt;
| This includes Eventide Drums, Isorhythm and Pummeled paino.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Native Instruments|Hybrid Keys]]&lt;br /&gt;
| Native Instruments&lt;br /&gt;
| Unknown &lt;br /&gt;
| 150&lt;br /&gt;
| Range of Keyboard sounds.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Native Instruments|Soul Sessions]]&lt;br /&gt;
| Native Instruments]&lt;br /&gt;
| Unknown &lt;br /&gt;
| 150&lt;br /&gt;
| This includes Bass, Keys, Melodic leads sounds.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Native Instruments|Cremona Quartet Solo]]&lt;br /&gt;
| Native Instruments&lt;br /&gt;
| Unknown &lt;br /&gt;
| 1&lt;br /&gt;
| This includes Stradivari Cello, Guarneri Violin, Amati Viola and Stradivari Violin.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Native Instruments|kontakt]]&lt;br /&gt;
| Native Instruments&lt;br /&gt;
| Unknown &lt;br /&gt;
| 11&lt;br /&gt;
| This includes Absynth 5 , FM8, Kontakt 8, Massive, Massive X and Reaktor 6.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Audio Bro|Modern Scoring Brass]]&lt;br /&gt;
| Audio Bro&lt;br /&gt;
| Unknown &lt;br /&gt;
| 1&lt;br /&gt;
| Brass section sound library.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Audio Bro|Modern Scoring Strings]]&lt;br /&gt;
| Audio Bro&lt;br /&gt;
| Unknown &lt;br /&gt;
| 1&lt;br /&gt;
| String section sound library.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Fab Filter|Fab Filter One]]&lt;br /&gt;
| Fab Filter&lt;br /&gt;
| Unknown &lt;br /&gt;
| 11&lt;br /&gt;
| Basic Synth.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Fab Filter|Fab Filter Twin 3]]&lt;br /&gt;
| Fab Filter&lt;br /&gt;
| Unknown &lt;br /&gt;
| 11&lt;br /&gt;
| Synth&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Tal|TAL Vocoder 2]]&lt;br /&gt;
| TAL&lt;br /&gt;
| Unknown &lt;br /&gt;
| 11&lt;br /&gt;
| Vocoder.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Digital Suburban|Dexed FM Synth]]&lt;br /&gt;
| Digital Suburban&lt;br /&gt;
| Unknown &lt;br /&gt;
| 11&lt;br /&gt;
| FM Synth.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Sonic Academy|ANA 2 Ultra Bundle]]&lt;br /&gt;
| Sonic Academey&lt;br /&gt;
| Unknown &lt;br /&gt;
| 25&lt;br /&gt;
| Synthesizers and drum machines.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[VCV Rack|VCV Rack Free]]&lt;br /&gt;
| VCV Rack&lt;br /&gt;
| 2.1.2 &lt;br /&gt;
| 40&lt;br /&gt;
| Modular Synth.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===System Software and Drivers===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align: center;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Package&lt;br /&gt;
! Publisher&lt;br /&gt;
! Version&lt;br /&gt;
! Licences&lt;br /&gt;
! Description&lt;br /&gt;
! [[Recording_Studio_1|Studio 1]]&lt;br /&gt;
! [[Recording_Studio_2|Studio 2]]&lt;br /&gt;
! [[Recording_Studio_3|Studio 3]]&lt;br /&gt;
! [[Recording_Studio_4|Studio 4]]&lt;br /&gt;
! [[Recording_Studio_5|Studio 5]]&lt;br /&gt;
! [[Recording_Studio_6|Studio 6]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 9]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 10]]&lt;br /&gt;
! [[Recording_Studio_9|Studio 11]]&lt;br /&gt;
! [[Surround_Mix|Surround Mix]]&lt;br /&gt;
! [[Voice_Acting|Voice Acting]]&lt;br /&gt;
! [[Mac Suite 4.05]]&lt;br /&gt;
! Elsewhere?&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Avid|Avid Link]]&lt;br /&gt;
| Avid&lt;br /&gt;
| Latest&lt;br /&gt;
| 150&lt;br /&gt;
| Software installer for Avid Programs.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Supperware|Bridgehead]]&lt;br /&gt;
| Supperware&lt;br /&gt;
| Latest&lt;br /&gt;
| 1&lt;br /&gt;
| Head Tracker software.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Non Lethal Application|Cue Pro]]&lt;br /&gt;
| Non Lethal Application&lt;br /&gt;
| 1.1&lt;br /&gt;
| 4&lt;br /&gt;
| ADR Cueing software.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Digital Audio Denmark|DADman]]&lt;br /&gt;
| Digital Audio Denmark&lt;br /&gt;
| Unknown &lt;br /&gt;
| 1&lt;br /&gt;
| Room Calibration and Routing software for Avid MTRX Studio.&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Dante|Dante Virtual Soundcard]]&lt;br /&gt;
| Audinate&lt;br /&gt;
| 3.10.1.1&lt;br /&gt;
| 36&lt;br /&gt;
| Networked audio virtual interface using the Dante protocol.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Dante|Dante Controller]]&lt;br /&gt;
| Audinate&lt;br /&gt;
| 4.16.1.5&lt;br /&gt;
| 36&lt;br /&gt;
| Networked audio virtual interface using the Dante protocol.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[DCP|DCP-0-matic 2 and Batch Converter]]&lt;br /&gt;
| DCP&lt;br /&gt;
| Latest&lt;br /&gt;
| 150&lt;br /&gt;
| Converts video, audio and subtitles into DCP files for film.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
! [[Drobo Storage|Xtend SAN iSCSI Initiator]]&lt;br /&gt;
| ATTO&lt;br /&gt;
| 4&lt;br /&gt;
| 10-Pack&lt;br /&gt;
| Networked audio virtual interface using the Dante protocol.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
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|-&lt;br /&gt;
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! [[Avid|EU Control, Avid Control Desktop, XMon, WSControl App]]&lt;br /&gt;
| Avid&lt;br /&gt;
| Latest&lt;br /&gt;
| 150&lt;br /&gt;
| Software for the Avid S1, S3, S4 and S6 hardware.&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[Fmod Studio|Fmod Studio]]&lt;br /&gt;
| Fmod Studio&lt;br /&gt;
| 2.2&lt;br /&gt;
| Lots&lt;br /&gt;
| Game Audio Software.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
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|-&lt;br /&gt;
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! [[Focusrite|Focusrite Control]]&lt;br /&gt;
| Focusrite&lt;br /&gt;
| Unknown &lt;br /&gt;
| 1&lt;br /&gt;
| Routing and remote mic control software for Focusrite Scarlett 18i20 .&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
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|-&lt;br /&gt;
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! [[Focusrite|Rednet Control 2]]&lt;br /&gt;
| Focusrite&lt;br /&gt;
| Unknown &lt;br /&gt;
| 11&lt;br /&gt;
| Routing and remote mic control software for Focusrite Red 4 and 8 Pre and Rednet HD32 .&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
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|-&lt;br /&gt;
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! [[Genelec|GLM]]&lt;br /&gt;
| Genelec&lt;br /&gt;
| 5&lt;br /&gt;
| 3&lt;br /&gt;
| Room Calibration for Genelec SAM monitors.&lt;br /&gt;
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| [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[Avid|HD Driver]]&lt;br /&gt;
| HD Driver&lt;br /&gt;
| Latest&lt;br /&gt;
| 150&lt;br /&gt;
| Driver for HDX card and HD Native.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
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| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[HandBrake|HandBreak]]&lt;br /&gt;
| HandBreak&lt;br /&gt;
| Latest&lt;br /&gt;
| Unlimited&lt;br /&gt;
| Video File formate converter.&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[Audient|ID]]&lt;br /&gt;
| Audient&lt;br /&gt;
| Latest&lt;br /&gt;
| 150&lt;br /&gt;
| Routing and mic remote control Software for Audient ID 14.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[Apple|Quick Time Player]]&lt;br /&gt;
| Apple&lt;br /&gt;
| Latest&lt;br /&gt;
| Unlimited&lt;br /&gt;
| Media Player.&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[RME|Total Mix and Fireface]]&lt;br /&gt;
| RME&lt;br /&gt;
| Unknown &lt;br /&gt;
| 11&lt;br /&gt;
| Routing and hardware setup for RME Madiface USB.&lt;br /&gt;
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|-&lt;br /&gt;
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! [[iBoysoft|NTFS for Mac]]&lt;br /&gt;
| iBoysoft&lt;br /&gt;
| Latest&lt;br /&gt;
| unlimited&lt;br /&gt;
| Allows windows hard drives to be used on Mac.&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Rode|Rode Central App]]&lt;br /&gt;
| Rode&lt;br /&gt;
| Latest&lt;br /&gt;
| Unlimited&lt;br /&gt;
| Software for updating and configuring rode device.&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[Rode|RodeCaster App]]&lt;br /&gt;
| Rode&lt;br /&gt;
| Latest&lt;br /&gt;
| Unlimited&lt;br /&gt;
| Software for the Rodcaster Pro 2.&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Rode|Rode Connect]]&lt;br /&gt;
| Rode&lt;br /&gt;
| Latest&lt;br /&gt;
| Unlimited&lt;br /&gt;
| Recording and Control Software for Rode USB Mics.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[Roland|TR-8 Driver]]&lt;br /&gt;
| Roland&lt;br /&gt;
| Latest&lt;br /&gt;
| Unlimited&lt;br /&gt;
| For connecting Roland TR-8 to a mac.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[SSL|SSL 360]]&lt;br /&gt;
| SSL&lt;br /&gt;
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| Unlimited&lt;br /&gt;
| Control Software for SSL Hardware Controllers.&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[Sound Particles|Sound Particles]]&lt;br /&gt;
| Sound Particles&lt;br /&gt;
| 2.1.4&lt;br /&gt;
| 40&lt;br /&gt;
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|-&lt;br /&gt;
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! [[SoundCollider|SoundCollider]]&lt;br /&gt;
| SoundCollider&lt;br /&gt;
| Unknown &lt;br /&gt;
| 40&lt;br /&gt;
| Audio Synthesis and Algorithmic Composition Tool.&lt;br /&gt;
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|-&lt;br /&gt;
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! [[Unity|Unity]]&lt;br /&gt;
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| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
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! [[Universal Audio|Console, Meter and Control Panel]]&lt;br /&gt;
| Universal Audio&lt;br /&gt;
| Latest&lt;br /&gt;
| Unlimited&lt;br /&gt;
| Recording and Control UAD Apollo interfaces and Satellites.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
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| [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[Cymatic|uRemote and uTool2]]&lt;br /&gt;
| Cymatic&lt;br /&gt;
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| Unlimited&lt;br /&gt;
| Remote Control and file transfer tool for the uTrack 24 .&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
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| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]]&lt;br /&gt;
|-&lt;br /&gt;
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! [[VLC|VLC Player]]&lt;br /&gt;
| VLC&lt;br /&gt;
| Latest&lt;br /&gt;
| Unlimited&lt;br /&gt;
| Media Player.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
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| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| [[4th Floor Rehearsal Rooms|4th Floor Rehearsal Rooms]], [[Mac_Suite_6.22|6.22]], [[Mac_Suite_5.22|5.22]], [[Band room|Band Room]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
! [[Zoom|Ambisonics Player]]&lt;br /&gt;
| Zoom&lt;br /&gt;
| Unknown &lt;br /&gt;
| 40&lt;br /&gt;
| Plays back ambisonics recordings.&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10004;&lt;br /&gt;
| &amp;amp;#10008;&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=MediaWiki:Sidebar&amp;diff=2002</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=MediaWiki:Sidebar&amp;diff=2002"/>
		<updated>2025-09-12T12:39:18Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
* navigation&lt;br /&gt;
** welcome|Welcome&lt;br /&gt;
** recentchanges-url|Recent Changes&lt;br /&gt;
** randompage-url|Random Page&lt;br /&gt;
** helppage|help&lt;br /&gt;
&lt;br /&gt;
* Information&lt;br /&gt;
** Opening Hours|Opening Hours&lt;br /&gt;
** Bookings_and_Loans_Policy|Bookings &amp;amp; Loans&lt;br /&gt;
** User_Guides|User Guides&lt;br /&gt;
** Software|Software&lt;br /&gt;
** Studios|Studios&lt;br /&gt;
&lt;br /&gt;
* Production&lt;br /&gt;
&lt;br /&gt;
* Recording&lt;br /&gt;
** Instruments#Recording_Store|Instruments&lt;br /&gt;
** Location_Recording_Equipment|Location Equipment&lt;br /&gt;
** Microphones|Microphones&lt;br /&gt;
&lt;br /&gt;
* SEARCH&lt;br /&gt;
* TOOLBOX&lt;br /&gt;
* LANGUAGES&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Bookings_and_Loans_Policy&amp;diff=2001</id>
		<title>Bookings and Loans Policy</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Bookings_and_Loans_Policy&amp;diff=2001"/>
		<updated>2025-09-12T11:13:09Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: Reworking to generalise rules across all store services, and to better fit with presentation on MediaWiki.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This Policy sets out the terms and conditions which apply to students and staff of the School of Arts, Media &amp;amp; Creative Technology who book time in technical facilities or borrow specialist equipment.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==To whom does this policy apply?==&lt;br /&gt;
&lt;br /&gt;
# All students and staff who borrow equipment must comply with this Policy.&lt;br /&gt;
# Additional requirements apply to students who are on placement. This will be an individual arrangement, discussed with each student.&lt;br /&gt;
# By making a booking, students and staff agree to comply with this Policy (as updated from time to time).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Who can borrow equipment?==&lt;br /&gt;
&lt;br /&gt;
You must be either:&lt;br /&gt;
&lt;br /&gt;
# registered as a current student with the University for a relevant programme or module within a programme (as stated on our online booking system); or&lt;br /&gt;
# a current member of staff.&lt;br /&gt;
&lt;br /&gt;
If you do not fall into either of the above categories, you may still be permitted to borrow equipment, but only with advance written authorisation from the relevant Technical Manager.&lt;br /&gt;
&lt;br /&gt;
In addition, you must:&lt;br /&gt;
&lt;br /&gt;
# NOT be banned from borrowing equipment under this Policy;&lt;br /&gt;
# NOT have had your access to University facilities and services temporarily suspended pending action being taken against you under the applicable Disciplinary Procedure; and&lt;br /&gt;
# NOT be on a break from your studies or employment.&lt;br /&gt;
&lt;br /&gt;
You must not borrow equipment on behalf of anyone else or allow anyone else (including another student or member of staff) to use the equipment while you are borrowing it. You are responsible for all borrowing of equipment that is made using your student or staff ID.&lt;br /&gt;
&lt;br /&gt;
Group bookings are not permitted and each booking must be made by a single student or member of staff against their student or staff ID card who will be fully responsible for the equipment.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==What equipment can be borrowed?==&lt;br /&gt;
&lt;br /&gt;
Our online booking system shows the equipment and associated accessories for which you have completed suitable induction training, and which is available for you to borrow. Certain equipment may be prioritised for use by programmes with specific module requirements.&lt;br /&gt;
&lt;br /&gt;
All equipment is subject to availability. We cannot guarantee that any item you wish to borrow will be available at the time requested, or for the period that you wish to use it, even if a booking is in place. Circumstances beyond our control may render equipment unavailable, and there is no guarantee of replacement.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Do I have to pay a fee to borrow equipment?==&lt;br /&gt;
&lt;br /&gt;
No. We do not charge any fee for borrowing equipment.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==For how long can equipment be borrowed?==&lt;br /&gt;
&lt;br /&gt;
There is no standard loan period, though a maximum booking length of one week is generally used. Loan durations can vary by equipment type and availability, induction level, intended use, and many other factors.&lt;br /&gt;
&lt;br /&gt;
The online booking system will display a calendar and allow the borrower to input their own booking collection, duration, and return times. Where equipment is not available the system will direct the borrower to make appropriate changes to fit with other bookings and the specific requirements of those items.&lt;br /&gt;
&lt;br /&gt;
It is not acceptable to retain equipment beyond the return time stated on your booking. Any equipment that is not returned before the end of the agreed loan period will result in an automatic account suspension, and may incur fines. Repeated late return of equipment may also result in you being banned from borrowing equipment.&lt;br /&gt;
&lt;br /&gt;
==Can I extend my booking?==&lt;br /&gt;
Any extension to the loan duration must be made as an amendment to the existing booking. Some bookings may be amended by the borrower without contacting the related store service by editing the loan duration using the online booking system. The system will only permit changes within the rules stipulated by the existing booking and it may not be possible to extend any or all items within a booking.&lt;br /&gt;
&lt;br /&gt;
Extensions which exceed the rules applied to the original booking must be approved in advance by the relevant store staff, and only those staff can apply such extensions to a booking.&lt;br /&gt;
&lt;br /&gt;
Requests for extending loans must be made at least 24 hours before the earliest expected return date of any item within a booking. Please use the contact details provided on the booking system front page.&lt;br /&gt;
&lt;br /&gt;
Staff will consider each request in the context of maintaining an efficient borrowing facility for other students and staff and extensions will not exceed a reasonable period. Extended loans will only be permitted where they will not impinge on other already booked loans. The maximum duration of each booking must in no event exceed 3 months.&lt;br /&gt;
&lt;br /&gt;
You must continue to comply fully with the terms of this Policy during any extension to your loan period.&lt;br /&gt;
&lt;br /&gt;
Disputes regarding extensions will be referred to appropriate Technical Manager whose decision will be final.&lt;br /&gt;
&lt;br /&gt;
Extensions are not guaranteed.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==What is the process if I want to borrow equipment?==&lt;br /&gt;
&lt;br /&gt;
All equipment must be booked via our online booking system. No bookings will be taken over the phone or by email.&lt;br /&gt;
You must complete the relevant skills or induction training session before you book and collect equipment and our online booking system records once skills or induction training has been completed.&lt;br /&gt;
If required by your course or module, a relevant risk assessment must be completed and approved by academic staff before equipment can be collected.&lt;br /&gt;
You must at all times comply with the Health and Safety legislation that is applicable to the location where equipment will be used. Details of all safety documents can be found at http://www.hr.salford.ac.uk/safety/&lt;br /&gt;
We may need to restrict the availability of items for the purpose of repairs and maintenance. It may not be possible to provide advanced warning of such restrictions and we reserve the right to cancel or amend bookings where necessary maintenance or repairs have an unavoidable impact on the borrowing of equipment.&lt;br /&gt;
Staff are responsible for booking the equipment that they require for taught sessions in advance. Where multiple items are required, it is recommended that such bookings are made a ==minimum of 3 weeks in advance==. Availability cannot be guaranteed.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==How do I cancel bookings for equipment that I no longer need?==&lt;br /&gt;
&lt;br /&gt;
Bookings for any equipment that you have made, but which are no longer required, must be cancelled via our online booking system in advance of the start of the loan period, thereby releasing the equipment for other students or staff to book. Failure to cancel bookings which are no longer needed may result in a ban on future borrowing (see paragraph 18).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Do I have to pay a deposit?==&lt;br /&gt;
&lt;br /&gt;
Our online booking system indicates for which equipment a deposit is required and the amount you have to pay. Deposits are fully refundable when equipment is returned in the required condition (see paragraph 15.2) unless you owe us any amounts under this Policy in which case we may use the deposit in or towards payment of such amounts.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==What is the process for collecting equipment?==&lt;br /&gt;
&lt;br /&gt;
You must collect the equipment from the Equipment Store at New Adelphi during its opening hours (see below) at the time that you selected at the point of booking. The booking will be automatically cancelled if the equipment is not collected at this collection time.&lt;br /&gt;
Under no circumstances can equipment be borrowed or returned outside the opening hours (see below).&lt;br /&gt;
You must present your valid Student or Staff ID card (and any other necessary documentation applicable to your booking) to collect booked equipment from the Equipment Store.&lt;br /&gt;
The equipment is loaned on an “as is” basis:&lt;br /&gt;
&lt;br /&gt;
At the point of collection you should check that the equipment is free from damage or faults, that it contains all applicable batteries and other accessories and that there is nothing missing. Kits will be provided with a “kit list” detailing the contents.&lt;br /&gt;
If equipment is found to be damaged or faulty or to have anything missing on such inspection, our only responsibility is to try to find you a replacement if one is available.&lt;br /&gt;
If any equipment is returned with any missing part or accessory, you will be responsible for the replacement costs that we reasonably incur (see paragraph 14).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Opening hours:&lt;br /&gt;
&lt;br /&gt;
Trimesters 1 and 2&lt;br /&gt;
&lt;br /&gt;
Monday to Friday 8.30am – 6.30pm (excluding public and bank holidays in England and University closure days)&lt;br /&gt;
&lt;br /&gt;
Trimester 3 (Summer)&lt;br /&gt;
&lt;br /&gt;
Monday to Friday – 9.30am – 4.30pm (but closed 12.30pm – 1.30pm (excluding public and bank holidays in England and University closure days)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Are there any restrictions on using the equipment?==&lt;br /&gt;
&lt;br /&gt;
The equipment remains at all times the property of the University and you must neither sell nor dispose of it.&lt;br /&gt;
We may limit the number of items that students and staff can borrow during any week (see our online booking system for more details).&lt;br /&gt;
Battery-powered equipment will be provided with the appropriate charged cells or packs. During the loan period these items must only be changed for those of the same type or rating.&lt;br /&gt;
Equipment must only be used in connection with your assessed course work, research or teaching, or as part of a scheduled class. Equipment must not be used for any other purpose or for commercial or financial gain or for personal use.&lt;br /&gt;
You must not use the equipment in any way that breaches any University guidelines, policies (including, amongst others, the ICT Acceptable Use Policy) and regulations or that brings the University into disrepute.&lt;br /&gt;
You must use the equipment responsibly and in accordance with applicable operating instructions which are provided or made available to you.&lt;br /&gt;
The equipment must not be altered or defaced and you must not attempt to repair any damage or fault, or to install any missing part, or allow anyone else to do so.&lt;br /&gt;
You must not borrow equipment on behalf of anyone else or allow anyone else (including another student or member of staff) to use the equipment while you are borrowing it (even if they are within the School of A&amp;amp;amp;M).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Can equipment be taken off campus?==&lt;br /&gt;
&lt;br /&gt;
If you are a student you can take equipment off campus, but only for the purpose of completing your assessed course work, research or teaching or other activities that support your academic studies.&lt;br /&gt;
Additional requirements apply where you are a student on placement which will be dealt with separately.&lt;br /&gt;
If you are a member of staff, you can take equipment off campus, but only for teaching or other activities connected with your role.&lt;br /&gt;
If you do take equipment off campus, you must never leave it unattended unless it has been safely and securely stored.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==What happens if the equipment is stolen while it is booked out to me?==&lt;br /&gt;
&lt;br /&gt;
You must at all times take good care of the equipment and keep it safely and securely stored when left unattended. If equipment is to be used as part of an unattended temporary installation or display, security arrangements must be approved by the relevant Technical Manager before you make a booking.&lt;br /&gt;
You must report any theft of the equipment to the local Police at the earliest opportunity and obtain a crime reference number.&lt;br /&gt;
You must also inform staff in the Equipment Store at the earliest opportunity, and not later than the scheduled return time, providing them with the crime reference number. You will be required to complete and sign an incident report form. This may be partially completed by Equipment Store staff using the information you have previously provided, but must be signed by you for confirmation of accuracy.&lt;br /&gt;
Under no circumstances should you endanger yourself or others by attempting to prevent the theft of borrowed equipment. Your personal safety is paramount.&lt;br /&gt;
If equipment is stolen and we find that you had not taken proper care of it, then at our absolute direction you may be banned from borrowing equipment in the future (see paragraph 18) and/or be required to pay us the full amount that we reasonably incur in replacing the equipment on a like for like basis. Payment is due within 14 days starting on the date that we notify you of the amount you are required to pay.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==What happens if I lose the equipment or it becomes damaged while it is booked out to me or there are any missing parts?==&lt;br /&gt;
&lt;br /&gt;
You must report to the Equipment Store at the earliest opportunity if you lose any equipment (or parts or accessories) or it becomes damaged or faulty while it is booked out to you.&lt;br /&gt;
You must not attempt to repair any equipment or to install any replacement parts or allow anyone else other than Equipment Store staff to do so.&lt;br /&gt;
You are ==solely responsible== for the equipment from the point you collect it up to the point you return it to staff at the Equipment Store. If the equipment (in whole or part) is lost or damaged or is found to have any missing parts or accessories between the point that you collect it and return it then, at our absolute discretion, you may be banned from borrowing equipment in the future (see paragraph 18). You may also be required to pay us the cost that we reasonably incur on repairs or replacements. The amount will be assessed on a case by case basis and payment must be made within 14 days starting on the date that we notify you of the amount that you are required to pay.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==What is the process for returning equipment?==&lt;br /&gt;
&lt;br /&gt;
Equipment must be returned on or before the return date and time which is specified at the time of booking. You are responsible for checking the return dates and times on your online booking account and for allowing sufficient time to queue and complete the check-in process before that return time has passed.&lt;br /&gt;
Except for fair wear and tear through normal use, you must ensure that the equipment is returned in the same condition it was in at the point of collection and with all accompanying batteries and other accessories with which it was borrowed:&lt;br /&gt;
&lt;br /&gt;
Each kit must be returned with everything in its “kit list”.&lt;br /&gt;
Rechargeable batteries should be returned uncharged.&lt;br /&gt;
Equipment memory should be erased before any item with a data storage capability is returned. We are not responsible for preserving or retaining any data which remains following the return of such items.&lt;br /&gt;
&lt;br /&gt;
If equipment is returned with damage or missing parts, then at our absolute discretion you may be banned from borrowing equipment in the future and/or be required to pay the costs that we reasonably incur in putting this right (see paragraphs 14 and 18).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The booking return time (or any extension to it which is permitted under paragraph 6.2) is ==the latest== time the equipment should be returned. Equipment may be returned before this time during the opening hours of the Equipment Store (see paragraph 10).&lt;br /&gt;
Equipment must not left at the Equipment Store outside its opening hours (see paragraph 10).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==What happens if I return the equipment late?==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Where you:&lt;br /&gt;
&lt;br /&gt;
miss, or are aware that you will miss, a deadline for submission of coursework due to circumstances outside your control; and/or&lt;br /&gt;
are aware that you will not be able to return borrowed equipment in time for the return deadline;&lt;br /&gt;
&lt;br /&gt;
you must inform the Equipment Store staff of the delay as soon as possible either by telephone on 0161 295 2010 or email to [mailto:am-equipment@salford.ac.uk am-equipment@salford.ac.uk].&lt;br /&gt;
&lt;br /&gt;
If you do not return any equipment at the end of the loan period, you may at our absolute discretion be required to pay us fines and, if you are repeatedly late returning equipment, you may also be temporarily or permanently banned from borrowing equipment (see paragraphs 17 and 18). Fines and bans on borrowing are to encourage professional practice, to ensure that the equipment continues to be of usable quality and to ensure fair access to the equipment by all students and staff. Even though there is a good stock of equipment, there is also a high demand. Late returns disadvantage and cause inconvenience to students and staff.&lt;br /&gt;
&lt;br /&gt;
If you are a student, you may wish to follow the Personal Mitigating Circumstances Procedure (PMC) in relation to your assessment if it is affected by any medical or personal issue. If equipment is returned late, you will incur fines, whether or not you informed us of the delay. Any fines you do incur can only be waived if you make an appeal which is successful (see paragraph 20). Where you have made a PMC submission, you should refer to this in your appeal.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==How are fines calculated and charged?==&lt;br /&gt;
&lt;br /&gt;
Fines will be calculated from the time the equipment was due to be returned until the time that the equipment is actually returned (see below).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Late returns==&lt;br /&gt;
&lt;br /&gt;
Fines for late return of equipment work are based on the value of the equipment (as shown in the online booking system) and how overdue it is.&lt;br /&gt;
&lt;br /&gt;
* Our online booking system automatically issues fines for late return of equipment.&lt;br /&gt;
* There is an initial minimum fine of £1 per late item. The fine then increases at the rate of 0.001% of the value of each item for each minute it is late (starting at the time it was due to be returned and ending at the time it is actually returned).&lt;br /&gt;
* The maximum possible fine per minute is one pence.&lt;br /&gt;
* Fines do not increase outside Equipment Store opening hours.&lt;br /&gt;
* Fines are rounded up to the nearest whole pound.&lt;br /&gt;
* ==Please do not appeal to the Equipment Store Staff as they do not generate the fines==. If you receive an email from us notifying you of a fine, you should log onto your account and check the amount.&lt;br /&gt;
*# ==Fines and payments process==&lt;br /&gt;
&lt;br /&gt;
* Once you have returned equipment, you have 14 days to pay us the fine in full. After this time, if there is still any part of the fine still unpaid, your account (and ability to borrow) will be suspended until the outstanding amount (including fines) has been settled in full.&lt;br /&gt;
* Any outstanding fines can be seen by logging into our online booking system.&lt;br /&gt;
* Fines must be paid online through our e-Shop. A receipt will be given which must be shown to Equipment Store staff as proof of payment.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==For how long could I be banned from borrowing equipment?==&lt;br /&gt;
&lt;br /&gt;
In addition to, or instead of, applicable fines, we have the absolute discretion to impose bans on borrowing in the circumstances set out below. We have no responsibility if any ban causes you problems with completing assessments, course work, research, teaching or with participating in practical classes:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! ==Description of event==&lt;br /&gt;
! ==Length of ban==&lt;br /&gt;
|-&lt;br /&gt;
! You are late collecting equipment on at least 3 occasions&lt;br /&gt;
| one week&lt;br /&gt;
|-&lt;br /&gt;
! The second occasion you return any equipment late&lt;br /&gt;
| one week&lt;br /&gt;
|-&lt;br /&gt;
! The third occasion you return any equipment late*&lt;br /&gt;
| one month&lt;br /&gt;
|-&lt;br /&gt;
! The fourth occasion you return any equipment late*&lt;br /&gt;
| 3 months&lt;br /&gt;
|-&lt;br /&gt;
! You return any equipment more than one week late&lt;br /&gt;
| 3 months&lt;br /&gt;
|-&lt;br /&gt;
! You fail to cancel bookings for equipment you no longer wish to borrow on at least 3 occasions&lt;br /&gt;
| 3 months&lt;br /&gt;
|-&lt;br /&gt;
! The fifth occasion you return any equipment late*&lt;br /&gt;
| Permanent&lt;br /&gt;
|-&lt;br /&gt;
! Your negligent, careless or reckless behaviour causes loss of or damage or faults to the equipment&lt;br /&gt;
| Permanent&lt;br /&gt;
|-&lt;br /&gt;
! Equipment is stolen and you had left it unattended without taking adequate security precautions&lt;br /&gt;
| At our absolute discretion but may be permanent&lt;br /&gt;
|-&lt;br /&gt;
! Any fines or other amounts that you owe us under this Policy remain unpaid after the due date for payment&lt;br /&gt;
| Until such time as all outstanding fines/amounts are paid in full&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==*==If you accumulate more than one ban, the bans will run consecutively and not concurrently.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==What happens if fines or other amounts are not paid?==&lt;br /&gt;
&lt;br /&gt;
We will take action to recover fines and other amounts that you owe under this Policy. If payment is still not made, you may be banned from borrowing equipment until you have paid us all outstanding amounts in full and a hold may be placed on your account meaning that, if you are a student, you will be unable to attend a graduation ceremony until all fines and such amounts have been paid in full.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==How do I appeal a fine or a ban on borrowing equipment?==&lt;br /&gt;
&lt;br /&gt;
If you wish to appeal against a sanction under this Policy because there are mitigating circumstances please complete an &#039;&#039;Appeals, Damage, Loss and Theft form&#039;&#039; (which is available from the Equipment Store) and return this to Equipment Store staff within 14 days. Appeals will only be considered valid where you provide details of mitigating circumstances. Appeals without mitigating circumstances will not be considered.&lt;br /&gt;
Valid appeals will be considered by the relevant Technical Manager – normally within 10 working days (Monday to Friday excluding public or bank holidays in England and University closure days).&lt;br /&gt;
If your appeal is successful the fine will be fully removed and, if applicable, the ban on borrowing lifted.&lt;br /&gt;
If your appeal is partially successful, the fine may be partially removed and a ban on borrowing may be lifted or the length of the ban may be reduced on condition that you pay all outstanding amounts within a specified period.&lt;br /&gt;
If your appeal is rejected and you request a review of our decision within 10 working days starting on the date you are notified about the outcome of your appeal, your appeal will be considered (normally within 10 working days starting on the date that we receive your request for a review) by a panel whose decision will be final. The panel will be made up of your personal tutor, an appropriate academic member of staff and a different Technical Manager.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Can I borrow equipment over the Summer?==&lt;br /&gt;
&lt;br /&gt;
The Equipment Store remains open for the majority of the Summer (trimester 3), but check the online borrowing system to see if equipment/ time you want to book is available and see paragraph 10 for our opening hours.&lt;br /&gt;
Fines for late return continue to apply to equipment that is borrowed over the Summer.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==What happens if I do not comply with this Policy?==&lt;br /&gt;
&lt;br /&gt;
If you do not comply with this Policy, you may have to pay fines and/or we may ban you from borrowing equipment (see paragraphs 16 and 18). We have no responsibility if the ban on borrowing causes you problems with completing assessments, course work, research, teaching or with participating in practical classes.&lt;br /&gt;
If you are suspected of any serious misconduct in relation to any equipment that you borrow then, in addition to any fines and/or bans on future borrowing which are specified in this Policy, you may be referred for disciplinary action under the appropriate Disciplinary Procedure.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Does this policy apply if I borrow equipment from other Equipment Stores at the University?==&lt;br /&gt;
&lt;br /&gt;
No - other Equipment Stores have their own Policies and you should check with relevant staff before you borrow any equipment.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Does the borrowing of equipment constitute a regulated consumer hire agreement?==&lt;br /&gt;
&lt;br /&gt;
No there is no regulated consumer hire agreement under consumer credit legislation –in all cases each booking of equipment lasts no longer than 3 months and no fee is charged.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Can this Policy be changed?==&lt;br /&gt;
&lt;br /&gt;
We may review and update this Policy from time to time and each update will take effect for all bookings from the date it is issued. Each updated Policy will be published on our relevant web page without notice being given to you and you should check for any new version each time you book equipment.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Related Documentation==&lt;br /&gt;
&lt;br /&gt;
* Student Disciplinary Procedure&lt;br /&gt;
* Staff Disciplinary Procedure&lt;br /&gt;
* Personal Mitigating Circumstances Procedure&lt;br /&gt;
* ICT Acceptable Use Policy&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Website_Copy&amp;diff=1802</id>
		<title>Website Copy</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Website_Copy&amp;diff=1802"/>
		<updated>2020-04-21T12:05:48Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: Created page with &amp;quot;Below is the standardised copy we recommend for publicity of New Adelphi facilities on the web.  ==Blurb==  Words go here!&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Below is the standardised copy we recommend for publicity of New Adelphi facilities on the web.&lt;br /&gt;
&lt;br /&gt;
==Blurb==&lt;br /&gt;
&lt;br /&gt;
Words go here!&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Freshdesk&amp;diff=1801</id>
		<title>Freshdesk</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Freshdesk&amp;diff=1801"/>
		<updated>2020-03-26T11:34:23Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: Redirected page to Support&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Support]]&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=MediaWiki:Sidebar&amp;diff=1800</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=MediaWiki:Sidebar&amp;diff=1800"/>
		<updated>2020-03-24T12:25:47Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
* navigation&lt;br /&gt;
** welcome|Welcome&lt;br /&gt;
** recentchanges-url|Recent Changes&lt;br /&gt;
** randompage-url|Random Page&lt;br /&gt;
** helppage|help&lt;br /&gt;
&lt;br /&gt;
* Information&lt;br /&gt;
** Opening Hours|Opening Hours&lt;br /&gt;
** User_Guides|User Guides&lt;br /&gt;
** Software|Software&lt;br /&gt;
** Studios|Studios&lt;br /&gt;
&lt;br /&gt;
* Production&lt;br /&gt;
&lt;br /&gt;
* Recording&lt;br /&gt;
** Instruments#Recording_Store|Instruments&lt;br /&gt;
** Location_Recording_Equipment|Location Equipment&lt;br /&gt;
** Microphones|Microphones&lt;br /&gt;
&lt;br /&gt;
* SEARCH&lt;br /&gt;
* TOOLBOX&lt;br /&gt;
* LANGUAGES&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1590</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1590"/>
		<updated>2020-03-06T14:18:21Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Major Works==&lt;br /&gt;
&lt;br /&gt;
* Voice Acting Revamp to Studio 8&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039; &#039;&#039;- FUNDED £10,000, partially used as emergency fund for lighting&#039;&#039;&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039; &#039;&#039;- FUNDED £4,000&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Audio&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Hedd Type 30 Speakers for 5.22 and 5.26 along with mounting brackets and cabling. - £12000  &lt;br /&gt;
 &lt;br /&gt;
* Beyerdynamic DT 770 Pro Headphones x 10 - £1000&lt;br /&gt;
&lt;br /&gt;
* IZoptope RX Software multi seat licence - £5000 per year&lt;br /&gt;
&lt;br /&gt;
* Sound Radix Auto-Align Post Plugin for Voice Acting - £250&lt;br /&gt;
&lt;br /&gt;
* SynchroArts VocAlign Pro 4 Plugin for Voice Acting - £350&lt;br /&gt;
&lt;br /&gt;
* Audio Ease Indoor plugin - £700&lt;br /&gt;
&lt;br /&gt;
* Audio Ease Altiverb plugin - £500&lt;br /&gt;
&lt;br /&gt;
* Sounds in Sync EdiApps - £5000 per 3 years&lt;br /&gt;
&lt;br /&gt;
* Foley Props refresh - £3000&lt;br /&gt;
&lt;br /&gt;
* The BBC Complete Sound Effects Library - £1600&lt;br /&gt;
&lt;br /&gt;
* Sound Effects Library - £2000&lt;br /&gt;
&lt;br /&gt;
* Sound Effects Library server (something like Avid Nexus) - &lt;br /&gt;
&lt;br /&gt;
* A variety of microphones (Sennheiser MKH 40, Sennheiser MKH 416, Sennheiser MKH 50, Sennheiser MKH 8060, Schoeps CMIT-5U, Sanken COS-11D, DPA 6060-OC-U-B00, Avantone CK-40) - £5000&lt;br /&gt;
&lt;br /&gt;
* RYCOTE MODULAR WINDSHIELD WS 2 KIT &#039;&#039;&#039;£588&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Shock Mount for Sennheiser MKH50-P48&lt;br /&gt;
&lt;br /&gt;
* Studiobricks VO Sound Booth for 5.22 - £6000&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Video&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
New Camera Systems for 2nd/3rd Year Students&lt;br /&gt;
&lt;br /&gt;
BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY -  &#039;&#039;&#039;£2,266.92 inc VAT&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.  &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CORESWX POWERBASE EDGE - BMD POCKET 4K - &#039;&#039;&#039;£270&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Powerbase for extended battery life.&lt;br /&gt;
&lt;br /&gt;
SANDISK 256GB 525MB/S - CFAST - &#039;&#039;&#039;£599&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CFAST 2.0 Card for BMPC&lt;br /&gt;
&lt;br /&gt;
CANON LP-E6N BATTERY (1800MAH) - &#039;&#039;&#039;£67.20&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Battery for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - &#039;&#039;&#039;£400&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Cage and Handle for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN 15MM UNIVERSAL RODS SUPPORT - &#039;&#039;&#039;£175.99&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
SMALLHD FOCUS7 WITH BOLT 500 - &#039;&#039;&#039;£1,500&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Wireless Monitor System&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sony PXW-FS7 Camera - 3x£5,334 + 3x£226(cards) + adapters = ~ £17,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. As it stands, our students don&#039;t get the chance to experience working with any Sony cameras, and purchasing the FS7s would offer them the chance to, in addition to supplementing the 3rd year stock of cameras&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hard lights – 6 functional lights&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;We want to look into providing hard light to allow for a wider variety of lighting techniques. Currently, students only have LED soft lights and a few redheads which will soon be rendered obsolete (and currently don&#039;t have bulbs in) and there are numerous effects that can&#039;t be achieved without hard lights. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AF lenses for use with the Ronin - 2 x£510 = £1,020&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lenses for the BM cameras for the PPU&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Without better lenses, the dedicated PPU cameras are currently very limited in terms of the framing they offer and can only be used in extremly well lit studios&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A big TV to assist lessons in Screen 2&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Populate 500-series lunchboxes further - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Location Recording Equipment Refresh (USB-C/USB) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Portable GRM Tools Complete II licences and iLok - &#039;&#039;&#039;£1,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &amp;quot;overspill&amp;quot; to the canon full frame stock in this regard.&#039;&#039;&lt;br /&gt;
* 10x Canon 250D (w/ kit lens) - &#039;&#039;&#039;£5100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.&#039;&#039;&lt;br /&gt;
* 5x Sigma 17-50 mm Lenses - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.&#039;&#039;&lt;br /&gt;
* 5x Canon 50 mm f/1.4 Lenses - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.&#039;&#039;&lt;br /&gt;
* 4x Canon 55-250mm Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good telephoto lens option for the APS-C bodies.&#039;&#039;&lt;br /&gt;
* 3x Canon 24 mm Lenses - &#039;&#039;&#039;£432&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 5x Sigma 30 mm 1.4 Lenses - &#039;&#039;&#039;£1800&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 2x Sigma 10-20mm lenses - &#039;&#039;&#039;£634&#039;&#039;&#039; &lt;br /&gt;
&#039;&#039;Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body&#039;&#039;&lt;br /&gt;
* 11x Canon 5D MKIV (onward) - &#039;&#039;&#039;£31,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.&#039;&#039;&lt;br /&gt;
* 11x Canon 24-105 mm EF Lenses - &#039;&#039;&#039;£1100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. &#039;&#039;&lt;br /&gt;
* #x 35mm SLRs  - &#039;&#039;&#039;unspecified&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty, with all cameras having at least one issue or repair. There is also increased demand from photography and FIMS. Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1589</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1589"/>
		<updated>2020-03-06T13:56:19Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Stores */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039; &#039;&#039;- FUNDED £10,000, partially used as emergency fund for lighting&#039;&#039;&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039; &#039;&#039;- FUNDED £4,000&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Audio&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Hedd Type 30 Speakers for 5.22 and 5.26 along with mounting brackets and cabling. - £12000  &lt;br /&gt;
 &lt;br /&gt;
* Beyerdynamic DT 770 Pro Headphones x 10 - £1000&lt;br /&gt;
&lt;br /&gt;
* IZoptope RX Software multi seat licence - £5000 per year&lt;br /&gt;
&lt;br /&gt;
* Sound Radix Auto-Align Post Plugin for Voice Acting - £250&lt;br /&gt;
&lt;br /&gt;
* SynchroArts VocAlign Pro 4 Plugin for Voice Acting - £350&lt;br /&gt;
&lt;br /&gt;
* Audio Ease Indoor plugin - £700&lt;br /&gt;
&lt;br /&gt;
* Audio Ease Altiverb plugin - £500&lt;br /&gt;
&lt;br /&gt;
* Sounds in Sync EdiApps - £5000 per 3 years&lt;br /&gt;
&lt;br /&gt;
* Foley Props refresh - £3000&lt;br /&gt;
&lt;br /&gt;
* The BBC Complete Sound Effects Library - £1600&lt;br /&gt;
&lt;br /&gt;
* Sound Effects Library - £2000&lt;br /&gt;
&lt;br /&gt;
* Sound Effects Library server (something like Avid Nexus) - &lt;br /&gt;
&lt;br /&gt;
* A variety of microphones (Sennheiser MKH 40, Sennheiser MKH 416, Sennheiser MKH 50, Sennheiser MKH 8060, Schoeps CMIT-5U, Sanken COS-11D, DPA 6060-OC-U-B00, Avantone CK-40) - £5000&lt;br /&gt;
&lt;br /&gt;
* RYCOTE MODULAR WINDSHIELD WS 2 KIT &#039;&#039;&#039;£588&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Shock Mount for Sennheiser MKH50-P48&lt;br /&gt;
&lt;br /&gt;
* Studiobricks VO Sound Booth for 5.22 - £6000&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Video&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
New Camera Systems for 2nd/3rd Year Students&lt;br /&gt;
&lt;br /&gt;
BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY -  &#039;&#039;&#039;£2,266.92 inc VAT&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.  &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CORESWX POWERBASE EDGE - BMD POCKET 4K - &#039;&#039;&#039;£270&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Powerbase for extended battery life.&lt;br /&gt;
&lt;br /&gt;
SANDISK 256GB 525MB/S - CFAST - &#039;&#039;&#039;£599&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CFAST 2.0 Card for BMPC&lt;br /&gt;
&lt;br /&gt;
CANON LP-E6N BATTERY (1800MAH) - &#039;&#039;&#039;£67.20&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Battery for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - &#039;&#039;&#039;£400&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Cage and Handle for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN 15MM UNIVERSAL RODS SUPPORT - &#039;&#039;&#039;£175.99&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
SMALLHD FOCUS7 WITH BOLT 500 - &#039;&#039;&#039;£1,500&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Wireless Monitor System&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sony PXW-FS7 Camera - 3x£5,334 + 3x£226(cards) + adapters = ~ £17,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. As it stands, our students don&#039;t get the chance to experience working with any Sony cameras, and purchasing the FS7s would offer them the chance to, in addition to supplementing the 3rd year stock of cameras&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hard lights – 6 functional lights&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;We want to look into providing hard light to allow for a wider variety of lighting techniques. Currently, students only have LED soft lights and a few redheads which will soon be rendered obsolete (and currently don&#039;t have bulbs in) and there are numerous effects that can&#039;t be achieved without hard lights. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AF lenses for use with the Ronin - 2 x£510 = £1,020&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lenses for the BM cameras for the PPU&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Without better lenses, the dedicated PPU cameras are currently very limited in terms of the framing they offer and can only be used in extremly well lit studios&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A big TV to assist lessons in Screen 2&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Populate 500-series lunchboxes further - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Location Recording Equipment Refresh (USB-C/USB) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Portable GRM Tools Complete II licences and iLok - &#039;&#039;&#039;£1,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &amp;quot;overspill&amp;quot; to the canon full frame stock in this regard.&#039;&#039;&lt;br /&gt;
* 10x Canon 250D (w/ kit lens) - &#039;&#039;&#039;£5100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.&#039;&#039;&lt;br /&gt;
* 5x Sigma 17-50 mm Lenses - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.&#039;&#039;&lt;br /&gt;
* 5x Canon 50 mm f/1.4 Lenses - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.&#039;&#039;&lt;br /&gt;
* 4x Canon 55-250mm Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good telephoto lens option for the APS-C bodies.&#039;&#039;&lt;br /&gt;
* 3x Canon 24 mm Lenses - &#039;&#039;&#039;£432&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 5x Sigma 30 mm 1.4 Lenses - &#039;&#039;&#039;£1800&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 2x Sigma 10-20mm lenses - &#039;&#039;&#039;£634&#039;&#039;&#039; &lt;br /&gt;
&#039;&#039;Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body&#039;&#039;&lt;br /&gt;
* 11x Canon 5D MKIV (onward) - &#039;&#039;&#039;£31,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.&#039;&#039;&lt;br /&gt;
* 11x Canon 24-105 mm EF Lenses - &#039;&#039;&#039;£1100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. &#039;&#039;&lt;br /&gt;
* #x 35mm SLRs  - &#039;&#039;&#039;unspecified&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty, with all cameras having at least one issue or repair. There is also increased demand from photography and FIMS. Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1588</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1588"/>
		<updated>2020-03-06T13:13:41Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Year 5 (2020-21) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039; &#039;&#039;- FUNDED £10,000, partially used as emergency fund for lighting&#039;&#039;&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039; &#039;&#039;- FUNDED £4,000&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Audio&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Hedd Type 30 Speakers for 5.22 and 5.26 along with mounting brackets and cabling. - £12000  &lt;br /&gt;
 &lt;br /&gt;
* Beyerdynamic DT 770 Pro Headphones x 10 - £1000&lt;br /&gt;
&lt;br /&gt;
* IZoptope RX Software multi seat licence - £5000 per year&lt;br /&gt;
&lt;br /&gt;
* Sound Radix Auto-Align Post Plugin for Voice Acting - £250&lt;br /&gt;
&lt;br /&gt;
* SynchroArts VocAlign Pro 4 Plugin for Voice Acting - £350&lt;br /&gt;
&lt;br /&gt;
* Audio Ease Indoor plugin - £700&lt;br /&gt;
&lt;br /&gt;
* Audio Ease Altiverb plugin - £500&lt;br /&gt;
&lt;br /&gt;
* Sounds in Sync EdiApps - £5000 per 3 years&lt;br /&gt;
&lt;br /&gt;
* Foley Props refresh - £3000&lt;br /&gt;
&lt;br /&gt;
* The BBC Complete Sound Effects Library - £1600&lt;br /&gt;
&lt;br /&gt;
* Sound Effects Library - £2000&lt;br /&gt;
&lt;br /&gt;
* Sound Effects Library server (something like Avid Nexus) - &lt;br /&gt;
&lt;br /&gt;
* A variety of microphones (Sennheiser MKH 40, Sennheiser MKH 416, Sennheiser MKH 50, Sennheiser MKH 8060, Schoeps CMIT-5U, Sanken COS-11D, DPA 6060-OC-U-B00, Avantone CK-40) - £5000&lt;br /&gt;
&lt;br /&gt;
* RYCOTE MODULAR WINDSHIELD WS 2 KIT &#039;&#039;&#039;£588&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Shock Mount for Sennheiser MKH50-P48&lt;br /&gt;
&lt;br /&gt;
* Studiobricks VO Sound Booth for 5.22 - £6000&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Video&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
New Camera Systems for 2nd/3rd Year Students&lt;br /&gt;
&lt;br /&gt;
BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY -  &#039;&#039;&#039;£2,266.92 inc VAT&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.  &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CORESWX POWERBASE EDGE - BMD POCKET 4K - &#039;&#039;&#039;£270&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Powerbase for extended battery life.&lt;br /&gt;
&lt;br /&gt;
SANDISK 256GB 525MB/S - CFAST - &#039;&#039;&#039;£599&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CFAST 2.0 Card for BMPC&lt;br /&gt;
&lt;br /&gt;
CANON LP-E6N BATTERY (1800MAH) - &#039;&#039;&#039;£67.20&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Battery for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - &#039;&#039;&#039;£400&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Cage and Handle for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN 15MM UNIVERSAL RODS SUPPORT - &#039;&#039;&#039;£175.99&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
SMALLHD FOCUS7 WITH BOLT 500 - &#039;&#039;&#039;£1,500&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Wireless Monitor System&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sony PXW-FS7 Camera - 3x£5,334 + 3x£226(cards) + adapters = ~ £17,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. As it stands, our students don&#039;t get the chance to experience working with any Sony cameras, and purchasing the FS7s would offer them the chance to, in addition to supplementing the 3rd year stock of cameras&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hard lights – 6 functional lights&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;We want to look into providing hard light to allow for a wider variety of lighting techniques. Currently, students only have LED soft lights and a few redheads which will soon be rendered obsolete (and currently don&#039;t have bulbs in) and there are numerous effects that can&#039;t be achieved without hard lights. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AF lenses for use with the Ronin - 2 x£510 = £1,020&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lenses for the BM cameras for the PPU&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Without better lenses, the dedicated PPU cameras are currently very limited in terms of the framing they offer and can only be used in extremly well lit studios&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A big TV to assist lessons in Screen 2&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Populate 500-series lunchboxes further - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Location Recording Equipment Refresh (USB-C/USB) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Portable GRM Tools Complete II licences and iLok - &#039;&#039;&#039;£1,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &amp;quot;overspill&amp;quot; to the canon full frame stock in this regard.&#039;&#039;&lt;br /&gt;
* 10x Canon 250D (w/ kit lens) - &#039;&#039;&#039;£5100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.&#039;&#039;&lt;br /&gt;
* 5x Sigma 17-50 mm Lenses - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.&#039;&#039;&lt;br /&gt;
* 5x Canon 50 mm f/1.4 Lenses - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.&#039;&#039;&lt;br /&gt;
* 4x Canon 55-250mm Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good telephoto lens option for the APS-C bodies.&#039;&#039;&lt;br /&gt;
* 3x Canon 24 mm Lenses - &#039;&#039;&#039;£432&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 5x Sigma 30 mm 1.4 Lenses - &#039;&#039;&#039;£1800&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 2x Sigma 10-20mm lenses - &#039;&#039;&#039;£634&#039;&#039;&#039; &lt;br /&gt;
&#039;&#039;Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body&#039;&#039;&lt;br /&gt;
* 11x Canon 5D MKIV (onward) - &#039;&#039;&#039;£31,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.&#039;&#039;&lt;br /&gt;
* 11x Canon 24-105 mm EF Lenses - &#039;&#039;&#039;£1100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. &#039;&#039;&lt;br /&gt;
* #x 35mm SLRs  - &#039;&#039;&#039;unspecified&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty, with all cameras having at least one issue or repair. There is also increased demand from photography and FIMS. Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1574</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1574"/>
		<updated>2020-02-19T14:41:31Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Year 4 (2019-20) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039; &#039;&#039;- FUNDED £10,000, partially used as emergency fund for lighting&#039;&#039;&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039; &#039;&#039;- FUNDED £4,000&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* New speakers without limiting in 5.22 (for Performance as if it&#039;s 6.22)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
New Camera Systems for 2nd/3rd Year Students&lt;br /&gt;
&lt;br /&gt;
BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY -  &#039;&#039;&#039;£2,266.92 inc VAT&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.  &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CORESWX POWERBASE EDGE - BMD POCKET 4K - &#039;&#039;&#039;£270&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Powerbase for extended battery life.&lt;br /&gt;
&lt;br /&gt;
SANDISK 256GB 525MB/S - CFAST - &#039;&#039;&#039;£599&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CFAST 2.0 Card for BMPC&lt;br /&gt;
&lt;br /&gt;
CANON LP-E6N BATTERY (1800MAH) - &#039;&#039;&#039;£67.20&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Battery for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - &#039;&#039;&#039;£400&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Cage and Handle for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN 15MM UNIVERSAL RODS SUPPORT - &#039;&#039;&#039;£175.99&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
SMALLHD FOCUS7 WITH BOLT 500 - &#039;&#039;&#039;£1,500&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Wireless Monitor System&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sony PXW-FS7 Camera - 3x£5,334 + 3x£226 + adapters = ~ £17,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. These cameras produce high quality video, and using them would also give students the chance to get used to the Sony interface and their picture profiles&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hard lights – 6 functional lights&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;We want to look into providing hard light to allow for a wider variety of lighting techniques&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AF lenses for use with the Ronin - 2 x£510 = £1,020&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A variety of microphones&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lenses for the BM cameras for the PPU&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A big TV to assist lessons in Screen 2&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
RYCOTE MODULAR WINDSHIELD WS 2 KIT &#039;&#039;&#039;£588&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Shock Mount for Sennheiser MKH50-P48&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Populate 500-series lunchboxes further - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Location Recording Equipment Refresh (USB-C/USB) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Portable GRM Tools Complete II licences and iLok - &#039;&#039;&#039;£1,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &amp;quot;overspill&amp;quot; to the canon full frame stock in this regard.&#039;&#039;&lt;br /&gt;
* 10x Canon 250D (w/ kit lens) - &#039;&#039;&#039;£5100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.&#039;&#039;&lt;br /&gt;
* 5x Sigma 17-50 mm Lenses - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.&#039;&#039;&lt;br /&gt;
* 5x Canon 50 mm f/1.4 Lenses - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.&#039;&#039;&lt;br /&gt;
* 4x Canon 55-250mm Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good telephoto lens option for the APS-C bodies.&#039;&#039;&lt;br /&gt;
* 3x Canon 24 mm Lenses - &#039;&#039;&#039;£432&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 5x Sigma 30 mm 1.4 Lenses - &#039;&#039;&#039;£1800&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 2x Sigma 10-20mm lenses - &#039;&#039;&#039;£634&#039;&#039;&#039; &lt;br /&gt;
&#039;&#039;Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body&#039;&#039;&lt;br /&gt;
* 11x Canon 5D MKIV (onward) - &#039;&#039;&#039;£31,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.&#039;&#039;&lt;br /&gt;
* 11x Canon 24-105 mm EF Lenses - &#039;&#039;&#039;£1100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. &#039;&#039;&lt;br /&gt;
* #x 35mm SLRs &lt;br /&gt;
&#039;&#039;Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty, with all cameras having at least one issue or repair. There is also increased demand from photography, FIMS, and Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1573</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1573"/>
		<updated>2020-02-19T14:40:43Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Year 4 (2019-20) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039; &#039;&#039;- NOT FUNDED&#039;&#039;&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039; &#039;&#039;- FUNDED £10,000&#039;&#039;&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039; &#039;&#039;- FUNDED £4,000&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* New speakers without limiting in 5.22 (for Performance as if it&#039;s 6.22)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
New Camera Systems for 2nd/3rd Year Students&lt;br /&gt;
&lt;br /&gt;
BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY -  &#039;&#039;&#039;£2,266.92 inc VAT&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.  &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CORESWX POWERBASE EDGE - BMD POCKET 4K - &#039;&#039;&#039;£270&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Powerbase for extended battery life.&lt;br /&gt;
&lt;br /&gt;
SANDISK 256GB 525MB/S - CFAST - &#039;&#039;&#039;£599&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CFAST 2.0 Card for BMPC&lt;br /&gt;
&lt;br /&gt;
CANON LP-E6N BATTERY (1800MAH) - &#039;&#039;&#039;£67.20&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Battery for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - &#039;&#039;&#039;£400&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Cage and Handle for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN 15MM UNIVERSAL RODS SUPPORT - &#039;&#039;&#039;£175.99&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
SMALLHD FOCUS7 WITH BOLT 500 - &#039;&#039;&#039;£1,500&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Wireless Monitor System&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sony PXW-FS7 Camera - 3x£5,334 + 3x£226 + adapters = ~ £17,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. These cameras produce high quality video, and using them would also give students the chance to get used to the Sony interface and their picture profiles&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hard lights – 6 functional lights&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;We want to look into providing hard light to allow for a wider variety of lighting techniques&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AF lenses for use with the Ronin - 2 x£510 = £1,020&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A variety of microphones&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lenses for the BM cameras for the PPU&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A big TV to assist lessons in Screen 2&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
RYCOTE MODULAR WINDSHIELD WS 2 KIT &#039;&#039;&#039;£588&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Shock Mount for Sennheiser MKH50-P48&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Populate 500-series lunchboxes further - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Location Recording Equipment Refresh (USB-C/USB) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Portable GRM Tools Complete II licences and iLok - &#039;&#039;&#039;£1,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &amp;quot;overspill&amp;quot; to the canon full frame stock in this regard.&#039;&#039;&lt;br /&gt;
* 10x Canon 250D (w/ kit lens) - &#039;&#039;&#039;£5100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.&#039;&#039;&lt;br /&gt;
* 5x Sigma 17-50 mm Lenses - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.&#039;&#039;&lt;br /&gt;
* 5x Canon 50 mm f/1.4 Lenses - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.&#039;&#039;&lt;br /&gt;
* 4x Canon 55-250mm Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good telephoto lens option for the APS-C bodies.&#039;&#039;&lt;br /&gt;
* 3x Canon 24 mm Lenses - &#039;&#039;&#039;£432&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 5x Sigma 30 mm 1.4 Lenses - &#039;&#039;&#039;£1800&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 2x Sigma 10-20mm lenses - &#039;&#039;&#039;£634&#039;&#039;&#039; &lt;br /&gt;
&#039;&#039;Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body&#039;&#039;&lt;br /&gt;
* 11x Canon 5D MKIV (onward) - &#039;&#039;&#039;£31,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.&#039;&#039;&lt;br /&gt;
* 11x Canon 24-105 mm EF Lenses - &#039;&#039;&#039;£1100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. &#039;&#039;&lt;br /&gt;
* #x 35mm SLRs &lt;br /&gt;
&#039;&#039;Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty, with all cameras having at least one issue or repair. There is also increased demand from photography, FIMS, and Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1572</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1572"/>
		<updated>2020-02-19T14:40:19Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Year 4 (2019-20) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039; - NOT FUNDED&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039; - NOT FUNDED&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039; - NOT FUNDED&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039; - FUNDED £10,000&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039; - FUNDED £4,000&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* New speakers without limiting in 5.22 (for Performance as if it&#039;s 6.22)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
New Camera Systems for 2nd/3rd Year Students&lt;br /&gt;
&lt;br /&gt;
BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY -  &#039;&#039;&#039;£2,266.92 inc VAT&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.  &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CORESWX POWERBASE EDGE - BMD POCKET 4K - &#039;&#039;&#039;£270&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Powerbase for extended battery life.&lt;br /&gt;
&lt;br /&gt;
SANDISK 256GB 525MB/S - CFAST - &#039;&#039;&#039;£599&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CFAST 2.0 Card for BMPC&lt;br /&gt;
&lt;br /&gt;
CANON LP-E6N BATTERY (1800MAH) - &#039;&#039;&#039;£67.20&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Battery for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - &#039;&#039;&#039;£400&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Cage and Handle for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN 15MM UNIVERSAL RODS SUPPORT - &#039;&#039;&#039;£175.99&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
SMALLHD FOCUS7 WITH BOLT 500 - &#039;&#039;&#039;£1,500&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Wireless Monitor System&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sony PXW-FS7 Camera - 3x£5,334 + 3x£226 + adapters = ~ £17,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The Sony cameras are increasingly more popular in the industry and the FS line, much like the C100, bridges the gap between user friendly cameras and a camera that needs more advanced knowledge to assemble. These cameras produce high quality video, and using them would also give students the chance to get used to the Sony interface and their picture profiles&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hard lights – 6 functional lights&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;We want to look into providing hard light to allow for a wider variety of lighting techniques&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AF lenses for use with the Ronin - 2 x£510 = £1,020&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hague K14 Pro Jib - £480 + tripod £245 ex VAT + tripod head £1,071&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;This jib would allow for better camera control, without the unreliability of the wire system. This also allows for a load of up to 14kg, which will allow for a wider variety of cameras to be used, including the ursa&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A variety of microphones&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lenses for the BM cameras for the PPU&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A big TV to assist lessons in Screen 2&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
RYCOTE MODULAR WINDSHIELD WS 2 KIT &#039;&#039;&#039;£588&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Shock Mount for Sennheiser MKH50-P48&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Populate 500-series lunchboxes further - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Location Recording Equipment Refresh (USB-C/USB) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Portable GRM Tools Complete II licences and iLok - &#039;&#039;&#039;£1,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &amp;quot;overspill&amp;quot; to the canon full frame stock in this regard.&#039;&#039;&lt;br /&gt;
* 10x Canon 250D (w/ kit lens) - &#039;&#039;&#039;£5100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.&#039;&#039;&lt;br /&gt;
* 5x Sigma 17-50 mm Lenses - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.&#039;&#039;&lt;br /&gt;
* 5x Canon 50 mm f/1.4 Lenses - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.&#039;&#039;&lt;br /&gt;
* 4x Canon 55-250mm Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good telephoto lens option for the APS-C bodies.&#039;&#039;&lt;br /&gt;
* 3x Canon 24 mm Lenses - &#039;&#039;&#039;£432&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 5x Sigma 30 mm 1.4 Lenses - &#039;&#039;&#039;£1800&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 2x Sigma 10-20mm lenses - &#039;&#039;&#039;£634&#039;&#039;&#039; &lt;br /&gt;
&#039;&#039;Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body&#039;&#039;&lt;br /&gt;
* 11x Canon 5D MKIV (onward) - &#039;&#039;&#039;£31,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.&#039;&#039;&lt;br /&gt;
* 11x Canon 24-105 mm EF Lenses - &#039;&#039;&#039;£1100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. &#039;&#039;&lt;br /&gt;
* #x 35mm SLRs &lt;br /&gt;
&#039;&#039;Unspecified amount of standard 35mm SLR cameras. Preferably Nikon FM2 or Pentax k1000. Our current stock is getting increasingly tatty, with all cameras having at least one issue or repair. There is also increased demand from photography, FIMS, and Fine Art who currently dont have access to the FM2 or K1000 also have an increasing amount of students who want to use 35mm film in their work. As these types of cameras are getting rarer as the years go by it may be worth snapping up whatever can be found sooner rather than later. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1562</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1562"/>
		<updated>2020-02-10T11:51:08Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Year 5 (2020-21) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039;&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039;&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* New speakers without limiting in 5.22 (for Performance as if it&#039;s 6.22)&lt;br /&gt;
&lt;br /&gt;
New Camera Systems for 2nd/3rd Year Students&lt;br /&gt;
&lt;br /&gt;
BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY -  &#039;&#039;&#039;£2,266.92 inc VAT&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Blackmagic Design Pocket 6K Cinema Camera 6K Body Only - EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.  &lt;br /&gt;
&lt;br /&gt;
CORESWX POWERBASE EDGE - BMD POCKET 4K - &#039;&#039;&#039;£270&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Powerbase for extended battery life.&lt;br /&gt;
&lt;br /&gt;
SANDISK 256GB 525MB/S - CFAST - &#039;&#039;&#039;£599&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CFAST 2.0 Card for BMPC&lt;br /&gt;
&lt;br /&gt;
CANON LP-E6N BATTERY (1800MAH) - &#039;&#039;&#039;£67.20&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Battery for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - &#039;&#039;&#039;£400&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Cage and Handle for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN 15MM UNIVERSAL RODS SUPPORT - &#039;&#039;&#039;£175.99&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
SMALLHD FOCUS7 WITH BOLT 500 - &#039;&#039;&#039;£1,500&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Wireless Monitor System&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
RYCOTE MODULAR WINDSHIELD WS 2 KIT &#039;&#039;&#039;£588&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Shock Mount for Sennheiser MKH50-P48&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Populate 500-series lunchboxes further - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Location Recording Equipment Refresh (USB-C/USB) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Portable GRM Tools Complete II licences and iLok - &#039;&#039;&#039;£1,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &amp;quot;overspill&amp;quot; to the canon full frame stock in this regard.&#039;&#039;&lt;br /&gt;
* 10x Canon 250D (w/ kit lens) - &#039;&#039;&#039;£5100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.&#039;&#039;&lt;br /&gt;
* 5x Sigma 17-50 mm Lenses - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.&#039;&#039;&lt;br /&gt;
* 5x Canon 50 mm f/1.4 Lenses - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.&#039;&#039;&lt;br /&gt;
* 4x Canon 55-250mm Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good telephoto lens option for the APS-C bodies.&#039;&#039;&lt;br /&gt;
* 3x Canon 24 mm Lenses - &#039;&#039;&#039;£432&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 5x Sigma 30 mm 1.4 Lenses - &#039;&#039;&#039;£1800&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 2x Sigma 10-20mm lenses - &#039;&#039;&#039;£634&#039;&#039;&#039; &lt;br /&gt;
&#039;&#039;Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body&#039;&#039;&lt;br /&gt;
* 11x Canon 5D MKIV (onward) - &#039;&#039;&#039;£31,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.&#039;&#039;&lt;br /&gt;
* 11x Canon 24-105 mm EF Lenses - &#039;&#039;&#039;£1100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1536</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1536"/>
		<updated>2020-01-23T09:34:01Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Stores */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039;&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039;&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* New speakers without limiting in 5.22 (for Performance as if it&#039;s 6.22)&lt;br /&gt;
&lt;br /&gt;
New Camera Systems for 2nd/3rd Year Students&lt;br /&gt;
&lt;br /&gt;
BLACKMAGIC POCKET CINEMA CAMERA 6K - BODY ONLY -  &#039;&#039;&#039;£2,266.92 inc VAT&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Blackmagic Design Pocket 6K Cinema Camera 6K Body Only - EF Mount, Super 35 size 6144 x 3456 image sensor. This could serve as a Level 6 camera a shared Level 5/6 Camera depending on how many we acquire.  &lt;br /&gt;
&lt;br /&gt;
CORESWX POWERBASE EDGE - BMD POCKET 4K - &#039;&#039;&#039;£270&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Powerbase for extended battery life.&lt;br /&gt;
&lt;br /&gt;
SANDISK 256GB 525MB/S - CFAST - &#039;&#039;&#039;£599&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
CFAST 2.0 Card for BMPC&lt;br /&gt;
&lt;br /&gt;
CANON LP-E6N BATTERY (1800MAH) - &#039;&#039;&#039;£67.20&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Battery for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN BMPCC CAGE + T HANDLE SCORPIO + HDMI CLAMP - &#039;&#039;&#039;£400&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Cage and Handle for BMPC&lt;br /&gt;
&lt;br /&gt;
8SINN 15MM UNIVERSAL RODS SUPPORT - &#039;&#039;&#039;£175.99&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
SMALLHD FOCUS7 WITH BOLT 500 - &#039;&#039;&#039;£1,500&lt;br /&gt;
&#039;&#039;&#039;&lt;br /&gt;
Wireless Monitor System&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
RYCOTE MODULAR WINDSHIELD WS 2 KIT &#039;&#039;&#039;£588&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Shock Mount for Sennheiser MKH50-P48&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
* Buy USB-C audio interfaces for location recording - &#039;&#039;&#039;5000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 90D will work as an update and replacement to our 550D and 600D cameras allowing us to offer a top of the range consumer DSLR as standard to all store users. It has been agreed by both photography and media technicians that it is also capable of covering the specific needs of their students, primarily acting as &amp;quot;overspill&amp;quot; to the canon full frame stock in this regard.&#039;&#039;&lt;br /&gt;
* 10x Canon 250D (w/ kit lens) - &#039;&#039;&#039;£5100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The 250D will work as an update and replacement to our 100D and 500D stock. Complimenting our current stock of 200Ds it is a modern entry-level consumer DSLR that is capable of all general photography and video needs of store users while being simple enough to accommodate novice/first time DSLR users.&#039;&#039;&lt;br /&gt;
* 5x Sigma 17-50 mm Lenses - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Increasing our stock of these lenses to 10. They are a better standard zoom lens covering the same range as the standard canon DSLR kit lens which does not live up to the specific needs of photography or media.&#039;&#039;&lt;br /&gt;
* 5x Canon 50 mm f/1.4 Lenses - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;A very popular lens for photography that we do not have enough of. Connect2 stats suggest they are in constant use throughout trimesters 1 and 2. Most students using photography studios want to have one.&#039;&#039;&lt;br /&gt;
* 4x Canon 55-250mm Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good telephoto lens option for the APS-C bodies.&#039;&#039;&lt;br /&gt;
* 3x Canon 24 mm Lenses - &#039;&#039;&#039;£432&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Popular pancake lens for APS-C bodies. Fills roughly the same role as a 35mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 5x Sigma 30 mm 1.4 Lenses - &#039;&#039;&#039;£1800&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Good quality lens for APS-C bodies. Fills roughly the same role as a 50mm would on a full-frame body&#039;&#039;&lt;br /&gt;
* 2x Sigma 10-20mm lenses - &#039;&#039;&#039;£634&#039;&#039;&#039; &lt;br /&gt;
&#039;&#039;Good quality wide-angle zoom lens. Fills roughly the same role as a 16-35mm zoom would on a full-frame body&#039;&#039;&lt;br /&gt;
* 11x Canon 5D MKIV (onward) - &#039;&#039;&#039;£31,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Its time to start phasing out the older full-frame camera bodies. Initially, the 5D MkIIs should become available for general use meaning we will need at least as many 5D MkIVS to cover the likely increased demand and have enough professional full-frame bodies for photography and medias needs.&#039;&#039;&lt;br /&gt;
* 11x Canon 24-105 mm EF Lenses - &#039;&#039;&#039;£1100&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;For every new full-frame camera body bought that increases our full-frame stock total, we will require at least standard 24-105mm EF lens to go with it or we run the risk of having the bodies to meet demand but not the lenses. &#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1499</id>
		<title>Blackmagic URSA</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1499"/>
		<updated>2019-11-13T13:57:36Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Looking underneath the outside screen: */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[:Media:BlackmagicURSAManual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Health and Safety Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bags&#039;&#039;&#039;  - All bags and cases must be stored in a safe location away from any thoroughfares.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tripod&#039;&#039;&#039; - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mounting the Camera&#039;&#039;&#039; - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stability&#039;&#039;&#039; - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. &lt;br /&gt;
&lt;br /&gt;
== Induction Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battery&#039;&#039;&#039; - Show how to attach the V-lock battery into the back of the camera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lens and Sensor&#039;&#039;&#039; - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Open the main screen, located on the left handside=====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;CFast Card&#039;&#039;&#039; - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Power Switch&#039;&#039;&#039; - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3 LCD screens&#039;&#039;&#039; - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Format card&#039;&#039;&#039; – explain how to format the card and what choice to make between Ex-Fat and NTFS&lt;br /&gt;
&lt;br /&gt;
===== Looking to the left of the main screen=====&lt;br /&gt;
Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
===== Looking underneath the inside screen=====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iris&#039;&#039;&#039; – automatic iris control (not recommended. Won’t work on Samyang lenses)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; – auto-focus (not recommended) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Peak&#039;&#039;&#039; – choose peaking as a means to check the focus&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MENU&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Camera&#039;&#039;&#039; -  choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Audio&#039;&#039;&#039; – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recording&#039;&#039;&#039; &lt;br /&gt;
* Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)&lt;br /&gt;
* Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)&lt;br /&gt;
* Sensor area: should be left on full unless shooting higher than 80fps (discuss)&lt;br /&gt;
* Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)&lt;br /&gt;
* Project frame rate: should be left on 25 &lt;br /&gt;
* Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)&lt;br /&gt;
* Dual card mode: off&lt;br /&gt;
* Time lapse interval: explain &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; &lt;br /&gt;
* Dynamic range: explain the benefits of both&lt;br /&gt;
* Zebra settings&lt;br /&gt;
* SDI mode – NA&lt;br /&gt;
* Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slate&#039;&#039;&#039; - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t)&lt;br /&gt;
&lt;br /&gt;
==== Looking underneath the outside screen====&lt;br /&gt;
The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. &lt;br /&gt;
There is also a jack input for headphones (needs an adapter)&lt;br /&gt;
&lt;br /&gt;
On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &amp;quot;Audio in&amp;quot; silicone cover).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.&#039;&#039;&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1498</id>
		<title>Blackmagic URSA</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1498"/>
		<updated>2019-11-13T13:57:26Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Looking underneath the inside screen: */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[:Media:BlackmagicURSAManual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Health and Safety Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bags&#039;&#039;&#039;  - All bags and cases must be stored in a safe location away from any thoroughfares.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tripod&#039;&#039;&#039; - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mounting the Camera&#039;&#039;&#039; - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stability&#039;&#039;&#039; - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. &lt;br /&gt;
&lt;br /&gt;
== Induction Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battery&#039;&#039;&#039; - Show how to attach the V-lock battery into the back of the camera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lens and Sensor&#039;&#039;&#039; - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Open the main screen, located on the left handside=====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;CFast Card&#039;&#039;&#039; - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Power Switch&#039;&#039;&#039; - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3 LCD screens&#039;&#039;&#039; - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Format card&#039;&#039;&#039; – explain how to format the card and what choice to make between Ex-Fat and NTFS&lt;br /&gt;
&lt;br /&gt;
===== Looking to the left of the main screen=====&lt;br /&gt;
Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
===== Looking underneath the inside screen=====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iris&#039;&#039;&#039; – automatic iris control (not recommended. Won’t work on Samyang lenses)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; – auto-focus (not recommended) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Peak&#039;&#039;&#039; – choose peaking as a means to check the focus&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MENU&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Camera&#039;&#039;&#039; -  choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Audio&#039;&#039;&#039; – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recording&#039;&#039;&#039; &lt;br /&gt;
* Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)&lt;br /&gt;
* Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)&lt;br /&gt;
* Sensor area: should be left on full unless shooting higher than 80fps (discuss)&lt;br /&gt;
* Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)&lt;br /&gt;
* Project frame rate: should be left on 25 &lt;br /&gt;
* Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)&lt;br /&gt;
* Dual card mode: off&lt;br /&gt;
* Time lapse interval: explain &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; &lt;br /&gt;
* Dynamic range: explain the benefits of both&lt;br /&gt;
* Zebra settings&lt;br /&gt;
* SDI mode – NA&lt;br /&gt;
* Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slate&#039;&#039;&#039; - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t)&lt;br /&gt;
&lt;br /&gt;
==== Looking underneath the outside screen: ====&lt;br /&gt;
The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. &lt;br /&gt;
There is also a jack input for headphones (needs an adapter)&lt;br /&gt;
&lt;br /&gt;
On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &amp;quot;Audio in&amp;quot; silicone cover).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.&#039;&#039;&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1497</id>
		<title>Blackmagic URSA</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1497"/>
		<updated>2019-11-13T13:57:18Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Looking to the left of the main screen: */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[:Media:BlackmagicURSAManual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Health and Safety Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bags&#039;&#039;&#039;  - All bags and cases must be stored in a safe location away from any thoroughfares.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tripod&#039;&#039;&#039; - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mounting the Camera&#039;&#039;&#039; - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stability&#039;&#039;&#039; - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. &lt;br /&gt;
&lt;br /&gt;
== Induction Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battery&#039;&#039;&#039; - Show how to attach the V-lock battery into the back of the camera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lens and Sensor&#039;&#039;&#039; - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Open the main screen, located on the left handside=====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;CFast Card&#039;&#039;&#039; - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Power Switch&#039;&#039;&#039; - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3 LCD screens&#039;&#039;&#039; - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Format card&#039;&#039;&#039; – explain how to format the card and what choice to make between Ex-Fat and NTFS&lt;br /&gt;
&lt;br /&gt;
===== Looking to the left of the main screen=====&lt;br /&gt;
Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
===== Looking underneath the inside screen: =====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iris&#039;&#039;&#039; – automatic iris control (not recommended. Won’t work on Samyang lenses)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; – auto-focus (not recommended) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Peak&#039;&#039;&#039; – choose peaking as a means to check the focus&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MENU&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Camera&#039;&#039;&#039; -  choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Audio&#039;&#039;&#039; – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recording&#039;&#039;&#039; &lt;br /&gt;
* Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)&lt;br /&gt;
* Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)&lt;br /&gt;
* Sensor area: should be left on full unless shooting higher than 80fps (discuss)&lt;br /&gt;
* Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)&lt;br /&gt;
* Project frame rate: should be left on 25 &lt;br /&gt;
* Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)&lt;br /&gt;
* Dual card mode: off&lt;br /&gt;
* Time lapse interval: explain &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; &lt;br /&gt;
* Dynamic range: explain the benefits of both&lt;br /&gt;
* Zebra settings&lt;br /&gt;
* SDI mode – NA&lt;br /&gt;
* Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slate&#039;&#039;&#039; - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t) &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==== Looking underneath the outside screen: ====&lt;br /&gt;
The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. &lt;br /&gt;
There is also a jack input for headphones (needs an adapter)&lt;br /&gt;
&lt;br /&gt;
On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &amp;quot;Audio in&amp;quot; silicone cover).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.&#039;&#039;&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1496</id>
		<title>Blackmagic URSA</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1496"/>
		<updated>2019-11-13T13:57:10Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Open the main screen, located on the left handside: */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[:Media:BlackmagicURSAManual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Health and Safety Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bags&#039;&#039;&#039;  - All bags and cases must be stored in a safe location away from any thoroughfares.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tripod&#039;&#039;&#039; - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mounting the Camera&#039;&#039;&#039; - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stability&#039;&#039;&#039; - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. &lt;br /&gt;
&lt;br /&gt;
== Induction Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battery&#039;&#039;&#039; - Show how to attach the V-lock battery into the back of the camera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lens and Sensor&#039;&#039;&#039; - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Open the main screen, located on the left handside=====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;CFast Card&#039;&#039;&#039; - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Power Switch&#039;&#039;&#039; - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3 LCD screens&#039;&#039;&#039; - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Format card&#039;&#039;&#039; – explain how to format the card and what choice to make between Ex-Fat and NTFS&lt;br /&gt;
&lt;br /&gt;
===== Looking to the left of the main screen: =====&lt;br /&gt;
Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Looking underneath the inside screen: =====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iris&#039;&#039;&#039; – automatic iris control (not recommended. Won’t work on Samyang lenses)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; – auto-focus (not recommended) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Peak&#039;&#039;&#039; – choose peaking as a means to check the focus&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MENU&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Camera&#039;&#039;&#039; -  choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Audio&#039;&#039;&#039; – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recording&#039;&#039;&#039; &lt;br /&gt;
* Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)&lt;br /&gt;
* Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)&lt;br /&gt;
* Sensor area: should be left on full unless shooting higher than 80fps (discuss)&lt;br /&gt;
* Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)&lt;br /&gt;
* Project frame rate: should be left on 25 &lt;br /&gt;
* Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)&lt;br /&gt;
* Dual card mode: off&lt;br /&gt;
* Time lapse interval: explain &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; &lt;br /&gt;
* Dynamic range: explain the benefits of both&lt;br /&gt;
* Zebra settings&lt;br /&gt;
* SDI mode – NA&lt;br /&gt;
* Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slate&#039;&#039;&#039; - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t) &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==== Looking underneath the outside screen: ====&lt;br /&gt;
The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. &lt;br /&gt;
There is also a jack input for headphones (needs an adapter)&lt;br /&gt;
&lt;br /&gt;
On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &amp;quot;Audio in&amp;quot; silicone cover).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.&#039;&#039;&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1495</id>
		<title>Blackmagic URSA</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1495"/>
		<updated>2019-11-13T13:57:00Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Induction Checklist: */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[:Media:BlackmagicURSAManual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Health and Safety Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bags&#039;&#039;&#039;  - All bags and cases must be stored in a safe location away from any thoroughfares.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tripod&#039;&#039;&#039; - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mounting the Camera&#039;&#039;&#039; - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stability&#039;&#039;&#039; - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. &lt;br /&gt;
&lt;br /&gt;
== Induction Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battery&#039;&#039;&#039; - Show how to attach the V-lock battery into the back of the camera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lens and Sensor&#039;&#039;&#039; - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Open the main screen, located on the left handside: =====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;CFast Card&#039;&#039;&#039; - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Power Switch&#039;&#039;&#039; - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3 LCD screens&#039;&#039;&#039; - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Format card&#039;&#039;&#039; – explain how to format the card and what choice to make between Ex-Fat and NTFS&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Looking to the left of the main screen: =====&lt;br /&gt;
Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Looking underneath the inside screen: =====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iris&#039;&#039;&#039; – automatic iris control (not recommended. Won’t work on Samyang lenses)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; – auto-focus (not recommended) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Peak&#039;&#039;&#039; – choose peaking as a means to check the focus&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MENU&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Camera&#039;&#039;&#039; -  choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Audio&#039;&#039;&#039; – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recording&#039;&#039;&#039; &lt;br /&gt;
* Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)&lt;br /&gt;
* Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)&lt;br /&gt;
* Sensor area: should be left on full unless shooting higher than 80fps (discuss)&lt;br /&gt;
* Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)&lt;br /&gt;
* Project frame rate: should be left on 25 &lt;br /&gt;
* Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)&lt;br /&gt;
* Dual card mode: off&lt;br /&gt;
* Time lapse interval: explain &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; &lt;br /&gt;
* Dynamic range: explain the benefits of both&lt;br /&gt;
* Zebra settings&lt;br /&gt;
* SDI mode – NA&lt;br /&gt;
* Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slate&#039;&#039;&#039; - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t) &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==== Looking underneath the outside screen: ====&lt;br /&gt;
The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. &lt;br /&gt;
There is also a jack input for headphones (needs an adapter)&lt;br /&gt;
&lt;br /&gt;
On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &amp;quot;Audio in&amp;quot; silicone cover).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.&#039;&#039;&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1494</id>
		<title>Blackmagic URSA</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1494"/>
		<updated>2019-11-13T13:56:51Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[:Media:BlackmagicURSAManual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Health and Safety Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bags&#039;&#039;&#039;  - All bags and cases must be stored in a safe location away from any thoroughfares.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tripod&#039;&#039;&#039; - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mounting the Camera&#039;&#039;&#039; - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stability&#039;&#039;&#039; - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. &lt;br /&gt;
&lt;br /&gt;
== Induction Checklist: ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battery&#039;&#039;&#039; - Show how to attach the V-lock battery into the back of the camera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lens and Sensor&#039;&#039;&#039; - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Open the main screen, located on the left handside: =====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;CFast Card&#039;&#039;&#039; - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Power Switch&#039;&#039;&#039; - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3 LCD screens&#039;&#039;&#039; - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Format card&#039;&#039;&#039; – explain how to format the card and what choice to make between Ex-Fat and NTFS&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Looking to the left of the main screen: =====&lt;br /&gt;
Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Looking underneath the inside screen: =====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iris&#039;&#039;&#039; – automatic iris control (not recommended. Won’t work on Samyang lenses)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; – auto-focus (not recommended) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Peak&#039;&#039;&#039; – choose peaking as a means to check the focus&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MENU&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Camera&#039;&#039;&#039; -  choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Audio&#039;&#039;&#039; – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recording&#039;&#039;&#039; &lt;br /&gt;
* Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)&lt;br /&gt;
* Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)&lt;br /&gt;
* Sensor area: should be left on full unless shooting higher than 80fps (discuss)&lt;br /&gt;
* Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)&lt;br /&gt;
* Project frame rate: should be left on 25 &lt;br /&gt;
* Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)&lt;br /&gt;
* Dual card mode: off&lt;br /&gt;
* Time lapse interval: explain &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; &lt;br /&gt;
* Dynamic range: explain the benefits of both&lt;br /&gt;
* Zebra settings&lt;br /&gt;
* SDI mode – NA&lt;br /&gt;
* Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slate&#039;&#039;&#039; - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t) &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==== Looking underneath the outside screen: ====&lt;br /&gt;
The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. &lt;br /&gt;
There is also a jack input for headphones (needs an adapter)&lt;br /&gt;
&lt;br /&gt;
On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &amp;quot;Audio in&amp;quot; silicone cover).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.&#039;&#039;&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1493</id>
		<title>Blackmagic URSA</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1493"/>
		<updated>2019-11-13T13:56:34Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[:Media:BlackmagicURSAManual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Health and Safety Checklist:  ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bags&#039;&#039;&#039;  - All bags and cases must be stored in a safe location away from any thoroughfares.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tripod&#039;&#039;&#039; - The LIBEC tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mounting the Camera&#039;&#039;&#039; - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. The base plate should always remain attached to the camera&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stability&#039;&#039;&#039; - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. &lt;br /&gt;
&lt;br /&gt;
== Induction Checklist: ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battery&#039;&#039;&#039; - Show how to attach the V-lock battery into the back of the camera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lens and Sensor&#039;&#039;&#039; - Explain the importance of sheltering the sensor from prolonged exposure to light and dust, how it should never be touched or attempt to clean it (if it needs cleaning, bring it back in store and the camera will get sent off where a clean can be performed by trained staff). The EF mount lenses attach by aligning the red dot on the lens with the one on the camera, inserting the lens and sliding it until the click that suggests it is securely attached can be heard. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Open the main screen, located on the left handside: =====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;CFast Card&#039;&#039;&#039; - Identify CFast card slots and explain the correct way of inserting them. Encourage the use of only one CFast card at a time (due to previous card errors). &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Power Switch&#039;&#039;&#039; - Highlight location of the power switch, push down for a couple of seconds and release so that the camera switches on&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3 LCD screens&#039;&#039;&#039; - Bring the students’ attention to the location of the 3 screens and make them aware that each screen can be customised separately to show the settings that the person and the team using it (eg. director/cinematographer/sound team/continuity logger) benefit most from seeing&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Format card&#039;&#039;&#039; – explain how to format the card and what choice to make between Ex-Fat and NTFS&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Looking to the left of the main screen: =====&lt;br /&gt;
Record button, playback, increase/decrease aperture, zoom=focus assist, display button, PGM (not applicable unless in a studio environment where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===== Looking underneath the inside screen: =====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iris&#039;&#039;&#039; – automatic iris control (not recommended. Won’t work on Samyang lenses)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; – auto-focus (not recommended) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Peak&#039;&#039;&#039; – choose peaking as a means to check the focus&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; – choose between a screen that displays recording information, one that can be used as a 2nd monitor, or to enter the submenu which enables you to format cards, switch zebra on (SDI guides not applicable unless in a studio setup where multiple cameras are connected)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MENU&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Camera&#039;&#039;&#039; -  choose between 200/400/800 ISO, select the apropriate Kelvin colour temperature, and the correct shutter angle (172.8 or 180)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Audio&#039;&#039;&#039; – if you connect a microphone, make sure the audio input is switched to “input”, if recording scratch audio make sure you leave it on “camera” &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recording&#039;&#039;&#039; &lt;br /&gt;
* Codec: recommended- ProRes 422 (other options include RAW – discuss the difference)&lt;br /&gt;
* Resolution: recommended – 1920x1080 (other options include 4k – discuss the difference)&lt;br /&gt;
* Sensor area: should be left on full unless shooting higher than 80fps (discuss)&lt;br /&gt;
* Dynamic range: should be left on “film” to ensure the best dynamic range (discuss)&lt;br /&gt;
* Project frame rate: should be left on 25 &lt;br /&gt;
* Sensor frame rate: should be left on 25 or “match”, unless shooting slow motion (discuss)&lt;br /&gt;
* Dual card mode: off&lt;br /&gt;
* Time lapse interval: explain &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Display&#039;&#039;&#039; &lt;br /&gt;
* Dynamic range: explain the benefits of both&lt;br /&gt;
* Zebra settings&lt;br /&gt;
* SDI mode – NA&lt;br /&gt;
* Frame guide/guide opacity: a helpful way of judging the correct framing if planning to deliver in a different aspect ratio (the footage still gets recorded in 16:9)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slate&#039;&#039;&#039; - helps you keep a log of the footage. However, this is only useful if the editing software can read the metadata (Premiere can’t) &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==== Looking underneath the outside screen: ====&lt;br /&gt;
The same settings can be found and altered, however some settings such as “peak” will only affect that specific screen. &lt;br /&gt;
There is also a jack input for headphones (needs an adapter)&lt;br /&gt;
&lt;br /&gt;
On the same side of the camera, to the front, there are a mains input and 2 XLR inputs (underneath the &amp;quot;Audio in&amp;quot; silicone cover).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.&#039;&#039;&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Production/URSA&amp;diff=1492</id>
		<title>Production/URSA</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Production/URSA&amp;diff=1492"/>
		<updated>2019-11-13T13:56:07Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: Redirected page to Blackmagic URSA&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Blackmagic URSA]]&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&amp;diff=1491</id>
		<title>Panasonic AG-UX180</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&amp;diff=1491"/>
		<updated>2019-11-13T13:46:13Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Instructional Videos */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This will contain a list of resources for the Panasonic AG-UX180:&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;|Left box 1 title&amp;quot;&amp;gt;[[Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]]&lt;br /&gt;
&lt;br /&gt;
==Health and Safety==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bags&#039;&#039;&#039; - All bags and cases must be stored in a safe location away from any thoroughfares.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tripod&#039;&#039;&#039; - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mounting the Camera&#039;&#039;&#039; - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stability&#039;&#039;&#039; - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. &lt;br /&gt;
&lt;br /&gt;
==Induction Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battery&#039;&#039;&#039; - Show how to insert the battery into the back of the camera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;SD Card&#039;&#039;&#039; - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Power Switch&#039;&#039;&#039; - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;EVF&#039;&#039;&#039; - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lens Cover&#039;&#039;&#039; - Explain the importance and the location of the lens cover.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zoom&#039;&#039;&#039; - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iris&#039;&#039;&#039; - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Gain&#039;&#039;&#039; - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;White Balance&#039;&#039;&#039; - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance. &lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Shutter&#039;&#039;&#039; - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Record Button&#039;&#039;&#039; - Indicate the location of the record button&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Thumbnail&#039;&#039;&#039; - The thumbnail button allows students to review the footage they have captured. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slow-Motion&#039;&#039;&#039; - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Time-lapse&#039;&#039;&#039; - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Instructional Videos==&lt;br /&gt;
===Introduction to the UX Series===&lt;br /&gt;
&amp;lt;youtube&amp;gt;Azq5cuqlAbI&amp;lt;/youtube&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Slow Motion===&lt;br /&gt;
&amp;lt;youtube&amp;gt;p6z1A3-IjCY&amp;lt;/youtube&amp;gt;&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&amp;diff=1490</id>
		<title>Panasonic AG-UX180</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&amp;diff=1490"/>
		<updated>2019-11-13T13:42:41Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Instructional Videos */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This will contain a list of resources for the Panasonic AG-UX180:&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;|Left box 1 title&amp;quot;&amp;gt;[[Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]]&lt;br /&gt;
&lt;br /&gt;
==Health and Safety==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bags&#039;&#039;&#039; - All bags and cases must be stored in a safe location away from any thoroughfares.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tripod&#039;&#039;&#039; - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mounting the Camera&#039;&#039;&#039; - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stability&#039;&#039;&#039; - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. &lt;br /&gt;
&lt;br /&gt;
==Induction Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battery&#039;&#039;&#039; - Show how to insert the battery into the back of the camera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;SD Card&#039;&#039;&#039; - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Power Switch&#039;&#039;&#039; - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;EVF&#039;&#039;&#039; - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lens Cover&#039;&#039;&#039; - Explain the importance and the location of the lens cover.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zoom&#039;&#039;&#039; - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iris&#039;&#039;&#039; - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Gain&#039;&#039;&#039; - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;White Balance&#039;&#039;&#039; - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance. &lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Shutter&#039;&#039;&#039; - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Record Button&#039;&#039;&#039; - Indicate the location of the record button&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Thumbnail&#039;&#039;&#039; - The thumbnail button allows students to review the footage they have captured. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slow-Motion&#039;&#039;&#039; - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Time-lapse&#039;&#039;&#039; - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Instructional Videos==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;youtube&amp;gt;Azq5cuqlAbI&amp;lt;/youtube&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Introduction to the UX Series&#039;&#039;&#039; https://www.youtube.com/watch?v=Azq5cuqlAbI&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slow Motion&#039;&#039;&#039; https://www.youtube.com/watch?v=p6z1A3-IjCY&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Production/PANASONICAG-UX180&amp;diff=1489</id>
		<title>Production/PANASONICAG-UX180</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Production/PANASONICAG-UX180&amp;diff=1489"/>
		<updated>2019-11-13T13:42:19Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: A.j.davison moved page Production/PANASONICAG-UX180 to Panasonic AG-UX180: Incorrect name.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Panasonic AG-UX180]]&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&amp;diff=1488</id>
		<title>Panasonic AG-UX180</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Panasonic_AG-UX180&amp;diff=1488"/>
		<updated>2019-11-13T13:42:19Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: A.j.davison moved page Production/PANASONICAG-UX180 to Panasonic AG-UX180: Incorrect name.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This will contain a list of resources for the Panasonic AG-UX180:&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
Panasonic AG-UX180 4K Handheld Camcorder with UHD 60p Recording and a Fixed 20x Optical Zoom Lens . The AG-UX180 is the premium model of the new UX range and allows for easy, high-quality 4K, UHD and FHD recording.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;|Left box 1 title&amp;quot;&amp;gt;[[Media:AG-UX180P.PJ(DVQP1161ZA)_E.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:PanasonicAGUX180.jpg|thumb|Panasonic AG-UX180]]&lt;br /&gt;
&lt;br /&gt;
==Health and Safety==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bags&#039;&#039;&#039; - All bags and cases must be stored in a safe location away from any thoroughfares.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tripod&#039;&#039;&#039; - The tripod must be set up correctly on even ground, ensuring the spreader is locked, the legs are raised evenly and do not slip under pressure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mounting the Camera&#039;&#039;&#039; - Make sure that the camera is mounted on the tripod correctly ensuring the plate is fastened securely to both the camera and the tripod. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stability&#039;&#039;&#039; - Ensure that if the camera is front or back heavy there is a supporting leg taking that weight. &lt;br /&gt;
&lt;br /&gt;
==Induction Checklist==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battery&#039;&#039;&#039; - Show how to insert the battery into the back of the camera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;SD Card&#039;&#039;&#039; - Identify SD card slots, explain use the need for SDXC cards for 4K shooting and mention that standard SDHC will suffice for FHD shooting. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Power Switch&#039;&#039;&#039; - Highlight location of the power switch, push down on the white button and slide it into the ‘On’ position. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;EVF&#039;&#039;&#039; - Bring the students attention to the location of the EVF and how to remove it from it’s holster, explain that the EVF must be returned to its original location before it is placed in the bag (We’ll enlist the help of the store to check this) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lens Cover&#039;&#039;&#039; - Explain the importance and the location of the lens cover.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; - The first ring on the camera is the focus ring, explain its use and draw attention to the macro focus option if appropriate (default for Macro focus is USER Button 2)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zoom&#039;&#039;&#039; - There are 3 ways to zoom on the camera, the ring, or the two rockers, point each one out. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iris&#039;&#039;&#039; - Explain the use of the iris and F-Stops if level appropriate, (This camera goes to Open F3 to Close F11&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Gain&#039;&#039;&#039; - Explain the use of gain and its drawbacks, there are two ways to use the gain on this camera, if you simple push the gain button it will toggle between 3 different gain settings (High, Mid, Low) however if you use the SEL/PUSH/SET wheel to select ‘GAIN’ (it will be orange if selected) then you can push the SEL/PUSH/SET wheel to manually set the gain from 0dB through to 24dB &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;White Balance&#039;&#039;&#039; - There are few ways of setting the white balance, you can push the white balance but until Ach or Bch is selected and from there hold up a white object and use the AWB button on the front of the camera to automatically calibrate the white balance. You can push the white balance button until PRST is selected and then use the SEL/PUSH/SET wheel to select VAR and push the SEL/PUSH/SET wheel in to allow you to use the wheel to now set a manual white balance. &lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Shutter&#039;&#039;&#039; - The shutter button can be used to set an auto shutter for the camera or it can pushed again to allow a manual shutter speed to be set using the SEL/PUSH/SET wheel.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Focus&#039;&#039;&#039; (Auto, Man, Inf) Focus Assist, Push Auto. - Draw attention to the focus button &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Record Button&#039;&#039;&#039; - Indicate the location of the record button&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Thumbnail&#039;&#039;&#039; - The thumbnail button allows students to review the footage they have captured. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slow-Motion&#039;&#039;&#039; - To use slow motion set the Recording Format to FHD 25p 50M (We need to assign a user switch we all agree on to Slow Mo, I think 3 will be the best) Activate the user switch&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Time-lapse&#039;&#039;&#039; - This is under Interval Recording in the menu. Remember to set a slower shutter speed if motion blur is desired.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Be aware that when hiring equipment, you are fully responsible for that equipment, take note when unpacking so that when packing away the equipment is stored in the same way. All equipment is packed in a specific way to avoid damage and wearing to the equipment. If it isn’t stored correctly you are liable for a fine.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Instructional Videos==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Introduction to the UX Series&#039;&#039;&#039; https://www.youtube.com/watch?v=Azq5cuqlAbI&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Slow Motion&#039;&#039;&#039; https://www.youtube.com/watch?v=p6z1A3-IjCY&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1469</id>
		<title>Blackmagic URSA</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1469"/>
		<updated>2019-11-11T11:56:29Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The URSA is a camera.&lt;br /&gt;
&lt;br /&gt;
[[:Media:BlackmagicURSAManual.pdf]]&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1468</id>
		<title>Blackmagic URSA</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Blackmagic_URSA&amp;diff=1468"/>
		<updated>2019-11-11T11:56:14Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: Created page with &amp;quot;The URSA is a camera.  :File:BlackmagicURSAManual.pdf&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The URSA is a camera.&lt;br /&gt;
&lt;br /&gt;
[[:File:BlackmagicURSAManual.pdf]]&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=File:BlackmagicURSAManual.pdf&amp;diff=1467</id>
		<title>File:BlackmagicURSAManual.pdf</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=File:BlackmagicURSAManual.pdf&amp;diff=1467"/>
		<updated>2019-11-11T11:56:03Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: File uploaded with MsUpload&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;File uploaded with MsUpload&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&amp;diff=1460</id>
		<title>Sinar Large Format Camera</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&amp;diff=1460"/>
		<updated>2019-11-08T14:29:46Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[Media:sinar_introduction-manual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
The Sinar F monorail is a large format studio camera. It comes with a 150mm lens, six film holders and shoots 5x4 inch sheet film.&lt;br /&gt;
&lt;br /&gt;
==Contents== &lt;br /&gt;
The Specialist Equipment Stores Sinar F Monorail Camera comes in kit form and should consist of: [[File:Sinar_Large_Format_test.jpg|thumb|Sinar F Monorail Camera Kit]]&lt;br /&gt;
* 1x Sinar F 5x4” monorail camera with standard bellows&lt;br /&gt;
* 1x Sinar Sinaron S MC 150mm f5.6 lens&lt;br /&gt;
* 1x Sinar rail clamp&lt;br /&gt;
* 6x 5x4” double sheet film holders with dark slides&lt;br /&gt;
* 1x Silvestri 6x focusing loupe with neck strap and pouch&lt;br /&gt;
* 2x flash sync cables, PC to small jack&lt;br /&gt;
* 1x 3.5mm to 6.35mm jack adaptor&lt;br /&gt;
* 1x Weighted seam dark viewing cloth&lt;br /&gt;
* 1x Flight case&lt;br /&gt;
&lt;br /&gt;
==== Packing Instructions ====&lt;br /&gt;
Proper Storage of the Sinar F Monorail Large Format Camera in its flight case:&lt;br /&gt;
&lt;br /&gt;
# Set both front and rear standards to &#039;normal&#039; position (ie. standard height and zero tilt).&lt;br /&gt;
# Remove the bellows completely from the camera and place at the bottom of the case in the middle.&lt;br /&gt;
# Move the front and rear standards of the camera to the maximum extension at the very ends of the rail.&lt;br /&gt;
# Use the fine focus knob to move the rear standard to the end of its travel, so the two standards are as far away from each other as possible.&lt;br /&gt;
# Lower the rear standard to the minimum height.&lt;br /&gt;
# Tilt rear standard containing the viewing screen forward until it is horizontal and lock it in place.&lt;br /&gt;
# Tilt front standard backwards until it is horizontal and lock it in place.&lt;br /&gt;
# Take the camera off the rail clamp.&lt;br /&gt;
# Put the camera in the case with the lens to the bottom, so that the lens board rests on the bellows and the lens is protected.&lt;br /&gt;
# Fold up the dark cloth and place it on top of the rail.&lt;br /&gt;
# Put the film holders horizontally into the side compartment.&lt;br /&gt;
# Place the rail clamp upside down in the side compartment.&lt;br /&gt;
&lt;br /&gt;
The case lid should close without putting pressure on the camera. If it doesn&#039;t, you may need to re-adjust the height of the standards on the camera or check that there aren&#039;t items in the pockets causing an obstruction.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&amp;diff=1459</id>
		<title>Sinar Large Format Camera</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&amp;diff=1459"/>
		<updated>2019-11-08T14:29:22Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[:File:sinar_introduction-manual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
The Sinar F monorail is a large format studio camera. It comes with a 150mm lens, six film holders and shoots 5x4 inch sheet film.&lt;br /&gt;
&lt;br /&gt;
==Contents== &lt;br /&gt;
The Specialist Equipment Stores Sinar F Monorail Camera comes in kit form and should consist of: [[File:Sinar_Large_Format_test.jpg|thumb|Sinar F Monorail Camera Kit]]&lt;br /&gt;
* 1x Sinar F 5x4” monorail camera with standard bellows&lt;br /&gt;
* 1x Sinar Sinaron S MC 150mm f5.6 lens&lt;br /&gt;
* 1x Sinar rail clamp&lt;br /&gt;
* 6x 5x4” double sheet film holders with dark slides&lt;br /&gt;
* 1x Silvestri 6x focusing loupe with neck strap and pouch&lt;br /&gt;
* 2x flash sync cables, PC to small jack&lt;br /&gt;
* 1x 3.5mm to 6.35mm jack adaptor&lt;br /&gt;
* 1x Weighted seam dark viewing cloth&lt;br /&gt;
* 1x Flight case&lt;br /&gt;
&lt;br /&gt;
==== Packing Instructions ====&lt;br /&gt;
Proper Storage of the Sinar F Monorail Large Format Camera in its flight case:&lt;br /&gt;
&lt;br /&gt;
# Set both front and rear standards to &#039;normal&#039; position (ie. standard height and zero tilt).&lt;br /&gt;
# Remove the bellows completely from the camera and place at the bottom of the case in the middle.&lt;br /&gt;
# Move the front and rear standards of the camera to the maximum extension at the very ends of the rail.&lt;br /&gt;
# Use the fine focus knob to move the rear standard to the end of its travel, so the two standards are as far away from each other as possible.&lt;br /&gt;
# Lower the rear standard to the minimum height.&lt;br /&gt;
# Tilt rear standard containing the viewing screen forward until it is horizontal and lock it in place.&lt;br /&gt;
# Tilt front standard backwards until it is horizontal and lock it in place.&lt;br /&gt;
# Take the camera off the rail clamp.&lt;br /&gt;
# Put the camera in the case with the lens to the bottom, so that the lens board rests on the bellows and the lens is protected.&lt;br /&gt;
# Fold up the dark cloth and place it on top of the rail.&lt;br /&gt;
# Put the film holders horizontally into the side compartment.&lt;br /&gt;
# Place the rail clamp upside down in the side compartment.&lt;br /&gt;
&lt;br /&gt;
The case lid should close without putting pressure on the camera. If it doesn&#039;t, you may need to re-adjust the height of the standards on the camera or check that there aren&#039;t items in the pockets causing an obstruction.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&amp;diff=1458</id>
		<title>Sinar Large Format Camera</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&amp;diff=1458"/>
		<updated>2019-11-08T14:29:01Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[:File:sinar_introduction-manual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
The Sinar F monorail is a large format studio camera. It comes with a 150mm lens, six film holders and shoots 5x4 inch sheet film.&lt;br /&gt;
&lt;br /&gt;
==Contents== &lt;br /&gt;
The Specialist Equipment Stores Sinar F Monorail Camera comes in kit form and should consist of: [[File:Sinar_Large_Format_test.jpg|thumb|Sinar F Monorail Camera Kit]]&lt;br /&gt;
* 1x Sinar F 5x4” monorail camera with standard bellows&lt;br /&gt;
* 1x Sinar Sinaron S MC 150mm f5.6 lens&lt;br /&gt;
* 1x Sinar rail clamp&lt;br /&gt;
* 6x 5x4” double sheet film holders with dark slides&lt;br /&gt;
* 1x Silvestri 6x focusing loupe with neck strap and pouch&lt;br /&gt;
* 2x flash sync cables, PC to small jack&lt;br /&gt;
* 1x 3.5mm to 6.35mm jack adaptor&lt;br /&gt;
* 1x Weighted seam dark viewing cloth&lt;br /&gt;
* 1x Flight case&lt;br /&gt;
&lt;br /&gt;
==== Packing Instructions ====&lt;br /&gt;
Proper Storage of the Sinar F Monorail Large Format Camera in its flight case:&lt;br /&gt;
&lt;br /&gt;
# Set both front and rear standards to &#039;normal&#039; position (ie. standard height and zero tilt).&lt;br /&gt;
# Remove the bellows completely from the camera and place at the bottom of the case in the middle.&lt;br /&gt;
# Move the front and rear standards of the camera to the maximum extension at the very ends of the rail.&lt;br /&gt;
# Use the fine focus knob to move the rear standard to the end of its travel, so the two standards are as far away from each other as possible.&lt;br /&gt;
# Lower the rear standard to the minimum height.&lt;br /&gt;
# Tilt rear standard containing the viewing screen forward until it is horizontal and lock it in place.&lt;br /&gt;
# Tilt front standard backwards until it is horizontal and lock it in place.&lt;br /&gt;
# Take the camera off the rail clamp.&lt;br /&gt;
# Put the camera in the case with the lens to the bottom, so that the lens board rests on the bellows and the lens is protected.&lt;br /&gt;
# Fold up the dark cloth and place it on top of the rail.&lt;br /&gt;
# Put the film holders horizontally into the side compartment.&lt;br /&gt;
# Place the rail clamp upside down in the side compartment.&lt;br /&gt;
&lt;br /&gt;
The case lid should close without putting pressure on the camera. If it doesn&#039;t, you may need to re-adjust the height of the standards on the camera or check that there aren&#039;t items in the pockets causing an obstruction.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=File:Sinar_introduction-manual.pdf&amp;diff=1457</id>
		<title>File:Sinar introduction-manual.pdf</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=File:Sinar_introduction-manual.pdf&amp;diff=1457"/>
		<updated>2019-11-08T14:28:14Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: File uploaded with MsUpload&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;File uploaded with MsUpload&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&amp;diff=1456</id>
		<title>Sinar Large Format Camera</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&amp;diff=1456"/>
		<updated>2019-11-08T14:27:33Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;http://www.galerie-photo.com/images/sinar_introduction-manual.pdf&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;rightbox&amp;quot;&amp;gt;[[Media:Orange-VT1000-Valve-Tester-Manual.pdf|&#039;&#039;&#039;User Manual&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
The Sinar F monorail is a large format studio camera. It comes with a 150mm lens, six film holders and shoots 5x4 inch sheet film.&lt;br /&gt;
&lt;br /&gt;
==Contents== &lt;br /&gt;
The Specialist Equipment Stores Sinar F Monorail Camera comes in kit form and should consist of: [[File:Sinar_Large_Format_test.jpg|thumb|Sinar F Monorail Camera Kit]]&lt;br /&gt;
* 1x Sinar F 5x4” monorail camera with standard bellows&lt;br /&gt;
* 1x Sinar Sinaron S MC 150mm f5.6 lens&lt;br /&gt;
* 1x Sinar rail clamp&lt;br /&gt;
* 6x 5x4” double sheet film holders with dark slides&lt;br /&gt;
* 1x Silvestri 6x focusing loupe with neck strap and pouch&lt;br /&gt;
* 2x flash sync cables, PC to small jack&lt;br /&gt;
* 1x 3.5mm to 6.35mm jack adaptor&lt;br /&gt;
* 1x Weighted seam dark viewing cloth&lt;br /&gt;
* 1x Flight case&lt;br /&gt;
&lt;br /&gt;
==== Packing Instructions ====&lt;br /&gt;
Proper Storage of the Sinar F Monorail Large Format Camera in its flight case:&lt;br /&gt;
&lt;br /&gt;
# Set both front and rear standards to &#039;normal&#039; position (ie. standard height and zero tilt).&lt;br /&gt;
# Remove the bellows completely from the camera and place at the bottom of the case in the middle.&lt;br /&gt;
# Move the front and rear standards of the camera to the maximum extension at the very ends of the rail.&lt;br /&gt;
# Use the fine focus knob to move the rear standard to the end of its travel, so the two standards are as far away from each other as possible.&lt;br /&gt;
# Lower the rear standard to the minimum height.&lt;br /&gt;
# Tilt rear standard containing the viewing screen forward until it is horizontal and lock it in place.&lt;br /&gt;
# Tilt front standard backwards until it is horizontal and lock it in place.&lt;br /&gt;
# Take the camera off the rail clamp.&lt;br /&gt;
# Put the camera in the case with the lens to the bottom, so that the lens board rests on the bellows and the lens is protected.&lt;br /&gt;
# Fold up the dark cloth and place it on top of the rail.&lt;br /&gt;
# Put the film holders horizontally into the side compartment.&lt;br /&gt;
# Place the rail clamp upside down in the side compartment.&lt;br /&gt;
&lt;br /&gt;
The case lid should close without putting pressure on the camera. If it doesn&#039;t, you may need to re-adjust the height of the standards on the camera or check that there aren&#039;t items in the pockets causing an obstruction.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&amp;diff=1455</id>
		<title>Sinar Large Format Camera</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Sinar_Large_Format_Camera&amp;diff=1455"/>
		<updated>2019-11-08T14:26:29Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;http://www.galerie-photo.com/images/sinar_introduction-manual.pdf&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
The Sinar F monorail is a large format studio camera. It comes with a 150mm lens, six film holders and shoots 5x4 inch sheet film.&lt;br /&gt;
&lt;br /&gt;
==Contents== &lt;br /&gt;
The Specialist Equipment Stores Sinar F Monorail Camera comes in kit form and should consist of: [[File:Sinar_Large_Format_test.jpg|thumb|Sinar F Monorail Camera Kit]]&lt;br /&gt;
* 1x Sinar F 5x4” monorail camera with standard bellows&lt;br /&gt;
* 1x Sinar Sinaron S MC 150mm f5.6 lens&lt;br /&gt;
* 1x Sinar rail clamp&lt;br /&gt;
* 6x 5x4” double sheet film holders with dark slides&lt;br /&gt;
* 1x Silvestri 6x focusing loupe with neck strap and pouch&lt;br /&gt;
* 2x flash sync cables, PC to small jack&lt;br /&gt;
* 1x 3.5mm to 6.35mm jack adaptor&lt;br /&gt;
* 1x Weighted seam dark viewing cloth&lt;br /&gt;
* 1x Flight case&lt;br /&gt;
&lt;br /&gt;
==== Packing Instructions ====&lt;br /&gt;
Proper Storage of the Sinar F Monorail Large Format Camera in its flight case:&lt;br /&gt;
&lt;br /&gt;
# Set both front and rear standards to &#039;normal&#039; position (ie. standard height and zero tilt).&lt;br /&gt;
# Remove the bellows completely from the camera and place at the bottom of the case in the middle.&lt;br /&gt;
# Move the front and rear standards of the camera to the maximum extension at the very ends of the rail.&lt;br /&gt;
# Use the fine focus knob to move the rear standard to the end of its travel, so the two standards are as far away from each other as possible.&lt;br /&gt;
# Lower the rear standard to the minimum height.&lt;br /&gt;
# Tilt rear standard containing the viewing screen forward until it is horizontal and lock it in place.&lt;br /&gt;
# Tilt front standard backwards until it is horizontal and lock it in place.&lt;br /&gt;
# Take the camera off the rail clamp.&lt;br /&gt;
# Put the camera in the case with the lens to the bottom, so that the lens board rests on the bellows and the lens is protected.&lt;br /&gt;
# Fold up the dark cloth and place it on top of the rail.&lt;br /&gt;
# Put the film holders horizontally into the side compartment.&lt;br /&gt;
# Place the rail clamp upside down in the side compartment.&lt;br /&gt;
&lt;br /&gt;
The case lid should close without putting pressure on the camera. If it doesn&#039;t, you may need to re-adjust the height of the standards on the camera or check that there aren&#039;t items in the pockets causing an obstruction.&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1435</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1435"/>
		<updated>2019-10-02T12:57:41Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Year 4 (2020-21) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039;&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039;&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* New speakers without limiting in 5.22 (for Performance as if it&#039;s 6.22)&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
* Buy USB-C audio interfaces for location recording - &#039;&#039;&#039;5000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2017-18)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2018-19)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2019-20)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2020-21)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens)&lt;br /&gt;
* 10x Canon 250D (w/ kit lens)&lt;br /&gt;
* 20x Sigma 17-50 mm Lenses&lt;br /&gt;
* 10x Canon 50 mm f/1.8 Lenses&lt;br /&gt;
* 5x Canon 55-20 0mm Lenses&lt;br /&gt;
* 5x Canon 24 mm Lenses&lt;br /&gt;
&lt;br /&gt;
* 11x Canon 5D&lt;br /&gt;
* 11x Canon 24-105 mm EF Lenses&lt;br /&gt;
* 5x Canon 16-35 mm EF Lenses&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2022-23)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1434</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1434"/>
		<updated>2019-10-02T12:57:09Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Year 4 (2020-21) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039;&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039;&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* New speakers without limiting in 5.22 (for Performance as if it&#039;s 6.22)&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
* Buy USB-C audio interfaces for location recording - &#039;&#039;&#039;5000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2017-18)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2018-19)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2019-20)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2020-21)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens)&lt;br /&gt;
* 10x Canon 250D (w/ kit lens)&lt;br /&gt;
* 20x Sigma 17-50 mm Lenses&lt;br /&gt;
* 10x Canon 50 mm f/1.8 Lenses&lt;br /&gt;
* 5x Canon 55-20 0mm Lenses&lt;br /&gt;
* 5x Canon 24 mm Lenses&lt;br /&gt;
&lt;br /&gt;
* 11x Canon 5D&lt;br /&gt;
* 11x Canon 24-105 mm EF Lenses&lt;br /&gt;
* 5x Canon 16-35 EF Lenses&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2022-23)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
	<entry>
		<id>https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1433</id>
		<title>Planning</title>
		<link rel="alternate" type="text/html" href="https://wiki.newadelphi.uk/index.php?title=Planning&amp;diff=1433"/>
		<updated>2019-10-02T12:56:17Z</updated>

		<summary type="html">&lt;p&gt;A.j.davison: /* Year 4 (2020-21) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a scratch page for future planning in each area.&lt;br /&gt;
&lt;br /&gt;
==Annual Software Charges==&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;August:&#039;&#039;&#039; Waves Platinum - 8 Seats @ £46.99 ex VAT = £451.10 inc VAT - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;November:&#039;&#039;&#039; Cycling &#039;74 Max - 36 Seats @ £110 ex VAT = £4752 inc VAT - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved in to New Adelphi, move and reset costs.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* New 180 cameras.&lt;br /&gt;
* New 5D cameras.&lt;br /&gt;
* New C100 cameras.&lt;br /&gt;
* Renewal of EditShare support for 2 years - [As Installed] - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement pedestals in Screen 1 - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO 600 Light (x16) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO &#039;Rio&#039; Bags (x16) - &#039;&#039;&#039;£500&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Stands (x16) - &#039;&#039;&#039;£3000&#039;&#039;&#039;&lt;br /&gt;
* LEDGO Batteries (x16) - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* Canon C100 + Atomos Bundle (x2) - &#039;&#039;&#039;£6,000&#039;&#039;&#039;&lt;br /&gt;
* Manfrotto 504HD,546BK Tripods (x8) - &#039;&#039;&#039;£5,500&#039;&#039;&#039;&lt;br /&gt;
* Samyang VDSLR Lens Kit (x2) - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Lighting for Screen 1 - &#039;&#039;&#039;£28,000&#039;&#039;&#039;&lt;br /&gt;
* Lighting for Screen 2 - &#039;&#039;&#039;£22,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of EditShare - &#039;&#039;&#039;£80,000&#039;&#039;&#039;&lt;br /&gt;
* Blackmagic Duplicator, Remotes, MultiDocks - &#039;&#039;&#039;£15,000&#039;&#039;&#039;&lt;br /&gt;
* Gimbal / Dolly Equipment - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* New speakers without limiting in 5.22 (for Performance as if it&#039;s 6.22)&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
&lt;br /&gt;
===Year 8 (2023-24)===&lt;br /&gt;
&lt;br /&gt;
==Recording==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2016-17)===&lt;br /&gt;
* Moved into New Adelphi, complete studio rebuild, some restocking.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2017-18)===&lt;br /&gt;
* No significant expenditure beyond maintenance and consumables.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2018-19)===&lt;br /&gt;
* Replacement of all keyboards in the Mac Suite - [Arturia Keylab Essential 49] - &#039;&#039;&#039;£6,000&#039;&#039;&#039; &lt;br /&gt;
* Studio Composition Room - [See [[Media:STUDIO COMP ROOM PLAN.pdf|Studio Comp PDF]] for a rough plan/guide] - &#039;&#039;&#039;£11,000&#039;&#039;&#039;&lt;br /&gt;
* Replace broken JoeCo recorder + additional Focus Scarlett Kit - [Scarlett 18i20/Cymatic uTrack24? or Like for Like] - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Acoustic Treatment + Additional Baffle Boards [1-2 addition tall GOBO&#039;s per Studio + Bass Traps for booths + GOBOS for Band Room] - &#039;&#039;&#039;£9000&#039;&#039;&#039;&lt;br /&gt;
* Replace Zoom H4N with H6 and add to current stock levels - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
* Increase splitter stock for location recording - &#039;&#039;&#039;£2000&#039;&#039;&#039;&lt;br /&gt;
* Thomann order: 6x Rugs, 6x round base stands, 16x medium K&amp;amp;M stands, 10x K&amp;amp;M boom arms - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2019-20)===&lt;br /&gt;
* Replacement of unbalanced Monacor talkback speakers in live rooms - [Genelec 8030s] - &#039;&#039;&#039;£4,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Ceiling treatment for all studios [Ceiling Tiles] - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stands (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£3,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of microphone stock &amp;gt;&amp;gt; [https://wiki.newadelphi.uk/wiki/images/2/27/Mic_Update_2019_Plan.png Mic Update Spreadsheet]&amp;gt;&amp;gt;(replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£17,683&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Although often expensive, Microphones get more use in the university environment than in almost any other due to the nature of the number of Studios our microphone stock caters for. As such a semi-regular refresh as well as additional stock is vital for the continued smooth running of the Recording Studios both to help expand existing stock&#039;s lifespan as well as to provide greater industry-standard choice to our ever growing student population.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [https://www.proaudioeurope.com/used-vintage/studer-a827-multitrack-tape-used.html STUDER A827 - 24 Track Reel to Reel] - &#039;&#039;&#039;£7,200&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;The requirement for a new Tape Machine has become more urgent in the past year, firstly, the Studer A827 would be compatible with our other 2&amp;quot; Tape Machine which is currently housed in Studio 3 (currently the only one) so students/staff and professionals would be able to transfer work between the two machines. Secondly, our current 1&amp;quot; Tape Machines are malfunctioning/unravelling to the detriment of students work and can no longer be used as reliable recording machines with consistency. Adding urgency to this decision, our 1&amp;quot; Tape stock is now old and beginning to degrade over time, rather than purchase expensive new Tape for the 1&amp;quot; Machines which are decidedly nearing the end of their lifetimes, purchasing a refurbished 2&amp;quot; tape machine would allow for greater use of our existing 2&amp;quot; tape stock as well as securing the ability to record to tape in a professional capacity in the New Adelphi Studios for years to come.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;In the past year engagement with tape from students has increased 4-fold (if not more) thanks to Tape Recording now being included as an option in L5 ASLR Recording assignments and student demand to be taught in the use of tape recording and analogue methods, as both have seen a particular resurgence in the current popular music scene. Giving our students the ability to have 2 studios available to them where they can use the same size Tape will also resolve the overcrowding/unavailability of Studio 3 as was seen towards the end of last semester.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Serviced and refurbished Tape Machine models in this good condition like the one cited here do not often become available on the market and as such this is an opportunity that may not recur in the near future. We are currently in talks with ProAudio Europe to learn more about the history of the machine and see if they will hold it for us, pending the release of potential funding.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Neve Preamps (replace with something less self-destruction prone e.g. More APIs) - &#039;&#039;&#039;£30,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Despite being made by a brand of great industry repute the Neve Pre-amps bought for the studios from 2014-2016 have proven to be temperamental requiring more expensive external repairs than any other specific piece fo equipment in the recording studios. Replacing these pre-amps would, in the long run, provide more reliability and stability in the recording studios as well as incurring less &amp;quot;surprise&amp;quot; costs, the cost of purchasing new units could be negated in part by the sale of our existing Neve Pre-amp units&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Mix Studio in rehearsal room - &#039;&#039;&#039;£55,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;Much like the recently designed and installed &amp;quot;Composition Studio&amp;quot; the Mix Studio would be a mix focussed space with an excellent monitoring setup and some choice pieces of outboard gear, the current budget is based on the cost of the Composition Studio, though a more accurate figure is currently being put together with a full proposed plan. The studio would alleviate pressure on the current recording studios which are often booked as a mix space, the proposed studio would also be available to a wider variety of students (Standard Composition pathway students would also be able to use this space to complete their final work) catering to a more diverse range of students. As student numbers increase year-on-year this would be a valuable asset that could also remain functioning as a solo rehearsal space shared with the Music Rehearsals department depending on where the time is required most. This space could easily be expanded to provide surround reproduction at only a marginal additional cost.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Redo the whole of voice acting turning it into another fully featured studio, including new ASP8024 mixer, speakers, remodelling of live room, new ceiling, new floor, acoustic treatment - &#039;&#039;&#039;£150,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* 9 UAD octo-core satellites and two Ultimate plugin bundles  - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Refresh of Behringer Powerplay p16-m headphone amps (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£1,500&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Octophonic Rig Replacement (8 x Genelec 8050 + 7050 Sub) - &#039;&#039;&#039;£10,000&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;An Octophonic Audio Installation rig is required for the reproduction of student and staff work and as a specific system to be composed for by Studio Composition students. Over the past few years composition for a specific installation has been available as part of the Surround Studio Composition composition element of the Advanced Studio Composition L5 Module available to all music students and while many students have now been composing in 7.1 thanks to our Surround Studio no such &amp;quot;specific installation&amp;quot; has existed thus far. In acquiring this rig we would be able to begin to compete with neighbouring University&#039;s current installation capabilities (and thus also begin to engage with the modern audio diffusion for composition network) but also allow our Studio Composition students to engage fully with their brief and allow further visibility for the university and the work being created here as a whole.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The rig would be portable and be able to be installed both around the New Adelphi Building as spaces are available but also available to installed on location in necessary engagements: whether this is to allow the university to take part in external symposiums or to help inspire prospective university students. There is a wide culture of audio diffusion also of using multichannel rigs to spatialise stereo compositions which this rig could also be used for as well as bespoke 8 channel pieces, similarly the rig would also be able to downsize to quadrophonic, 5.1 and 7.1 installations depending on the work being displayed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2020-21)===&lt;br /&gt;
* Replacement of Warm Audio Outboard Gear (Usage faults on the units are common, poor build quality) [Aim for higher quality gear e.g. UAD 1176s/Audio Maintenance Pultec] - &#039;&#039;&#039;£25,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of all Studio iMacs [Either iMac Pros or Mac Pros depending on Apple Developments] - &#039;&#039;&#039;£40,000&#039;&#039;&#039;&lt;br /&gt;
* Buy USB-C audio interfaces for location recording - &#039;&#039;&#039;5000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2021-22)===&lt;br /&gt;
* Major refresh of microphone stock (replacing older broken stock/add to existing stock) - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
* New Plugins and software for all the studios - &#039;&#039;&#039;£20,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 7 (2022-23)===&lt;br /&gt;
* Major service of Studer A820 - &#039;&#039;&#039;£5,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 10 (2026-27)===&lt;br /&gt;
* Replacement of an Audient ASP8024 Consoles - &#039;&#039;&#039;£220,000&#039;&#039;&#039;&lt;br /&gt;
* Replacement of Pianos - &#039;&#039;&#039;£60,000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Stores==&lt;br /&gt;
&lt;br /&gt;
===Year 1 (2017-18)===&lt;br /&gt;
* Move in.&lt;br /&gt;
&lt;br /&gt;
===Year 2 (2018-19)===&lt;br /&gt;
* No significant investment.&lt;br /&gt;
&lt;br /&gt;
===Year 3 (2019-20)===&lt;br /&gt;
* Double amount of Ledgo 600s - &#039;&#039;&#039;£3500&#039;&#039;&#039;&lt;br /&gt;
* tripods for ursas&lt;br /&gt;
* UV Filters for Lenses - &#039;&#039;&#039;£1200&#039;&#039;&#039;&lt;br /&gt;
* Workshop Cabinet - https://www.key.co.uk/en/key/bott-cubio-workshop-storage-cabinet-with-48-bins-hxw-2000x800mm&lt;br /&gt;
* 5DS R bodies - 3 - &#039;&#039;&#039;£11000&#039;&#039;&#039;&lt;br /&gt;
* 24-105mm in line with number of full frame bodies - 9 - &#039;&#039;&#039;£9171&#039;&#039;&#039;&lt;br /&gt;
* 35mm 1:2 primes - 3 - &#039;&#039;&#039;£1600&#039;&#039;&#039;&lt;br /&gt;
* 50mm 1:1.8 primes - 5 - &#039;&#039;&#039;£600&#039;&#039;&#039;&lt;br /&gt;
* 70-200mm telephoto - 1 - &#039;&#039;&#039;£589&#039;&#039;&#039;&lt;br /&gt;
* 85mm 1:1.8 primes - 4 - &#039;&#039;&#039;£1700&#039;&#039;&#039;&lt;br /&gt;
* Bayer Dynamic Headphones DT 770 - 9 - &#039;&#039;&#039;£950&#039;&#039;&#039;&lt;br /&gt;
* Action Cameras - &#039;&#039;&#039;£4200&#039;&#039;&#039;&lt;br /&gt;
* Consumer Video Cameras - &#039;&#039;&#039;£6000&#039;&#039;&#039;&lt;br /&gt;
* Consumer Still Cameras - &#039;&#039;&#039;£4000&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===Year 4 (2020-21)===&lt;br /&gt;
* 15x Canon 90D (w/ kit lens)&lt;br /&gt;
* 10x Canon 250D (w/ kit lens)&lt;br /&gt;
* 20x Sigma 17-50 mm Lenses&lt;br /&gt;
* 10x Canon 50 mm f/1.8 Lenses&lt;br /&gt;
* 5x Canon 55-20 0mm Lenses&lt;br /&gt;
* 5x Canon 24 mm Lenses&lt;br /&gt;
&lt;br /&gt;
* 11x Canon 5D&lt;br /&gt;
* Canon 24-105 mm Lenses&lt;br /&gt;
&lt;br /&gt;
===Year 5 (2021-22)===&lt;br /&gt;
&lt;br /&gt;
===Year 6 (2022-23)===&lt;/div&gt;</summary>
		<author><name>A.j.davison</name></author>
	</entry>
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